Documentary examining the band that created the California Sound. A candid documentary covering the career arc of one of America's most successful pop groups ever: from harmony-pop to the iconic Pet Sounds years. Featuring extensive footage from the band's own archive and over 40 songs in full stereo.

This book is a riveting investigation of what it means to love music and what it means to hate music, both of good and bad taste.Non-fans regard Celine Dion as ersatz and plastic, yet to those who love her, no one could be more real, with her impoverished childhood, her manager-husband's struggle with cancer, her knack for howling out raw emotion. There's nothing cool about Celine Dion, and nothing clever. That's part of her appeal as an object of love or hatred - with most critics and committed music fans taking pleasure (or at least geeky solace) in their lofty contempt. This book documents Carl Wilson's brave and unprecedented year-long quest to find his inner Celine Dion fan, and explores how we define ourselves in the light of what we call good and bad, what we love and what we hate.

For his 2007 critically acclaimed 33 1/3 series title, "Let's Talk About Love," Carl Wilson went on a quest to find his inner Celine Dion fan and explore how we define ourselves by what we call good and bad, what we love and what we hate. At once among the most widely beloved and most reviled and lampooned pop stars of the past few decades, Celine Dion's critics call her mawkish and overblown while millions of fans around the world adore her "huge pipes" and even bigger feelings. How can anyone say which side is right? This new, expanded edition goes even further, calling on thirteen prominent writers and musicians to respond to themes ranging from sentiment and kitsch to cultural capital and musical snobbery. The original text is followed by lively arguments and stories from Nick Hornby, Krist Novoselic, Ann Powers, Mary Gaitskill, James Franco, Sheila Heti and others. In a new afterword, Carl Wilson examines recent cultural changes in love and hate, including the impact of technology and social media on how taste works (or doesn't) in the 21st century.

Additional Editors Are Curtis P. Artz And William H. Meroney. Contributing Authors Include John H. Davis, Russell Scott, Jr., Joseph H. Akeroyd And Others. Studies Of The Surgical Research Team.

The Superhero Multiverse focuses on the evolving meanings of the superhero icon in 21st-century film and popular media, with an emphasis on re-adaptation, re-imagining, and re-making. With its focus on multimedia and transmedia transformations, The Superhero Multiverse pivots on two important points: firstly, it reflects on the core concerns of the superhero narrative-including the relationship between 'superhero comics' and 'superhero films', the comics roots of superhero media, matters of canon and hybridity, and issues of recycling and stereotyping in superhero films and media texts. Secondly, it considers how these intersecting textual and cultural preoccupations are intrinsic to the process of remaking and re-adapting superheroes, and brings attention to multiple ways of materializing these iconic figures in our contemporary context.