The Susquehana River is the longest river in the eastern United States, running 444 miles from its headwaters in the Appalachian Mountains of New York to its outlet in Chesapeake Bay. Its storied history includes the early native populations of Susquehannock and Iroquois peoples, the key roles it played in the Revolutionary and Civil Wars, and environmental degradation brought on the by industrialization in the 19th century.

New York State has had its share of writers who have, at some point in their careers, taken New York as their subject. The writings compiled here by Carl Carmer, a native of New York State and one of its finest folklorists, celebrate what he calls the "undefined gleanings" of this great state, spanning four centuries and six regions of its upstate region. Carmer writes in his foreword: "I have long held that "York State" is a country, that its people have specific characteristics that make it distinctive." Tavern Lamps gives us 98 British and American authors (with a biographical listing of the authorship in the back of the book) and over 150 selections celebrating the ruch culture and heritage of the state. In the collection, we read Rudyard Kipling on Buffalo's grain elevators, Edith Wharton in the Hudson River Country, Theodore Dreiser on Owego, Herman Melville on the Erie Canal, Henry James on Saratoga, Washington Irving on Knickerbocker, Samuel L. Clemens, De Witt cLinton, Edna St. Vincent Millay, and many more. This collection, complemented by 40 paintings from the collection of the New York State Historical Association gives us upstate New York from a myriad of its inhabitants and visitors, a multi-faceted portrait of an area about which Carmer hopes "the peppered reader will be convinced that there is an over-all one of a kind nonesuchness that separates upstate from the rest of the world."

A prolific writer of prose, poetry, and regional history, Carl Carmer first gained national attention with Stars Fell n Alabama, a book about Alabama folkways. But it is his writings about upstate New York, where he was born and lived for much of his life, that firmly established him as a folk historian and master storyteller. The Hudson, originally published in 1939, is the most popular of these writings. Best of the Rivers of America series, The Hudson is less a formal historical account of the discovery and development of the river that a personal, anecdotal view of it. Included are tales of white-sailed sloops and steamboats racing from Albany to New York; of old whalers and trader sea dogs of the Catskill shore; of showboats playing anti-rent meoldramas to incite farmers against their landlords; of great disasters and heroic deeds; of the efforts of the Hudson River School to capture "sublimity" on canvas; of the quarrelsome, rough-and-tumble life of the Dutch along the river's banks, and many more. This commemorative fiftieth anniversary edition features 16 new drawings by Hudson River artist Edward J. McLaughlin, a foreward by New York historian Louis C. Jones, and an afterword by Roger Panetta, professor of history at the College of New Rochelle.

A prolific writer of prose, poetry, and regional history, Carl Carmer first gained national attention with Stars Fell n Alabama, a book about Alabama folkways. But it is his writings about upstate New York, where he was born and lived for much of his life, that firmly established him as a folk historian and master storyteller. The Hudson, originally published in 1939, is the most popular of these writings. Best of the Rivers of America series, The Hudson is less a formal historical account of the discovery and development of the river that a personal, anecdotal view of it. Included are tales of white-sailed sloops and steamboats racing from Albany to New York; of old whalers and trader sea dogs of the Catskill shore; of showboats playing anti-rent meoldramas to inctie farmers against their landlords; of great disasters and heroic deeds; of the efforts of the Hudson River School to capture "sublimity" on canvas; of the quarrelsome, rough-and-tumble life of the Dutch along the river's banks, and many more. This commemorative fiftieth anniversary edition features 16 new drawings by Hudson River artist Edward J. McLaughlin, a foreward by New York historian Louis C. Jones, and an afterword by Roger Panetta, professor of history at the College of New Rochelle.

This is a new release of the original 1947 edition.

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"A beautifully written informal account of the Tampa Bay region."--Library Journal "A colorful history of Tampa Bay, the Hillsborough River which flows into it, and the cities of Tampa and St. Petersburg, together with their smaller satellite communities."-- Publishers Weekly From its idyllic source in the Green Swamp, the Hillsborough River winds past columns of cypress and matted shrubs and opens into Tampa Bay, part of Florida's urbanized, publicized western Suncoast. The river is not a long one, but the size of its legend in contemporary America is far-reaching. Many factors have made the area special: its natural history; its successive waves of immigrants; its wars, booms, and depressions. The cigar industry, banana exporting, cattle raising, fishing, and retirement have attracted many settlers in search of the "Golden Ibis." All too often the vision has proved elusive, but for some, like Henry Plant and Doc Webb, the spectacular was possible. For others, like the Seminoles, a way of life ended. In a narrative that is as exciting to read as it is historically compelling, Gloria Jahoda traces the Hillsborough River's origin to prehistoric times, chronicles the arrivals of the conquistadores, the missionaries, and the marauders greedy for civilizing and for treasure, and points out how 20th-century ambitions threaten to destroy the environment as surely as earlier encroachment annihilated native peoples. Gloria Jahoda, who lived in Tallahassee, Florida, was the author of The Other Florida, The Road to Samarkand, and the novels Annie and Delilah's Mountain. She died in 1980. River of the Golden Ibis was originally published in 1973.

This work spans 30 years and reaches from Niagara Falls to Montauk Point. It consists of folklore, character sketches, ghost stories and pieces of regional history. Special attention is given to the fate of Native Americans and the erosion of the State's natural beauty.