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A provocative and unconventional call to dispossess the self of
itself Challenging the contemporary notion of "self-care" and the
Western mania for "self-possession," The Comic Self deploys
philosophical discourse and literary expression to propose an
alternate and less toxic model for human aspiration: a comic self.
Timothy Campbell and Grant Farred argue that the problem with the
"care of the self," from Foucault onward, is that it reinforces
identity, strengthening the relation between I and mine. This
assertion of self-possession raises a question vital for
understanding how we are to live with each other and ourselves: How
can you care for something that is truly not yours? The answer lies
in the unrepresentable comic self. Campbell and Farred range across
philosophy, literature, and contemporary comedy-engaging with
Socrates, Burke, Hume, Hegel, Marx, Nietzsche, Heidegger, Derrida,
Deleuze, and Levinas; Shakespeare, Cervantes, Woolf, Kafka, and
Pasolini; and Stephen Colbert, David Chappelle, and the cast of
Saturday Night Live. They uncover spaces where the dispossession of
self and, with it, the dismantling of the regime of self-care are
possible. Arguing that the comic self always keeps a precarious
closeness to the tragic self, while opposing the machinations of
capital endemic to the logic of self-possession, they provide a
powerful and provocative antidote to the tragic self that so
dominates the tenor of our times.
A provocative and unconventional call to dispossess the self of
itself  Challenging the contemporary notion of
“self-care” and the Western mania for “self-possession,”
The Comic Self deploys philosophical discourse and literary
expression to propose an alternate and less toxic model for human
aspiration: a comic self. Timothy Campbell and Grant Farred argue
that the problem with the “care of the self,” from Foucault
onward, is that it reinforces identity, strengthening the relation
between I and mine. This assertion of self-possession raises a
question vital for understanding how we are to live with each other
and ourselves: How can you care for something that is truly not
yours? The answer lies in the unrepresentable comic self. Campbell
and Farred range across philosophy, literature, and contemporary
comedy—engaging with Socrates, Burke, Hume, Hegel, Marx,
Nietzsche, Heidegger, Derrida, Deleuze, and Levinas; Shakespeare,
Cervantes, Woolf, Kafka, and Pasolini; and Stephen Colbert, David
Chappelle, and the cast of Saturday Night Live. They uncover spaces
where the dispossession of self and, with it, the dismantling of
the regime of self-care are possible. Arguing that the comic self
always keeps a precarious closeness to the tragic self, while
opposing the machinations of capital endemic to the logic of
self-possession, they provide a powerful and provocative antidote
to the tragic self that so dominates the tenor of our times.
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