Architecture of the Last Colony surveys the most important extantbuildings in the state of Georgia, focusing on structures that showcase successful historic preservation practices and techniques. Richly illustrated with full-color, large-format photographs of these structures along with descriptions of their architectural significance, this book tells the story of how Georgia’s built environment reflects its growth from 1733 to the present. While numerous books about Georgia architecture feature buildings that have been lost to demolition, this volume focuses on extant structures that readers can visit and observe for themselves. The buildings range in style from the folk-art structures of St. EOM’s Pasaquan and Howard Finster’s Paradise Gardens to the suburban Craftsman bungalows of Leila Ross Wilburn to the lavish antebellum mansions of Savannah and Athens, Georgia. Noted architectural photographers, including Brian Brown, Diane Kirkland, James Lockhart, Charlie Miller, and John Tatum, provide the companion photographs. The six chapters in the book, written by architectural historians with subject-matter expertise, are organized chronologically and by architectural style, covering the earliest buildings in Georgia up through significant contemporary structures of the twentieth century. These buildings tell a diverse story that shows how nationally significant architects and Native Americans, pioneer, female, and African American architects have all contributed to Georgia’s built environment.

What Sally Gable thought she wanted was a summer house in New Hampshire. What she found and learned to love was a new life in a beautiful and celebrated Palladian villa in the countryside outside Venice. In "Palladian Days, she takes us with her on a journey of discovery and transformation as she and her husband, Carl, become the bemused owners of Villa Cornaro, built in 1552 by the great Renaissance architect Andrea Palladio called by "Town & Country one of the ten most influential buildings in the world.
Sally Gable writes lovingly of the villa as she and Carl settle in and slowly uncover its history, the lives of its former inhabitants, and its architectural pleasures. She tells of her early days there, learning to speak Italian with the help of her engaging new neighbors in the tiny town that surrounds the villa, Piombino Dese, a place both traditional and busily modern with its old-fashioned street markets and its burgeoning economy.
She writes with beguiling humor about learning to take care of a Renaissance palace with its 104 frescoes and 44 pairs of shutters (all of which have to be opened and closed daily). She tells of baffling encounters with the "soprintendente di belle arti, who must give permission for even the smallest repair to the Italian national treasure Sally and Carl call home. And she describes the life she and her husband create for the villa itself, allowing it to be used for concerts, ballet performances, even as a movie set.
In "Palladian Days, we enter with Sally and Carl into their engrossing adventure, following along as they are woven ever more deeply into the fabric of small-town Italy and into its larger national history. Their story willdelight travelers and would-be travelers; all who are fascinated by architecture, by art, by the powerful essence of place--and, especially, house-dreamers everywhere.