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Showing 1 - 25 of 5603 matches in All Departments
Die “roman” in die titel verwys na ’n spinnekop of baardskeerder, wat die teenwoordigheid van onheil, boosheid en gevaar verteenwoordig. Die Klein Karoo se berugte reeksmoordenaar, Gert Bloubaard Swanepoel het in die 1800’s op die spogplaas Rietfontein in die Attaquas tussen Oudtshoorn en Calitzdorp geboer. Swanepoel se pa was ’n siener wat glo met ’n halwe helm gebore is. Hy het groot onheil gesien voor Gert se geboorte. Sy ma was ’n wrede, ongenaakbare en sadistiese mens wat plaaswerkers se kinders se mangels uitgeskep het met ’n rooiwarm teelepel, sonder enige verdowing. Danie Gouws, akademikus van Stellenbosch, vertoef in die Klein Karoo om navorsing te doen oor kulturele gebruike en erfgoed. Waarin hy hom egter vasloop, is die spook van Gert Swanepoel: “Wat Danie Gouws nog nie weet nie, is dat Gert hom gister al sien aankom het toe hy in die pas oor die Gamka gery het.” Want, in die woorde van die oplettende, diepsinnige petroljoggie Willem Marsman: “As jy klippers in dié deel van die wêreld omrol, dan hardloop daar sommer gou gevaarlike goete soos skerpioene oor die vlaktes of ’n romans wat jou jaag om in jou skaduwee te kom”. Kan ’n mens oorlewering glo? Wie was Gert – voorslagboer, veedief, geweldenaar, moordenaar, minaar? Dit hang af met wie ’n mens gesels, want stories is plooibaar.
Be transported to the breathtaking African landscape with this gorgeous board book for children (aged 3 and up) featuring real-life, high-quality sounds of African bush animals, from the roaring lion, laughing hyenas and trumpeting elephants. Coupled with the sounds are unique and fascinating facts, stunning photographs that appeal to both young and old alike. The Little Book of Safari Animal Sounds is the perfect gift for anyone who loves nature and provides a wonderful new way of recognising wild animals in their habitats. Sounds featured in this sound book are:
In Gode van Papier poog die digter om gestalte te gee aan die moderne mens se gode: gode (ook buite die tradisionele sin van die woord) met voete van klei wat op hul plek gesit en gehou word. Hoewel die woord "gode" dikwels in die bundel gebruik word, dui dit baie keer nie op gode in die tradisionele sin van die woord nie. Allerlei dinge, tot die gedigte self, word gode in hierdie bundel.
Out running an errand, Valeria Cossati gives in to a sudden impulse - she buys a shiny black notebook. She starts keeping a diary in secret, recording her concerns about her daughter, the constant churn of the domestic routine and her fears that her husband will discover her new habit. With each entry Valeria plunges deeper into her interior life, uncovering profound dissatisfaction and restlessness. As she finds her own voice, the roles that have come to define her-as wife, as mother, as daughter-begin to break apart. Forbidden Notebook is a rediscovered jewel of Italian literature, published here in a new translation by the celebrated Ann Goldstein and with a foreword by Jhumpa Lahiri. A captivating feminist classic, it is an intimate, haunting story of domestic discontent in postwar Rome, and of one woman's awakening to her true thoughts and desires.
Dekades lank het Peet van Jaarsveld sy bokplaas Syferfontein in die Karoo met 'n ysterhand bestuur. Na die afsterwe van sy eggenoot leef hy in toenemende isolasie van sy kinders en die gemeenskap en probeer homself probeer oortuig dat sy dade en ongenaakbare houding teenoor ander verantwoord is. Tydens Geloftenaweek in 1960 gebeur daar enkele dinge op sy plaas wat sy ouderdom, eiesinnigheid en verval onder die vergrootglas plaas. Syferfontein is die noukeurige en vaardige bestekopname van die herinneringe, denke en drome van ’n bejaarde man en vertel die verhaal van die uiteindelike ondergang van ’n patriargale Afrikaner oor die tydsverloop van 'n enkele naweek. In hierdie tragedie waarin Peet van Jaarsveld van sy verlede rekenskap neem, wys outeur Cas Wepener ons 'n wereld en 'n denkwyse wat op makabere manier sowel vertroud as vreemd is.
Looking back over her life, Alessandra Corteggiani recalls her youth during the rise of fascism in 1930s Rome. A sensitive child, she was always alert to the loneliness and dissatisfaction of her mother and the other women in their crowded apartment block. Observing how their lives were weighed down by housework and the longing for romance, she became determined to seek another future for herself. This conviction will lead her to rebel against the expectations of her family, rail against the unjust treatment of women and seek to build a life with an anti-fascist professor. As her independence grows, so too does resistance against it - even from those closest to her. Set against the dramatic backdrop of the partisan struggle in the Second World War, Her Side of the Story is a profound, devastating story of one woman's determination to carve her own path.
Casina's friend Steve tells her there are hidden Portals, or entrances, at the City's shops that will transport her to another Place and Time. If she agrees to take up the challenge, he will give her clues as to what she must do to put things right. Testing this, Casina discovers a dark and empty Dr Who shop. She steps closer, the air begins to shimmer and Casina finds herself hurtling through Space no less. Coming to a halt, she hears a humming sound and soon she is witnessing the birth of a New Planet.Further adventures follow such as visiting the Garden of Eden and the Great Pyramids of Egypt, which Casina had always wanted to see.
Chris Stewart is haunted by an old secret. Betrayed by her husband and supported by her daughter, Alice, and best friend, Babs, she struggles to keep the past at bay. However, when she discovers that she is pregnant by another man, Chris's life is shattered. In Letter to an Unborn Child, C.A. Pearson follows Chris's descent into despair and attempted suicide. the story is a harrowing account of a journey into that other world which is the human psyche: Pearson's sensitive account helps us to understand that it is love that destroys but that, ultimately, it is only love that can heal.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy. |
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