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Focused on French cultural responses to the 2008 global financial
crisis in cinema, literature and theory, Derivative Images offers
detailed analyses of post-2008 French-language works, including Les
Effondres (2010), Le Grand Retournement (2013) and L'Outsider
(2016), to show how they appropriate and reconfigure notions at the
heart of the crisis, such as derivatives, financial trading and
markets. Drawing on ideas from thinkers such as Jonathan Beller,
Yves Citton and Peter Szendy, this book shows how derivatives can
be taken as a conceptual resource for thinking about creative
practice and the circulation of audio-visual images today.
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