Suffragist, lecturer, eugenicist, businesswoman, free lover, and the first woman to run for president of the United States, Victoria C. Woodhull (1838-1927) has been all but forgotten as a leading nineteenth-century feminist writer and radical. "Selected Writings of Victoria Woodhull" is the first multigenre, multisubject collection of her materials, giving contemporary audiences a glimpse into the radical views of this nineteenth-century woman who advocated free love between consensual adults and who was labeled "Mrs. Satan" by cartoonist Thomas Nast. Woodhull's texts reveal the multiple conflicting aspects of this influential woman, who has been portrayed in the past as either a disreputable figure or a brave pioneer. This collection of letters, speeches, essays, and articles elucidate some of the lesser-known movements and ideas of the nineteenth century. It also highlights, through Woodhull's correspondence with fellow suffragist Lucretia Mott, tensions within the suffragist movement and demonstrates the changing political atmosphere and role of women in business and politics in the late nineteenth century. With a comprehensive introduction contextualizing Woodhull's most important writing, this collection provides a clear lens through which to view late nineteenth-century suffragism, labor reform, reproductive rights, sexual politics, and spiritualism.

The Selected Works of Ora Eddleman Reed collects the writings of Ora Eddleman Reed with an introduction that contextualizes her as an author, a publishing pioneer, a New Woman, and a person with a complicated lineage. “Little Writer� Ora V. Eddleman (pseudonym Mignon Schrieber) was only eighteen when she published her first work in the Indian Territory newspaper Twin Territories, which she edited for much of its brief run. This publication promoted the literary works of Muskogee Creek poet Chinnubbie Harjo (Alexander Posey), Cherokee historian Joshua Ross, and Muskogee Creek chief Pleasant Porter. In the advice column “What the Curious Want to Know,� Eddleman Reed answered readers from around the country who had ignorant impressions of Indian Territory (and whose questions, notably, she did not include). Such columns were accompanied by pieces that amount to some of the earliest Native historiography by an American woman claiming Indigenous heritage. Twin Territories was directed at both Natives and non-Natives and had a national readership. The heterogeneous form of the newspaper gave room for healthy internal debate on controversial ideas like Indigenous sovereignty and assimilation, affirming Native Americans as a significant, diverse collective. In this first book of Eddleman Reed’s work, Cari M. Carpenter and Karen L. Kilcup revive the writings of an important author, publisher, and activist for Cherokee rights.  

Sarah Winnemucca Hopkins (Northern Paiute) has long been recognized as an important nineteenth-century American Indian activist and writer. Yet her acclaimed performances and speaking tours across the United States, along with the copious newspaper articles that grew out of those tours, have been largely ignored and forgotten. The Newspaper Warrior presents new material that enhances public memory as the first volume to collect hundreds of newspaper articles, letters to the editor, advertisements, book reviews, and editorial comments by and about Sarah Winnemucca Hopkins. This anthology gathers together her literary production for newspapers and magazines from her 1864 performances in San Francisco to her untimely death in 1891, focusing on the years 1879 to 1887, when Winnemucca Hopkins gave hundreds of lectures in the eastern and western United States; published her book, Life among the Piutes: Their Wrongs and Claims (1883); and established a bilingual school for Native American children. Editors Cari M. Carpenter and Carolyn Sorisio masterfully assemble these exceptional and long-forgotten articles in a call for a deeper assessment and appreciation of Winnemucca Hopkins's stature as a Native American author, while also raising important questions about the nature of Native American literature and authorship.