The best new research on medieval clothing and textiles, drawing from a range of disciplines and with a special focus on reconstruction. The fourth volume of this landmark series features a special focus on headdress, with papers analysing women's turbans in fifteenth-century French manuscript paintings; the changing meaning of the term cuff; the spread of wimple from England to Southern Italy; and a surviving embroidered linen cap attributed to Saint Birgitta of Sweden. Northern European dress and textiles are further explored in papers on archaeological textiles from medieval towns in Finland, Norway, and Sweden; the construction of gowns excavated at Herjolfsnes, Greenland; and references to scarlet clothing in Icelandic sagas. Other papers focus on linen production in medieval Russia and an enigmatic quilt of Henry VIII's that almost certainly arrived in England as part of the dowry of Catherine of Aragon. Also included are reviews of recent books on clothing and textiles. ROBIN NETHERTON is a professional editor and a researcher/lecturer on the interpretation of medieval European dress; GALE R. OWEN-CROCKER is Professor of Anglo-Saxon Culture at the University of Manchester. Contributors: MARK CHAMBERS, CAMILLA LUISE DAHL, LISA EVANS, JOHN BLOCK FRIEDMAN, LENA HAMMARLUND, HEINI KIRJAVAINEN, ALEXANDRA M. LESTER, ROBIN NETHERTON, GALE R. OWEN-CROCKER, KATHRINE VESTERGARD PEDERSEN, HEIDI M. SHERMAN, LUCIA SINISI, ISIS STURTEWAGEN, MARIANNE VEDELER, ANNA ZANCHI

The best new research on medieval clothing and textiles, drawing from a range of disciplines. The studies collected here range through art, artifacts, documentary text, and poetry, addressing both real and symbolic functions of dress and textiles. John Block Friedman breaks new ground with his article on clothing for pets and other animals, while Grzegorz Pac compares depictions of sacred and royal female dress and evaluates attempts to link them together. Jonathan C. Cooper describes the clothing of scholars in Scotland's three pre-Reformation universities and the effects of the Reformation upon it. Camilla Luise Dahl examines references to women's garments in probates and what they reveal about early modern fashions. Megan Cavell focuses on the treatment of textiles associated with the Holy of Holies in Old English biblical poetry. Frances Pritchard examines the iconography, heraldry, and inscriptions on a worn and repaired set of embroidered fifteenth-century orphreys to determine their origin.Finally, Thomas M. Izbicki summarizes evidence for the choice of white linen for the altar and the responsibilities of priests for keeping it clean and in good repair.