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Redrawing the conventional map of Victorian Poetics Victorian
Poetry and the Poetics of the Literary Periodical offers an
alternative history of Victorian poetry that asserts the
fundamental importance of popular periodical poetry to our
understanding of Victorian poetics. Reading the poetry of
un-anthologised, unnamed and underappreciated poets alongside that
of Tennyson, Barrett Browning and Rossetti, Ehnes argues that the
popular poet is not a marginal poet: he, and especially she,
occupies the centre of literary culture, producing the poetry
consumed by the majority of Victorian readers. Key Features
Provides an invaluable index of the poetry published in the
periodicals Includes brief biographic entries for each major figure
discussed Analyses periodicals including Macmillan's Magazine,
Charles Dickens's Household Words and All the Year Round, Once a
Week, William Thackeray's Cornhill, the religious periodical Good
Words, and the Argosy each as separate case study
Redrawing the conventional map of Victorian Poetics Victorian
Poetry and the Poetics of the Literary Periodical offers an
alternative history of Victorian poetry that asserts the
fundamental importance of popular periodical poetry to our
understanding of Victorian poetics. Reading the poetry of
un-anthologised, unnamed and underappreciated poets alongside that
of Tennyson, Barrett Browning and Rossetti, Ehnes argues that the
popular poet is not a marginal poet: he, and especially she,
occupies the centre of literary culture, producing the poetry
consumed by the majority of Victorian readers. Key Features
Provides an invaluable index of the poetry published in the
periodicals Includes brief biographic entries for each major figure
discussed Analyses periodicals including Macmillan's Magazine,
Charles Dickens's Household Words and All the Year Round, Once a
Week, William Thackeray's Cornhill, the religious periodical Good
Words, and the Argosy each as separate case study
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