Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

An illustrated volume of all of Carl Sandburg's books for young readers: "Rootababa Stories, Early Moon, Wind Song, Prarie-Town Boy, "and "Abe Lincoln Grows Up." Introduction by Paula Sandburg.

One of America's best loved and most distinguished poets has chosen from the vast treasure trove of his published work these verses, which he thinks are particularly suited to children, and to them he has added sixteen new poems. The reader may roam far and wide in this collection, among such groups of poems as "Corn Belt", "Blossom Themes", and "Wind, Sea, and Sky", yet never exhaust the riches of the mind and heart and imagination that Mr. Sandburg offers.

Here is America, here is humor, here are the deep rolling cadences, the contagious delight in words and sounds, the imaginative fire that make Carl Sandburg's poetry outstanding. It is a collection to enchant both young and old.

Carl Sandburg had three daughters and he loved telling them irrepressible, zany tales. He disliked the European fairy stories that involved kings and princesses and thought American tales should be more relevant to the world around his children, but of course made rather fantastic. So the stories are populated with trains on zig-zag tracks, skyscrapers, animals wearing bibs, corn fairies, not to mention the Village of Cream Puffs which floats in the wind. They have become firm favourites for generations of children. This edition of Rootabaga Stories features the original black and white illustrations by Maud and Miska Petersham.

An autobiographical account of the author's boyhood in the Midwest.

An anthology by a well-known American poet grouped under such topical headings as "Wind and Sea," "Portraits," and "Birds and Bugs.".

Gimme the Ax decided to let his children name themselves.

"The first words they speak as soon as they learn to make words shall be their names," he said. "They shall name themselves."

When the first boy came to the house of Gimme the Ax, he was named Please Gimme. When the first girl came she was named Ax Me No Questions.

And both of the children had the shadows of valleys by night in their eyes and the lights of early morning, when the sun is coming up, on their foreheads.

And the hair on top of their heads was a dark wild grass. And they loved to turn the doorknobs, open the doors, and run out to have the wind comb their hair and touch their eyes and put its six soft fingers on their foreheads.

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Twenty-five stories in a whimsical Rootabaga vein -- from beloved American poet Carl Sandburg.

Born in 1878, Carl Sandburg grew with America. As a boy he played, studied, and matured in Galesburg, Illinois. Sandburg's reminiscence delivers a nostalgic view of small-town life and an invaluable perspective on American history. Index.

A long poem that makes brilliant use of the legends and myths, the tall tales and sayings of America. "If America has a folksinger today he is Carl Sandburg, a singer who comes out of the prairie soil... who can hand back to the people a creation that has scraps of their own insight, humor, and imagination" (Padraic Colum).

In the winter of 1914, Carl Sandburg, then a reporter at The Day Book in Chicago, submitted several of his poems to Harriet Monroe's Poetry magazine. The title poem began: "Hog Butcher for the World, / Tool Maker, Stacker of Wheat..." Monroe at first hesitated to accept the poems because of "their unorthodox form and their range from brutality to misty lyricism." But she took a deep breath and printed them. In the decade that followed, Sandburg came quickly to national prominence. In Poems for the People, George and Wilene Hendrick, Sandburg's most accomplished interpreters, have selected seventy-three poems from his early years in Chicago, almost all of them never before in print. Included are poems of social protest, gentle ruminations, and poems about teeming Chicago life. Sandburg may have regarded them as too radical for the time; others may have been set aside and never retrieved. This unearthed treasure, together with the Hendrick's biographical introduction and commentary on the poems, mark Poems for the People as a major publishing event.

In this outstanding collection of seventy-seven poems, Sandburg eloquently celebrates the themes that engaged him as a poet for more than half a century of writing- life, love, and death. Strongly lyrical, these intensely honest poems testify to human courage, frailty, and tenderness and to the enduring wonders of nature.