Hung Lou Meng, or Dream of the Red Chamber, composed by Cao Xueqin, is one of China's Four Great Classical Novels. It is considered to be a masterpiece of Chinese literature and is generally acknowledged to be the pinnacle of Chinese fiction. Red Chamber is believed to be semi-autobiographical, mirroring the rise and decay of author Cao Xueqin's own family and, by extension, of the Qing Dynasty.

"One of the great novels of world literature…to the Chinese as Proust is to the French or Karamazov to the Russians." --Anthony West, literary critic Dream of the Red Chamber (also known as The Story of the Stone) is renowned for its epic scope, rich psychological characterizations and telling observations on family life and the role of women in Chinese society. One of the Four Great Classical Novels in Chinese literature, along with Journey to the West, The Water Margin, and Romance of the Three Kingdoms; Dream of the Red Chamber is widely regarded as the greatest Chinese classical novel, and one of the greatest works of world literature ever written. The "red chamber" refers to a sheltered area in wealthy households where daughters were confined until married--a veritable prison where dreams of true love wither. This sweeping tale tells of the rise and fall of rival branches of the wealthy Jia family, who live in lavish adjacent compounds surrounded by a lush, private garden. The story opens with the birth of Jia Baoyu, heir apparent and darling of the women in the Jia household. A free-thinker and idealist, Baoyu soon rebels against his stern father, who refuses to allow his son to pursue a romantic affair with Lin Daiyu--a headstrong and intelligent woman who shares his love of music and poetry. Baoyu is forced instead to marry Xue Baochai, an equally talented and beautiful woman but someone with whom he has no emotional connection. The fates of the star-crossed lovers and their families slowly unravel as this tragic story unfolds. Dream of the Red Chamber, although written by a man, is said to be one of the first great works of women's literature. The author, Cao Xueqin, is thought to have written the novel as a memorial to the inspiring women he knew in his youth.

For generations, the Jia family is held in high esteem but when they lose favor with the emperor, their luxury lifestyle comes to an end. The Story of the Stone focuses on internal and external conflicts that arise as they adjust to their unexpected plight. Jia Baoyu is heir to a prestigious family, that's held multiple imperial titles throughout the years. Despite their history and social standing, they are targeted by the emperor who strips them of their land and personal fortune. As the family's wealth wanes, the young Jia struggles with his affection for his cousin Lin Daiyu, as he's already engaged to Xue Baochai. It's a compelling romance drama set against the family's economic decline. Revered for centuries, The Story of the Stone is one of the Four Classic Novels in Chinese literature. It's a depiction of pre-modern times that is both bleak and illuminating. Cao Xueqin delivers a piercing commentary on the duplicity of the social and political structure. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Story of the Stone is both modern and readable.

The Story of the Stone (c. 1760), also known by the title of The Dream of the Red Chamber, is the great novel of manners in Chinese literature.

Divided into five volumes, of which The Crab-Flower Club is the second, it charts the glory and decline of the illustrious Jia family (a story which closely accords with the fortunes of the author’s own family). The two main characters, Bao-yu and Dai-yu, are set against a rich tapestry of humour, realistic detail and delicate poetry, which accurately reflects the ritualized hurly-burly of Chinese family life. But over and above the novel hangs the constant reminder that there is another plane of existence – a theme which affirms the Buddhist belief in a supernatural scheme of things.

This book, from the series Primary Sources: Historical Books of the World (Asia and Far East Collection), represents an important historical artifact on Asian history and culture. Its contents come from the legions of academic literature and research on the subject produced over the last several hundred years. Covered within is a discussion drawn from many areas of study and research on the subject. From analyses of the varied geography that encompasses the Asian continent to significant time periods spanning centuries, the book was made in an effort to preserve the work of previous generations.

Divided into five volumes, The Story of the Stone charts the glory and decline of the illustrious Jia family. This novel re-creates the ritualized hurly-burly of Chinese family life that would otherwise be lost and infuses it with affirming Buddhist belief.

The Story of the Stone (c. 1760), also known by the title of The Dream of the Red Chamber, is the great novel of manners in Chinese literature.

Divided into five volumes, of which The Dreamer Wakes is the fifth, it charts the glory and decline of the illustrious Jia family (a story which closely accords with the fortunes of the author’s own family). The two main characters, Bao-yu and Dai-yu, are set against a rich tapestry of humour, realistic detail and delicate poetry, which accurately reflects the ritualized hurly-burly of Chinese family life. But over and above the novel hangs the constant reminder that there is another plane of existence – a theme which affirms the Buddhist belief in a supernatural scheme of things.

The Story of the Stone (c. 1760), also known by the title of The Dream of the Red Chamber, is the great novel of manners in Chinese literature.

Divided into five volumes, of which The Debt of Tears is the fourth, it charts the glory and decline of the illustrious Jia family (a story which closely accords with the fortunes of the author’s own family). The two main characters, Bao-yu and Dai-yu, are set against a rich tapestry of humour, realistic detail and delicate poetry, which accurately reflects the ritualized hurly-burly of Chinese family life. But over and above the novel hangs the constant reminder that there is another plane of existence – a theme which affirms the Buddhist belief in a supernatural scheme of things.

Dream of the Red Chamber is a masterpiece of Chinese literature and one of China's Four Great Classical Novels. It was composed in the mid-18th century during the Qing Dynasty and is generally acknowledged to be a pinnacle of Chinese fiction. The novel is believed to be semi-autobiographical, mirroring the rise and decay of author's own family and, by extension, of the Qing Dynasty. As the author states in the first chapter, it is intended to be a memorial to the women he knew in his youth - friends, relatives and servants. At the center of the story is Bao-yu, a precocious, spoiled, and undisciplined boy and his romantic affinity to his poetry-loving, orphaned cousin, Dai-yu. The novel is remarkable not only for its huge cast of characters and psychological scope, but also for its precise and detailed observation of the life and social structures typical of 18th-century Chinese aristocracy.

Dream of the Red Chamber is a masterpiece of Chinese literature and one of China's Four Great Classical Novels. It was composed in the mid-18th century during the Qing Dynasty and is generally acknowledged to be a pinnacle of Chinese fiction. The novel is believed to be semi-autobiographical, mirroring the rise and decay of author's own family and, by extension, of the Qing Dynasty. As the author states in the first chapter, it is intended to be a memorial to the women he knew in his youth - friends, relatives and servants. At the center of the story is Bao-yu, a precocious, spoiled, and undisciplined boy and his romantic affinity to his poetry-loving, orphaned cousin, Dai-yu. The novel is remarkable not only for its huge cast of characters and psychological scope, but also for its precise and detailed observation of the life and social structures typical of 18th-century Chinese aristocracy.

Shih Jung perceiving the perspicacity of his speech and the propriety of his utterances, simultaneously turned towards Chia Chen and observed with a smile on his face: "Your worthy son is, in very truth, like the young of a dragon or like the nestling of a phoenix! and this isn't an idle compliment which I, a despicable prince, utter in your venerable presence! But how much more glorious will be, in the future, the voice of the young phoenix than that of the old phoenix, it isn't easy to ascertain."

"I just now simply spoke in jest about those cups in order to induce them to laugh," old goody Liu at these words, mused within herself, "but, who would have thought that she actually has some of the kind. I've often been to the large households of village gentry on a visit, and even been to banquets there and seen both gold cups and silver cups; but never have I beheld any wooden ones about! Ah, of course! They must, I expect, be the wooden bowls used by the young children. Their object must be to inveigle me to have a couple of bowlfuls more than is good for me! But I don't mind it. This wine is, verily, like honey, so if I drink a little more, it won't do me any harm."