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Die “roman” in die titel verwys na ’n spinnekop of baardskeerder, wat die teenwoordigheid van onheil, boosheid en gevaar verteenwoordig. Die Klein Karoo se berugte reeksmoordenaar, Gert Bloubaard Swanepoel het in die 1800’s op die spogplaas Rietfontein in die Attaquas tussen Oudtshoorn en Calitzdorp geboer. Swanepoel se pa was ’n siener wat glo met ’n halwe helm gebore is. Hy het groot onheil gesien voor Gert se geboorte. Sy ma was ’n wrede, ongenaakbare en sadistiese mens wat plaaswerkers se kinders se mangels uitgeskep het met ’n rooiwarm teelepel, sonder enige verdowing. Danie Gouws, akademikus van Stellenbosch, vertoef in die Klein Karoo om navorsing te doen oor kulturele gebruike en erfgoed. Waarin hy hom egter vasloop, is die spook van Gert Swanepoel: “Wat Danie Gouws nog nie weet nie, is dat Gert hom gister al sien aankom het toe hy in die pas oor die Gamka gery het.” Want, in die woorde van die oplettende, diepsinnige petroljoggie Willem Marsman: “As jy klippers in dié deel van die wêreld omrol, dan hardloop daar sommer gou gevaarlike goete soos skerpioene oor die vlaktes of ’n romans wat jou jaag om in jou skaduwee te kom”. Kan ’n mens oorlewering glo? Wie was Gert – voorslagboer, veedief, geweldenaar, moordenaar, minaar? Dit hang af met wie ’n mens gesels, want stories is plooibaar.
A reluctant friendship develops between two people in an apartment block in Shanghai. Each has a secret, a hidden past that must not intrude upon the present. Beth has been dispatched from Johannesburg to South Africa’s diplomatic mission in this vast Chinese metropolis. Newly divorced, childless, and uneasy about her decision to remain in the employ of a regime she distrusts, she is adrift in her own life. Until she meets Zhao, her upstairs neighbour. Beth has heard him typing late at night, but Zhao insists she must be mistaken. Zhao – older, unmarried, and a former high-ranking Party journalist – becomes Beth’s friend, the one new friend she has allowed her grownup self to make. And then, one day, Zhao is gone, his disappearance followed by the arrival, through her mail slot in the middle of the night, of chunks of typewritten manuscript pages. Woven into the story are Langston Hughes’s letters to a South African writer about the poet’s own mysterious visit to Shanghai; Zhao’s quest to uncover the truth behind his mother’s disappearance during Communist China’s Great Leap Forward; and the story of Lizzie, a teenager whose decision to join the South African struggle will have far-reaching consequences for the woman she will become. How To Be A Revolutionary is a bold, daring and poignant exploration of what we owe our countries, ourselves and those we love.
In Gode van Papier poog die digter om gestalte te gee aan die moderne mens se gode: gode (ook buite die tradisionele sin van die woord) met voete van klei wat op hul plek gesit en gehou word. Hoewel die woord "gode" dikwels in die bundel gebruik word, dui dit baie keer nie op gode in die tradisionele sin van die woord nie. Allerlei dinge, tot die gedigte self, word gode in hierdie bundel.
Word meegevoer na die asemrowende Afrika-landskap met hierdie pragtige
kartonboek vir kinders (3 jaar en ouer) met lewensgetroue,
hoëgehalte-klanke van die diere van Afrika, van die brullende leeu,
laggende hiënas en trompetterende olifante. Gekombineer met die klanke
is unieke en fassinerende feite, pragtige foto’s wat beide jonk en oud
aantrek.
New Insights into Glioblastoma: Diagnosis, Therapeutics and Theranostics provides a compendium of recent diagnostic and therapeutic advances in GBM, encompassing a pipeline of compounds and (bio) nanotechnology strategies that have stood out with potential increased antitumoral activity and capability to cross the blood-brain barrier. Issues and challenges related to their translation into the clinical practice and their contribution to the increase in survival rates and well-being of patients are addressed. This is a valuable resource for graduate students, oncologists, cancer researchers and members of the biomedical field who need to learn more on recent developments on the management of glioblastoma. The book is split in three parts: Diagnosis, focusing on biomarkers and techniques such PET/MRI, infrared thermography, and deep neural networks; Therapeutics, discussing new chemical entities, as natural products and repurposed drugs, and new formulation approaches, as nanotechnology-based and microRNA approaches; and Theranostics, explaining the role of omics, system-based approaches, and glioblastoma microenvironment.
Dekades lank het Peet van Jaarsveld sy bokplaas Syferfontein in die Karoo met 'n ysterhand bestuur. Na die afsterwe van sy eggenoot leef hy in toenemende isolasie van sy kinders en die gemeenskap en probeer homself probeer oortuig dat sy dade en ongenaakbare houding teenoor ander verantwoord is. Tydens Geloftenaweek in 1960 gebeur daar enkele dinge op sy plaas wat sy ouderdom, eiesinnigheid en verval onder die vergrootglas plaas. Syferfontein is die noukeurige en vaardige bestekopname van die herinneringe, denke en drome van ’n bejaarde man en vertel die verhaal van die uiteindelike ondergang van ’n patriargale Afrikaner oor die tydsverloop van 'n enkele naweek. In hierdie tragedie waarin Peet van Jaarsveld van sy verlede rekenskap neem, wys outeur Cas Wepener ons 'n wereld en 'n denkwyse wat op makabere manier sowel vertroud as vreemd is.
British sci-fi drama. After an asteroid crashes into Earth, aliens invade the ravaged planet to depopulate its surface. As the invaders' spacecraft hangs ominously in the sky above them, survivors of the first cull Cole (Richard J. Danum) and Maya (Gillian MacGregor) frantically search for their missing daughter. As they embark on their search, the couple's relationship yields to the conflict of survival in the apocalyptic event's aftermath.
From the beginning of the twentieth century, United States military individual load-carrying equipments were fabricated mainly of cotton duck and cotton webbing. Throughout the First and Second World Wars, as well as the Korean War, cotton-based load-carrying equipments served the infantryman with little change in their design and construction. In 1954 a new load-carrying system was developed to meet the needs of the infantryman on the perceived battlefields of the Cold War. At the onset of the Vietnam War it was clear that this new cotton-based webbing system was not acceptable for use in the humid environment of the jungles of Southeast Asia. The answer to the problems plaguing cotton load-carrying equipments came in the form of nylon. Nylon equipment was found to be more durable, lighter and dried quicker than the standardized cotton equipment. As the Vietnam War ground down nylon web equipment was proving to be the answer to other load-carrying problems that had arisen during the course of the war. In 1973 an all-nylon load-carrying equipment system was standardized replacing all cotton-based load-carrying equipments in service at the time. Since 1973 all load-carrying equipments have been fabricated utilizing nylon and, in effect, closed the history book on cotton-based equipments. In this book, C A Monroe and Craig Pickrall describe and illustrate the personal equipment of the US Army soldier throughout the period, and show how it has developed to meet changing operational needs.
Casina's friend Steve tells her there are hidden Portals, or entrances, at the City's shops that will transport her to another Place and Time. If she agrees to take up the challenge, he will give her clues as to what she must do to put things right. Testing this, Casina discovers a dark and empty Dr Who shop. She steps closer, the air begins to shimmer and Casina finds herself hurtling through Space no less. Coming to a halt, she hears a humming sound and soon she is witnessing the birth of a New Planet.Further adventures follow such as visiting the Garden of Eden and the Great Pyramids of Egypt, which Casina had always wanted to see.
Drawing together the latest research on migration, gender and COVID-19, this erudite Research Handbook contributes to a better understanding of the immediate and longer-term implications of the pandemic on gender dynamics and roles in international migration. Providing a wealth of expert critical analysis, it considers post-COVID-19 realities and assesses the future scope of research in this interdisciplinary field of study. Capturing multi-disciplinary insights and diverse geographies, the Research Handbook explores migration in all of its facets, from displacement and internal and international mobility to return migration and labour mobility. Chapters address topical issues relating to the policy and programmatic implications of the COVID-19 pandemic for migration and migrants from a gender perspective. Marie McAuliffe and Céline Bauloz, alongside leading researchers and academics, present a major contribution to scholarly inquiry which is crucial for informing inclusive and sustainable responses to improve migrants’ wellbeing and protection. Offering a state-of-the-art review of the implications of COVID-19 on migration through the lens of gender, this Research Handbook will provide a thought-provoking resource for students and researchers in demography, migration studies, geography, political science, sociology and international law. Its critical examination of policy and programmatic interventions designed to address gender inequalities in migration will also be of significant interest to policymakers and practitioners.
Chris Stewart is haunted by an old secret. Betrayed by her husband and supported by her daughter, Alice, and best friend, Babs, she struggles to keep the past at bay. However, when she discovers that she is pregnant by another man, Chris's life is shattered. In Letter to an Unborn Child, C.A. Pearson follows Chris's descent into despair and attempted suicide. the story is a harrowing account of a journey into that other world which is the human psyche: Pearson's sensitive account helps us to understand that it is love that destroys but that, ultimately, it is only love that can heal.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy. |
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