Faure Studies showcases new research from leading scholars in the United States, United Kingdom, and France into this influential French composer of the fin de siecle. This book features interpretations of individual works and musical analyses, as well as studies of compositional pedagogy, social history, and aesthetics. Accessible to a wide range of readers, this volume also provides a valuable overview of Faure research from the composer's lifetime to the present. As part of Cambridge Composer Studies, Faure Studies adds momentum to new research into this major composer, which includes recently launched critical editions of his music.

This wide-ranging study of Gabriel Faure and his contemporaries reclaims aesthetic categories crucial to French musical life in the early twentieth century. Its interrelated chapters treat the topics of sincerity, originality, novelty, self-renewal, homogeneity and religious belief in relation to Faure's music and ideas. Taking a broad view of cultural life during the composer's lifetime and beyond, the book moves between specific details in Faure's music and related critical, literary and philosophical issues, ranging from Gounod to Boulez and from Proust to Valery. Above all, the book connects abstract values to artistic choices and thus places such works as Faure's Requiem, La bonne chanson, La chanson d'Eve, L'horizon chimerique, and the chamber music in a new light.

The Battle of Krasny Bor in 1943 was part of the Soviet Red Army's efforts to lift the blockade of Leningrad, one of the longest and most destructive in history. Previous works on the Battle of Krasny Bor have focused primarily on the infantry involved, especially when using veteran testimonies, and the use of artillery has been conspicuously absent. This book aims to put the reader right in the heart of the battle, describing the action from an artilleryman's point of view, seeing it fundamentally as a duel between the Soviet and German-Spanish soldiers.