For centuries handcrafted tile has been a predominant decorative surface in tropical climes from Middle East through the Gulf of Mexico to California. California tile makers excelled in their craft during the first half of the twentieth century, producing richly patterned designs for building facades, interiors, garden ornamentation, furniture, and even serving pieces. "Old California" art tile is rich in tradition and innovation. Over 1700 color images in two volumes, comprise this comprehensive collection, with essays on early California tile companies. Arranged alphabetically by company, this volume includes hundreds of tiles from: Hispano-Moresque, Kraftile, Helen Greenleaf Lane, L.A. Pressed Brick, Malibu, Markoff, Muresque, Pacific, Pomona, Poxon, Rhead, S & S, Taylor, Tropico, Tudor, Walrich, West Coast, Woolenius, and tile furnishings and crafts from Cellini-Craft, Hillside Pottery, and Monterey Furniture. A companion volume covers potteries from Acme to Handcraft. Both volumes are enriched by rarely seen archival photographs including historical site installations and have useful guides to tile terminology and techniques. This landmark publication, designed to broaden appreciation of this colorful and varied aspect of American decorative arts, will serve to inspire and guide architects, designers, collectors, and historians alike

More than 350 beautiful color photographs and a descriptive text depict 18th to mid-20th century Mexican devotional art including danced masks, devils and angels, santos, milagritos, retablos, and ex-votos. These religious items were used in ceremonies both at home and church, and include wood carvings, as well as clay, stone, metal, and paper items. Seven essays include a major new work by historian and scholar Gloria Fraser Giffords, who, along with Tom Pirazzini, edited the essays. Other essays are by Philip Wrench, Roberto G. Cruz Floriano, Janet Brady Esser, Martha J. Egan, and Joanna Stuhr cover ing the history, symbolism, and uses of Mexican devotional art, as well as the methods of manufacture. For historians, folk art connoiseurs, and those who have an interest in Mexican culture, this is an essential and welcome new volume.