This book explores the hopeful possibility that emerging geographies of postsecularity are able to contribute significantly to the understanding of how common life may be shared, and how caring for the common goods of social justice, well-being, equality, solidarity and respect for difference may be imagined and practiced. Drawing on recent geographic theory to recalibrate ideas of the postsecular public sphere, the authors develop the case for postsecularity as a condition of being that is characterised by practices of receptive generosity, rapprochement between religious and secular ethics, and a hopeful re-enchantment and re-shaping of desire towards common life. The authors highlight the contested formation of ethical subjectivity under neoliberalism and the emergence of postsecularity within this process as an ethically-attuned politics which changes relations between religion and secularity and animates novel, hopeful imaginations, subjectivities, and praxes as alternatives to neoliberal norms. The spaces and subjectivities of emergent postsecularity are examined through a series of innovative case studies, including food banks, drug and alcohol treatment, refugee humanitarian activism in Calais, homeless participatory art projects, community responses to the Christchurch earthquakes in New Zealand, amongst others. The book also traces the global conditions for postsecularity beyond the Western and predominantly Christian-secular nexus of engagement. This is a valuable resource for students in several academic disciplines, including geography, sociology, politics, religious studies, international development and anthropology. It will be of great interest to secular and faith-based practitioners working in religion, spirituality, politics or more widely in public policy, urban planning and community development.

This book explores the hopeful possibility that emerging geographies of postsecularity are able to contribute significantly to the understanding of how common life may be shared, and how caring for the common goods of social justice, well-being, equality, solidarity and respect for difference may be imagined and practiced. Drawing on recent geographic theory to recalibrate ideas of the postsecular public sphere, the authors develop the case for postsecularity as a condition of being that is characterised by practices of receptive generosity, rapprochement between religious and secular ethics, and a hopeful re-enchantment and re-shaping of desire towards common life. The authors highlight the contested formation of ethical subjectivity under neoliberalism and the emergence of postsecularity within this process as an ethically-attuned politics which changes relations between religion and secularity and animates novel, hopeful imaginations, subjectivities, and praxes as alternatives to neoliberal norms. The spaces and subjectivities of emergent postsecularity are examined through a series of innovative case studies, including food banks, drug and alcohol treatment, refugee humanitarian activism in Calais, homeless participatory art projects, community responses to the Christchurch earthquakes in New Zealand, amongst others. The book also traces the global conditions for postsecularity beyond the Western and predominantly Christian-secular nexus of engagement. This is a valuable resource for students in several academic disciplines, including geography, sociology, politics, religious studies, international development and anthropology. It will be of great interest to secular and faith-based practitioners working in religion, spirituality, politics or more widely in public policy, urban planning and community development.

The complete series 1-4 of Lynda La Plante's crime drama following DC Anna Travis (Kelly Reilly). In series one the newly qualified Travis joins a team on the hunt for a particularly gruesome serial killer. When the latest victim is found and doesn't fit the usual profile of the killer's victims, Travis sets out to prove herself, even if that means becoming personally involved. In series two, 'The Red Dahlia', the discovery of the mutilated body of a young woman seems to echo that of the notorious unsolved Los Angeles 'Black Dahlia' murder of the 1940s. Fearing they have a copycat killer on the loose, Travis and DCI Langton (Ciarán Hinds) try to pre-empt the killer's next moves by using clues from the original murder. In series three, 'Deadly Intent', the shooting of former drug squad officer Frank Brandon (Callum Sutherland) opens yet another intriguing case for Travis and her sidekick, DCI Langton, as the pair discover connections between the dead man and an infamous drug overlord. Finally, the fourth series sees Travis set out to investigate the murder of a famous young actress. With the case anything but straightforward and Langton acting up after missing out on promotion, the talented investigator will need to dig deep if she wants to get to the bottom of the mystery.