A visual retrospective of the turbulent year that was 2020 through the eyes of the New York-based multi-disciplinary artist Erik Foss. TWENTY TWENTY A Year in Pictures is a snapshot of Foss's psyche, and also of one of the most turbulent years in recent American history. A lot of the events and changes of the past year directly influenced Erik's work, depicted in this remarkable and expressive collection of imagery, bound together in a hardcover time capsule. 2020 was a horror show, but in many ways, that very horror has been the muse for Erik's most artistically successful year. In a year that struck fear and insomnia in the hearts and minds of millions, we, as a culture, have undergone grave interruptions in our progression towards diversity, and global health.The onset of COVID-19, in combination with the political turmoil that ensued, we have been forced to re-examine our values, practices, and authority. In the early months of this pandemic, many Americans and global citizens faced an uprooting of lifestyle, unemployment, loss of family, experienced fear and anxiety, as well as witnessed the demonstration of violent and non-violent protests as a result of the BLM movement. If you've grazed the streets of downtown NYC at any point in the past decade, you have likely been confronted with the guttural, and expressive style of Erik Foss. After moving to New York in 1996, Erik quickly established himself as a figurative kingpin within arts and downtown culture. Having been privy to a vastness of experience within the realms of music, art, and gallery production has ultimately added to the depth, honesty, and complexity of his work. If nothing else, Erik is a prolific artist. In the first four months of 2020, he created: Several Portal paintings A slew of street photography Google paintings Toon drawings Abstract trompe l'oeil works made with oil and acrylics A large street mural His first bronze sculptures

This first installment in a four-part series is a celebratory tour of some of the most vibrant, impressive, contemporary mural art in the world. Fifty artists from six continents share nearly 400 examples of their best work and a little bit about their own lives and journeys as muralists. The criteria for inclusion in the book was simple: the artists had to be full-time muralists who push the boundaries of the art form and engage with the medium as a vital social concept. Many of these artists don't have homes; they travel the globe, entering foreign communities and cultures, and find shelter from hosts of festivals or art lovers. It's this dedication to their craft that sets this breed of artists apart from traditional artists, such as painters and sculptors, but their level of commitment is also what bridges the worlds of fine art and street art.

A fascinating look at Keith Haring's New York City subway artwork from the 1980s Celebrated artist Keith Haring (1958-1990) has been embraced by popular culture for his signature bold graphic line drawings of figures and forms. Like other graffiti artists in the 1980s, Haring found an empty canvas in the advertising panels scattered throughout New York City's subway system, where he communicated his socially conscious, often humorous messages on platforms and train cars. Over a five-year period, in an epic conquest of civic space, Haring produced a massive body of subway artwork that remains daunting in its scale and its impact on the public consciousness. Dedicated to the individuals who might encounter them and to the moments of their creation, Haring's drawings now exist solely in the form of documentary photographs and legend. Because they were not meant to be permanent-only briefly inhabiting blacked-out advertising boards before being covered up by ads or torn down by authorities or admirers-what little remains of this project is uniquely fugitive. Keith Haring: 31 Subway Drawings reproduces archival materials relating to this magnificent project alongside essays by leading Haring experts. Distributed for No More Rulers

Following in the success of internationally acclaimed artist Hunt Slonem, Butterflies is the third book in his art/nature series, following Bunnies and Birds (also published by G Editions). This is an extraordinary presentation in terms of the oversized format, vast amount of artworks included, five-color printing throughout, a ribbon marker, edging on the three exterior sides of the book block, and an acetate jacket that can be removed so that consumers can have a "painting" without text on their coffee table. It is important to note that Butterflies follows two very successful publications that are mainstay collaborations between author and publisher. According to Tank Magazine: "Hunt Slonem is unabashedly in love with his subjects...and it shows."

ESPEJOS SAGRADOS

EL ARTE VIONARIO DE ALEX GREY

CON KEN WILBER Y CARLO MCCORMICK

"Los cuadros del Sr. Grey, tan detallados y anatomicamente precisos como un ilustracion medica, presentan al hombre como un ser arquetipico luchando por conseguir la unidad cosmica...La vision de Grey de la humanidad imperfecta pero perfeccionable es como un antidoto contra el cinismo y el malestar espiritual prevealente en mucho del arte contemporaneo."New York Times.,."es solo la curiosidad de Grey, su deseo de comprender la metaestructura cosmica de la humanidad, lo que le conduce al recuento rigurosamente detallado de lo tipicamente oculto."Artforum

"Su trabajo [el de Alex Grey] lo coloca dentro de un grupo muy pequeno de importantes artistas contemporaneos; a traves de su arte aspira alcanzar los tres reinos--desde el de la materia hasta el de la mente y el espiritu--dentro de un raro ideal."Ken Wilber

Esta serie unica de pinturas lleva al espectador a un viaje grafico y vionario a traves de la anatomia fisica y metafisica del ser. En su exploracion dentro de la naturaleza del hombre/mujer, Alex Grey retrata el sistema nervioso, el vascular, el esqueleto y demas sistemas corporales con un realismo desmenuzador y anatomicamente exacto. Despues pasa a los sistemas espirituales/energeticos con imagenes como el Entramado de la Mente Universal, visualizando el simbolismo esoterico y sagrado del cuerpo y las fuerzas que definen su campo de energia viviente. Los Espejos Sagrados, presentados aqui en su totalidad, han sido exhibidos por todo el mundo. Las figuras son de tamano natural y se enfrentan difectamente al espectador para conseguir, precisamente, el efecto de espejo: permaneciendo frente aellos el espectador puede "ver dentro" de si mismo. Ademas, Grey ha pintado los diferentes sistemas en un estado ideal y saludable para que puedan funcionar como ayuda en la curacion mediante visulizaciones o meditacion. Al retratar los diferentes sexos y razas, Espejos Sagrados tambien nos cuestiona sobre como nos vemos reflejados en dos demas.Los ensayos de Ken Wilber, eminente psicologo transpersonal, y del destacado critico de arte de Nueva York, Carlo McCormick, exploran el elemento espiritual del arte desde el punto de vista de la Filosofia Eterna y trazan el desarorollo del trabajo de Grey--incluyendo sus representaciones de arte--junto con el sendero del artista/chaman. Por su parte, el propio Grey explica la concepcion, construccion y simbolismo de Espejos Sagrados y otros cuadros (reproducidos en este libro) de su rico y variado trabajo, incluyendo Gaia: El Alma del Mundo, interpretado como el arbol o la membrana de la vida que toma parte en el continuo ciclo de nacimiento, susteno y muerte; y el Viaje del Sanador Herido, que describe el descenso chamanico, la desintegracion y tansmutacion del Ser.Fascinado desde la adolescencia con los temas de la mortalidad y la polaridad, Alex Grey ve en la anatomia humana un microcosmos de los muchos sistemas y niveles de orden en la naturaleza. El pintor paso vaiors anos en una escuela de medicina estudiando la anatomia humana con un interes especial en la interconexion del cuerpo con la mente y el espiritu. Su trabajo se ha exhibido en las Galerias Stux de Nueva York y Boston; en el New Museum de Nueva York; en el Museo de Arte de la Universidad de California en Santa Barbara; en la Exposicion de Arte Internacional de Chicago; en laGaleria Regional de Arte de Londres en Canada; en el Gran Palacio de Paris; en la Bienal de Sao Paulo, Brasil, y en numerosas otras exposiciones.

This unique series of paintings takes the viewer on a graphic, visionary journey through the physical, metaphysical, and spiritual anatomy of the self. From anatomically correct rendering of the body systems, Grey moves to the spiritual/energetic systems with such images as "Universal Mind Lattice," envisioning the sacred and esoteric symbolism of the body and the forces that define its living field of energy.

Includes essays on the significance of Grey's work by Ken Wilber, the eminent transpersonal psychologist, and by the noted New York art critic, Carlo McCormick.

Somewhere out there lies the unchartered frontier of cyberspace. In that Babel there are images, dreams inert and vital messages, anonymous ciphers and calclating incubi. Because it is faceless, as if somehow subterranean, human dialogue and the expression of ideas can multiply without responsibility, without the parameters of authorial disciplines or social conventions.

This unique series of paintings takes the viewer on a graphic, visionary journey through the physical, metaphysical, and spiritual anatomy of the self. From anatomically correct rendering of the body systems, Grey moves to the spiritual/energetic systems with such images as "Universal Mind Lattice," envisioning the sacred and esoteric symbolism of the body and the forces that define its living field of energy.

Includes essays on the significance of Grey's work by Ken Wilber, the eminent transpersonal psychologist, and by the noted New York art critic, Carlo McCormick.