In this complex love affair with Rome, Carlo Levi explores the streets of the city that was for many years his home: a city at once fleeting and eternal, noble and plebeian, a city of dreams and illusions. Through the daily bustle of Rome's street traders, housewives and students, the children at the little theatre of Pulcinella al Pincio, the men in the street cafes and the exuberant festivities of Ferragosto, San Giovanni and Befana, Levi brings magnificently to life Rome in the post war and "Dolce Vita" eras. "Fleeting Rome" vividly evokes the sounds of the city, its odours, its beauty and the aspirations of its people.

'No message, human or divine, has reached this stubborn poverty ... to this shadowy land ... Christ did not come. Christ stopped at Eboli'

Carlo Levi, one of the twentieth-century's most incisive commentators, was exiled to a remote and barren corner of southern Italy for his opposition to Mussolini. He entered a world cut off from history and the state, hedged in by custom and sorrow, without comfort or solace, where, eternally patient, the peasants lived in an age-old stillness and in the presence of death - for Christ did stop at Eboli.

'There should be a history of this Italy, a history outside the framework of time, confining itself to that which is changeless and eternal, in other words, a mythology. This Italy has gone its way in darkness and silence, like the earth, in a sequence of recurrent seasons and recurrent misadventures. Every outside influence has broken over it like a wave, without leaving a trace.' So wrote Carlo Levi - doctor, painter, philosopher, and man of conscience - in describing the land and the people of Lucania, where he was banished in 1935, at the start of the Ethiopian war, because of his opposition to Fascism. In the south of Italy, Lucania was a barren land - a harsh white landscape largely stripped of trees - inhabited by peasants who lived the same lives their ancestors had, grimly coaxing a subsistence existence from the stony land and constantly fearing black magic and the near presence of death. In describing their lives and history, and in exploring their surroundings, Carlo Levi offered a starkly beautiful and deeply moving account of a place beyond hope and a people abandoned by history.

Carlo Levi was a painter, writer, and antifascist Italian from a Jewish family, and his political activism forced him into exile for most of the Second World War. While in exile, he wrote "Christ Stopped at Eboli," a memoir, and "Fear of Freedom," a philosophical meditation on humanity's flight from moral and spiritual autonomy and our resulting loss of self and creativity. Brooding on what surely appeared to be the decline, if not the fall of Europe, Levi locates the human abdication of responsibility in organized religion and its ability to turn the sacred into the sacrificial. In doing so, he references the entire intellectual and cultural estate of Western civilization, from the Bible and Greek mythology to Sigmund Freud and Carl Jung. This edition features newly published pieces of Levi's artwork and the first English translation of his essay "Fear of Painting," which was appended to a later publication of the work. It also includes an introduction that discusses Levi's life and enduring legacy. Written as war clouds were gathering over Europe, "Fear of Freedom" not only addresses a specific moment in history and a universal, timeless condition, but it is also a powerful indictment of our contemporary moral and political failures.

Carlo Levi was a painter, writer, and antifascist Italian from a Jewish family, and his political activism forced him into exile for most of the Second World War. While in exile, he wrote "Christ Stopped at Eboli," a memoir, and "Fear of Freedom," a philosophical meditation on humanity's flight from moral and spiritual autonomy and our resulting loss of self and creativity. Brooding on what surely appeared to be the decline, if not the fall of Europe, Levi locates the human abdication of responsibility in organized religion and its ability to turn the sacred into the sacrificial. In doing so, he references the entire intellectual and cultural estate of Western civilization, from the Bible and Greek mythology to Sigmund Freud and Carl Jung. This edition features newly published pieces of Levi's artwork and the first English translation of his essay "Fear of Painting," which was appended to a later publication of the work. It also includes an introduction that discusses Levi's life and enduring legacy. Written as war clouds were gathering over Europe, "Fear of Freedom" not only addresses a specific moment in history and a universal, timeless condition, but it is also a powerful indictment of our contemporary moral and political failures.