Margaret Atwood is arguably the most renowned and internationally acclaimed Canadian writer, poet, novelist, short story writer, literary critic, and environmental activist. In this incisive interpretation of Atwood's prose, Candy D'Cunha argues that the novelist's ecosophical vision provides valuable lessons that could help in creating a greater and more responsible awareness in the modern psyche about the environment. By exploring the works of Atwood, one can understand the need for a deeper rethinking and a clearer re-orientation in this area. Select novels, namely Surfacing (1972), The Handmaid's Tale (1985), Oryx and Crake (2003), The Year of the Flood (2009), and MaddAddam (2013), bring out the principles of ecological philosophy by describing various aspects of the current ecological crisis. Duplicity in the norms and recognition, the degradation of the environment, consequent tragic dilemmas, and the general ghastliness of life are all found in Atwood's oeuvre. A number of studies have been made on the thematic works of Atwood, such as feminism, quest for identity, power and politics, dystopian and utopian elements, but this book is the first ecosophical exploration of Atwood's themes and concerns. This volume enables readers to propagate the requisite ecological wisdom for self-realization for the harmonious and just development of society. Interpreting Atwood's works from an Indian perspective also helps to promote Indian ecological justice.

Awareness of eco-literature has recalled the central ideology of environmentalism - "to think globally and act locally." As this volume shows, various tags of contemporary discourse have emerged, including transnational, cosmopolitan, hybridity, diaspora, and generally cultural. These concerns highlight such global environmental problems as biodiversity, climate change, and developing new forms of interconnectedness with local and regional communities. In this context, contemporary discourse becomes of immediate concern in understanding the environmental crisis. In a way, reading different cultures and experiences can contribute to a contemporary discourse that can facilitate an environmental sensibility and develop a unique ecological approach.

The study of literature and the environment evokes and promotes this highly original eco-critical collection and its contributions to evaluating the preservation of nature and human attachment and to situate it at a local, communitarian, or bio-regional level. Revisiting eco-literature can aid our exploration of numerous global issues and challenges through a literary rendition of the natural world in poetry, fiction, and non-fiction. Reflecting on different works will prompt the readers to intensify their search for viable and effective choices and healthy alternatives in a confusing world.

Eco-criticism, as explored in this volume edited by Sr. Candy D'Cunha, begins with the concept of imagination, in other words, eco-aesthetics through which the power of words, stories, images, essence, and meaning are directly applied to environmental problems that afflict planet earth today. On the other hand, eco-criticism also concurs with the other branches of environmental humanities in the realm of history, ethics, anthropology, religious studies, and humanistic geography, among others. Arising from developing world perspectives, these fields harmonize environmental phenomena to comprehend the array of environmental concerns through a transnational perspective. In addition to these, the honest depiction of the harm done to the environment is to enable human to rethink and reorient themselves for radically transforming the present eco-system.