Anyone who has ever filled in a form in triplicate, taken an aptitude test, or been rebuffed by a form letter will appreciate the urban folklore found in this collection. Urban people as a folk are bound together by their unhappy experiences in battling "the system," whether that system is the machinery of government or the office where one works. The wonderfully expressive materials in this book--chain letters, memoranda, notices, and cartoons--touch upon every major controversy of urban America: racism, sex, politics, automation, alienation, welfare, the women's movement, military mentality, and office bureaucracy. The humor of the materials pinpoints the ills and frustrations of modern society and becomes, in turn, an escape from them.

Office copier folklore--those tattered sheets of cartoons, mottoes, zany poems, defiant sayings, parodies, and crude jokes that regularly circulate in office buildings everywhere--is the subject of this innovative study. this type of folklore represents a major form of tradition in modern America, and the authors have compiled this raw data for scholarship--and entertainment. These creations of the Paperwork Empire comment on topics and problems that concern all urban Americans. No one and nothing escapes their raunchy wit and sarcasm. Bosses, ethnic groups, minorities, the sexes, alternative lifestyles, politics, welfare, government workers, the law, bureaucracy, and even "The Night Before Christmas" all come under fire to form a biting, and hilarious, commentary on modern American society.

Never Try to Teach a Pig to Sing documents the thriving folklore tradition that circulates in the workplace. Alan Dundes and Carl Pagter have collected more than two hundred and fifty "signs of the times"--the office memoranda, parodies, cartoons, and poems that daily make their way through copy machines, interoffice mail systems, and fax machines and are affixed to bulletin boards and water coolers. The rich vein of urban folklore tapped by this imaginative volume constitutes a great testament to one of the world's most prolific authors--anonymous. The popularity of the items featured in this timely book is apparent by their reproduction in mass or popular cultural form--as greeting cards, plaques, and bumper stickers--reminding us of the inevitable interplay between folklore and mass culture. Dundes and Pagter clearly demonstrate the existence of folklore in the modern urban technological world and refute the notion that folklore reflects only the past.