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The troops returning home to Germany after the 1918 Armistice found
their country riven by internal unrest, and its eastern borders
threatened. Though reluctant to support the new Republic, the many
Free Corps formed by ex-Imperial soldiers fought furiously against
Communist revolutionaries at home and Polish and Bolshevik Russian
pressure on the frontiers. Later providing much of the manpower for
the new Reichswehr, the Free Corps would have strong links with the
nascent Nazi Party. This concise account of a little-known but
central episode in the history of 20th century Germany is
illustrated with rare photographs, and ten colour plates showing
unprecedented details of uniforms and insignia.
The Battle of Krasny Bor in 1943 was part of the Soviet Red Army's
efforts to lift the blockade of Leningrad, one of the longest and
most destructive in history. Previous works on the Battle of Krasny
Bor have focused primarily on the infantry involved, especially
when using veteran testimonies, and the use of artillery has been
conspicuously absent. This book aims to put the reader right in the
heart of the battle, describing the action from an artilleryman's
point of view, seeing it fundamentally as a duel between the Soviet
and German-Spanish soldiers.
Faure Studies showcases new research from leading scholars in the
United States, United Kingdom, and France into this influential
French composer of the fin de siecle. This book features
interpretations of individual works and musical analyses, as well
as studies of compositional pedagogy, social history, and
aesthetics. Accessible to a wide range of readers, this volume also
provides a valuable overview of Faure research from the composer's
lifetime to the present. As part of Cambridge Composer Studies,
Faure Studies adds momentum to new research into this major
composer, which includes recently launched critical editions of his
music.
This wide-ranging study of Gabriel Faure and his contemporaries
reclaims aesthetic categories crucial to French musical life in the
early twentieth century. Its interrelated chapters treat the topics
of sincerity, originality, novelty, self-renewal, homogeneity and
religious belief in relation to Faure's music and ideas. Taking a
broad view of cultural life during the composer's lifetime and
beyond, the book moves between specific details in Faure's music
and related critical, literary and philosophical issues, ranging
from Gounod to Boulez and from Proust to Valery. Above all, the
book connects abstract values to artistic choices and thus places
such works as Faure's Requiem, La bonne chanson, La chanson d'Eve,
L'horizon chimerique, and the chamber music in a new light.
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