Myxomycetes: Biology, Systematics, Biogeography and Ecology, Second Edition provides a complete collection of general and technical information on myxomycetes microorganisms. Its broad scope takes an integrated approach, considering a number of important aspects surrounding their genetics and molecular phylogeny. The book treats myxomycetes as a distinct group from fungi and includes molecular information that discusses systematics and evolutionary pathways. Written and developed by an international team of specialists, this second edition contains updated information on all aspects of myxomycetes. It incorporates relevant and new material on current barcoding developments, plasmodial network experimentation, and non-STEM disciplinary assimilation of myxomycete information. This book is a unique and authoritative resource for researchers in organismal biology and ecology disciplines, as well as students and academics in biology, ecology, microbiology, and similar subject areas. Cover image used with permission from Steve Young Photography

Myxomycetes: Biology, Systematics, Biogeography, and Ecology is a comprehensive overview of the body of accumulated knowledge that now exists on myxomycetes. Its broad scope takes an integrated approach to the knowledge of this organismal group, considering a number of important aspects of their genetics and molecular phylogeny. It also treats myxomycetes as a distinct group from fungi, and includes molecular information that discusses the systematics and evolutionary pathways of the group. Additionally, biomedical and engineering applicability is discussed, thus expanding the audience and use of the book in a multidisciplinary context. The book provides an authoritative resource for students, researchers and educators interested in the fields of protistology, microbial ecology, molecular microbiology, biogeography, mycology, biodiversity, and evolutionary biology, and will also interest the amateur naturalist and biologist.

With over forty original essays, The Oxford Handbook of Modern Chinese Literatures offers an in-depth engagement with the current analytical methodologies and critical practices that are shaping the field in the twenty-first century. Divided into three sections-Structure, Taxonomy, Methodology-the volume carefully moves across approaches, genres, and forms to address a rich range topics that include popular culture in Late Qing China; Zhang Guangyu's Journey to the West in Cartoons; writings of Southeast Asian migrants in Taiwan; the Chinese Anglophone Novel; and depictions of HIV/AIDS in Chu T'ien-wen's Notes of a Desolate Man.

What does it mean for a cinematic work to be "Chinese"? Does it refer specifically to a work's subject, or does it also reflect considerations of language, ethnicity, nationality, ideology, or political orientation? Such questions make any single approach to a vast field like "Chinese cinema" difficult at best. Accordingly, The Oxford Handbook of Chinese Cinemas situates the term more broadly among various different phases, genres, and distinct national configurations, while taking care to address the consequences of grouping together so many disparate histories under a single banner.
Offering both a platform for cross-disciplinary dialogue and a mapping of Chinese cinema as an expanded field, this Handbook presents thirty-three essays by leading researchers and scholars intent on yielding new insights and new analyses using three different methodologies. Chapters in Part I investigate the historical periodizations of the field through changing notions of national and political identity -- all the way from the industry's beginnings in the 1920s up to its current forms in contemporary Hong Kong, Taiwan, and the global diaspora. Chapters in Part II feature studies centered on the field's taxonomical formalities, including such topics as the role of the Chinese opera in technological innovation, the political logic of the "Maoist film," and the psychoanalytic formula of the kung fu action film. Finally, in Part III, focus is given to the structural elements that comprise a work's production, distribution, and reception to reveal the broader cinematic apparatuses within which these works are positioned. Taken together, the multipronged approach supports a wider platform beyond the geopolitical and linguistic limitations in existing scholarship.
Expertly edited to illustrate a representative set of up to date topics and approaches, The Oxford Handbook of Chinese Cinemas provides a vital addition to a burgeoning field still in its formative stages.

This book demonstrates the social, historical, and environmental framework within which humans have developed a relationship with the forest and its resources. Starting from the biological basis that permits the existence of forests to the use of forest resources in a modern human context, this book summarizes the interaction between humans and forest ecosystems. Designed for readers from a broad range of disciplines and interests including those from environmental sciences, environmental economics, sociology, anthropology, biology, forestry and human ecology and other related disciplines, the book evokes interest in the development of an integrated approach towards forest ecosystems and natural resources in the context of sustainability.

Through an analysis of a wide array of contemporary Chinese literature from inside and outside of China, this volume considers some of the ways in which China and Chineseness are understood and imagined. Using the central theme of the way in which literature has the potential to both reinforce and to undermine a national imaginary, the volume contains chapters offering new perspectives on well-known authors, from Jin Yucheng to Nobel Prize winning Mo Yan, as well as chapters focusing on authors rarely included in discussions of contemporary Chinese literature, such as the expatriate authors Larissa Lai and Xiaolu Guo. The volume is complemented by chapters covering more marginalized literary figures throughout history, such as Macau-born poet Yiling, the Malaysian-born novelist Zhang Guixing, and the ethnically Korean author Kim Hak-ch'ol. Invested in issues ranging from identity and representation, to translation and grammar, it is one of the few publications of its kind devoting comparable attention to authors from Mainland China, authors from Manchuria, Macau, and Taiwan, and throughout the global Chinese diaspora. Reading China Against the Grain: Imagining Communities is a rich resource of literary criticism for students and scholars of Chinese studies, sinophone studies, and comparative literature

Through analyses of a wide range of Chinese literary and visual texts from the beginning of the twentieth century through the contemporary period, the thirteen essays in this volume challenge the view that canonical and popular culture are self-evident and diametrically opposed categories, and instead argue that the two cultural sensibilities are inextricably bound up with one another.

An international line up of contributors present detailed analyses of literary works and other cultural products that have previously been neglected by scholars, while also examining more familiar authors and works from provocative new angles.The essays include investigations into the cultural industries and contexts that produce the canonical and popular, the position of contemporary popular works at the interstices of nostalgia and amnesia, and also the ways in which cultural texts are inflected with gendered and erotic sensibilities while at the same time also functioning as objects of desire in its own right.

As the only volume of its kind to cover the entire span of the 20th century, and also to consider the interplay of popular and canonical literature in modern China with comparable rigor, Rethinking Chinese Popular Culture is an important resource for students and scholars of Chinese literature and culture.

Through analyses of a wide range of Chinese literary and visual texts from the beginning of the twentieth century through the contemporary period, the thirteen essays in this volume challenge the view that canonical and popular culture are self-evident and diametrically opposed categories, and instead argue that the two cultural sensibilities are inextricably bound up with one another.

An international line up of contributors present detailed analyses of literary works and other cultural products that have previously been neglected by scholars, while also examining more familiar authors and works from provocative new angles.The essays include investigations into the cultural industries and contexts that produce the canonical and popular, the position of contemporary popular works at the interstices of nostalgia and amnesia, and also the ways in which cultural texts are inflected with gendered and erotic sensibilities while at the same time also functioning as objects of desire in its own right.

As the only volume of its kind to cover the entire span of the 20th century, and also to consider the interplay of popular and canonical literature in modern China with comparable rigor, Rethinking Chinese Popular Culture is an important resource for students and scholars of Chinese literature and culture.

From one of China's most highly regarded writers, winner of the Franz Kafka Prize and twice finalist for the International Booker Prize, Three Brothers is a beautiful and heartwrenching memoir of the author's childhood and family life during the Cultural Revolution In this heartfelt, intimate memoir, Yan Lianke brings the reader into his childhood home in Song County in Henan Province, painting a vivid portrait of rural China in the 1960s and '70s. Three Brothers is a literary testament to the great humanity and small joys that exist even in times of darkness. With lyricism and deep emotion, Yan chronicles the extraordinary lives of his father and uncles, as well as his own. Living in a remote village, Yan's parents are so poor that they can only afford to use wheat flour on New Year and festival days, and while Yan dreams of fried scallion buns, and even steals from his father to buy sesame seed cakes. He yearns to leave the village, however he can, and soon novels become an escape. He resolves to become a writer himself after reading on the back of a novel that its author was given leave to remain in the city of Harbin after publishing her book. In the evenings, after finishing back-breaking shifts hauling stones at a cement factory, sometimes sixteen hours long, he sets to work writing. He is ultimately delivered from the drudgery and danger of manual labor by a career in the Army, but he is filled with regrets as he recalls these years of scarcity, turmoil, and poverty. A philosophical portrait of grief, death, home, and fate that gleams with Yan's quick wit and gift for imagery, Three Brothers is a personal portrait of a politically devastating period, and a celebration of the power of the family to hold together even in the harshest circumstances.

Yan Lianke has secured his place as contemporary China's most essential and daring novelist, "with his superlative gifts for storytelling and penetrating eye for truth" (New York Times Book Review). His newest novel, The Day the Sun Died--winner of the Dream of the Red Chamber Award, one of the most prestigious honors for Chinese-language novels--is a haunting story of a town caught in a waking nightmare. In a little village nestled in the Balou mountains, fourteen-year-old Li Niannian and his parents run a funeral parlor. One evening, he notices a strange occurrence. Instead of preparing for bed, more and more neighbors appear in the streets and fields, carrying on with their daily business as if the sun hadn't already set. Li Niannian watches, mystified. As hundreds of residents are found dreamwalking, they act out the desires they've suppressed during waking hours. Before long, the community devolves into chaos, and it's up to Li Niannian and his parents to save the town before sunrise. Set over the course of one increasingly bizarre night, The Day the Sun Died is a propulsive, darkly sinister tale from a world-class writer.

Start developing single-page applications (SPAs) with modern architecture. This book shows you how to create, design, and publish native web components, ultimately allowing you to piece together those elements in a modern JavaScript framework. Building Native Web Components dives right in and gets you started building your first web component. You'll be introduced to native web component design systems and frameworks and discuss component-driven development to understand its importance in large-scale companies. You'll then move on to building web components using templates and APIs, and custom event lifecycles. Techniques and best practices for moving data, customizing, and distributing components are also covered. Throughout, you'll develop a foundation to start using Polymer, Vue.js, and Firebase in your day-to-day work. Confidently apply modern patterns and develop workflows to build agnostic software pieces that can be reused in SPAs. Building Native Web Components is your guide to developing small and autonomous web components that are focused, independent, reusable, testable, and works with all JavaScript frameworks, modern browsers, and libraries. What You Will Learn Incorporate component-driven development (CDD) and design systems into your workflow Build apps with reusable UI components that are agnostic to JavaScript frameworks Utilize Polymer and Vue.js in your day-to-day work Publish your UI components in npm (Node Package Manager) Who This Book Is For The book is intended for Intermediate-Advanced level readers interested in single-page applications (SPAs), as well as Polymer, Vue.js, and Firebase.

This book demonstrates the social, historical, and environmental framework within which humans have developed a relationship with the forest and its resources. Starting from the biological basis that permits the existence of forests to the use of forest resources in a modern human context, this book summarizes the interaction between humans and forest ecosystems. Designed for readers from a broad range of disciplines and interests including those from environmental sciences, environmental economics, sociology, anthropology, biology, forestry and human ecology and other related disciplines, the book evokes interest in the development of an integrated approach towards forest ecosystems and natural resources in the context of sustainability.

Gao Aijun is a son of the soil of Henan's Balou Mountains, and after a service in the Army, he is on his way back to his ancestral village, feeling like a hero. Close to his arrival, he sees a strikingly attractive woman walking barefoot alongside a railway track in the warm afternoon sun, and he is instantly smitten. She is Xia Hongmei and lives up to her name of "beautiful flower." Hiding their relationship from their spouses, the pair hurl themselves into the struggle to bring revolution to their backwater village. They spend their days and nights writing pamphlets, organizing work brigades, and attending rallies, feeling they are the vanguard for the full-blown revolution that is waiting in the wings. Emboldened by encouragement from the Party, the couple dig a literal "tunnel of love" between their homes, where underneath the village their revolutionary and sexual fervor reaches a boiling point. While the unsuspecting villagers sleep, they sing revolutionary songs and compete in shouting-matches of Maoist slogans before making earth-moving love. But when their torrid relationship is finally discovered, and they have to answer to Hongmei's husband, their dreams of a bright future together begin to fray. Will their great revolutionary energy save their skins, or will they too fall victim to the revolution that is swallowing up the country?A novel of rare emotional force and surprising humor, Hard Like Water is an operatic and brilliantly plotted human drama about power's corrupting nature and the brute force of love and desire.

Obtain all the necessary tools for developing a progressive web application (PWA) with Vue.js, a modern JavaScript framework. You'll see how PWAs behave like a regular responsive website and have a similar structure to that of a web application, but feel like a native mobile app. Along the way you'll take advantage of Vue.js features to build fast, high-performing progressive web apps that work offline. Building Progressive Web Applications with Vue.js starts by explaining the basic concepts and structure of PWAs, and moves on to designing the app shell and other features that distinguish a PWA from simple web pages. In the following chapters, the book talks about the improved web technologies, such as service workers, caching strategies, background sync, and push notifications, that make PWAs powerful. What You Will Learn Harness the power of Vue.js to build PWAs Understand the function and relevance of a manifest file Discover service workers and why they are revolutionary Work with the Cache API and caching strategies Use IndexedDB, background sync, and push notifications Enhance your apps with Firebase Implement the Workbox library in your apps Who This Book Is ForWeb developers who want to venture into building PWAs would find the book useful.

Yan Lianke has secured his place as contemporary China's most essential and daring novelist, "with his superlative gifts for storytelling and penetrating eye for truth" (New York Times Book Review). His newest novel, The Day the Sun Died--winner of the Dream of the Red Chamber Award, one of the most prestigious honors for Chinese-language novels--is a haunting story of a town caught in a waking nightmare. In a little village nestled in the Balou mountains, fourteen-year-old Li Niannian and his parents run a funeral parlor. One evening, he notices a strange occurrence. Instead of preparing for bed, more and more neighbors appear in the streets and fields, carrying on with their daily business as if the sun hadn't already set. Li Niannian watches, mystified. As hundreds of residents are found dreamwalking, they act out the desires they've suppressed during waking hours. Before long, the community devolves into chaos, and it's up to Li Niannian and his parents to save the town before sunrise. Set over the course of one increasingly bizarre night, The Day the Sun Died is a propulsive, darkly sinister tale from a world-class writer.

A mystifying climatic incongruity begins the award-winning novel Lenin's Kisses--an absurdist, tragicomic masterpiece set in modern day China. Nestled deep within the Balou mountains, spared from the government's watchful eye, the harmonious people of Liven had enough food and leisure to be fully content. But when their crops and livelihood are obliterated by a seven-day snowstorm in the middle of a sweltering summer, a county official arrives with a lucrative scheme both to raise money for the district and boost his career. The majority of the 197 villagers are disabled, and he convinces them to start a traveling performance troupe highlighting such acts as One-Eye's one-eyed needle threading. With the profits from this extraordinary show, he intends to buy Lenin's embalmed corpse from Russia and install it in a grand mausoleum to attract tourism, in the ultimate marriage of capitalism and communism. However, the success of the Shuanghuai County Special-Skills Performance Troupe comes at a serious price. Yan Lianke, one of China's most distinguished writers--whose works often push the envelope of his country's censorship system--delivers a humorous, daring, and riveting portrait of the trappings and consequences of greed and corruption at the heart of humanity.

This new title covers the extensive cruising area of Galicia in the north west of Spain from Ribadeo to Bayona, where the beautiful rias provide shelter from the Atlantic in picturesque harbours and remote anchorages. The authors have spent several seasons cruising in the area and making use of their local connections have produced a modern guide that provides in-depth information necessary for yachts spending time visiting the rias and ports of Galicia. Annotated town plans covering over 90 destinations show shore-side facilities and recommended restaurants and side panels provide advice on interesting places to visit, local customs and features of interest. Carlos Rojas has sailed yachts since 2000, a short but intensive career during which he has crossed the Atlantic, cruised in the Pacific, made several passages across Biscay and sailed to Ireland and France. His professional involvement in technology companies as an engineer, manager and director has given him an insight into design and usability that he applies to his pilot books. Carlos has lived most of his life in Britain but he is originally from Spain, a country that he knows well, naming Galicia as one of his favourite areas. Robert Bailey was brought up in a sailing family. Over a period of 35 years, and with the aid of a Nicholson 32 and Rustler 36, much of the coastline of the north western approaches to Europe, from the Faroe Islands in the north to the Morbihan in the south, were avidly explored. In 2001 he adopted a more flexible approach to his career as an aerospace engineer and this allowed him to take up cruising instruction. He is now a Yachtmaster Instructor.

Yan Lianke--"China's most feted and most banned author" (Financial Times)--is a master of imaginative satire, and his prize-winning works have been published around the world to the highest honors. Now, his two most acclaimed novellas are collected here in a single volume--masterfully crafted stories that explore the sacrifices made for family, the driving will to survive, and the longing to leave behind a personal legacy. Marrow is the haunting tale of a widow who goes to extremes to provide a normal life for her four disabled children. When she discovers that bones--especially those of kin--can cure their illnesses and prevent future generations from the same fate, she feeds them a medicinal soup made from the skeleton of her dead husband. But after running out of soup, she resorts to a measure that only a mother can take. In the luminous, moving title story, The Years, Months, Days--a bestselling, classic fable in China, and winner of the prestigious Lu Xun Literary Prize--an elderly man stays behind in his small village after a terrible drought forces everyone to leave. Unable to make the grueling march through the mountains, he becomes the lone inhabitant, along with a blind dog. As he fends off the natural world from overtaking his hometown, every day is a victory over death. With touches of the fantastical and with deep humanity, these two magnificent novellas--masterpieces of the short form--reflect the universality of mankind's will to live, live well, and live with purpose.

"Dream and Swine and Aurora," "Deep in the Rubber Forest," "Fish Bones," "Allah's Will," "Monkey Butts, Fire, and Dangerous Things"-Ng Kim Chew's stories are raw, rural, and rich with the traditions of his native Malaysia. They are also full of humor and spirit, demonstrating a deep appreciation for human ingenuity in the face of poverty, oppression, and exile. Ng creatively captures the riot of cultures that roughly coexist on the Malay Peninsula and its surrounding archipelago. Their interplay is heightened by the encroaching forces of globalization, which bring new opportunities for cultural experimentation, but also an added dimension of alienation. In prose that is intimate and atmospheric, these sensitively crafted, resonant stories depict the struggles of individuals torn between their ancestral and adoptive homes, communities pressured by violence, and minority Malaysian Chinese in dynamic tension with the Islamic Malay majority. Told through relatable characters, Ng's tales show why he has become a leading Malaysian writer of Chinese fiction, representing in mood, voice, and rhythm the dislocation of a people and a country in transition.

The contributors to New World Orderings demonstrate that China's twenty-first-century rise occurs not only through economics and state politics but equally through the mutual entanglements of overlapping social, economic, and cultural worlds in Southeast Asia, Africa, and Latin America. They show how the Chinese state has sought to reconfigure the nation's position in the world and the centrality of trade, labor, religion, migration, gender, race, and literature to this reconfiguration. Among other topics, the contributors examine China's post-Bandung cultural diplomacy with African nations, how West African "pastor-entrepreneurs" in China interpreted and preached the prosperity doctrine, the diversity of Chinese-Argentine social relations in the soy supply chain, and the ties between China and India within the complex history of inter-Asian exchange and Chinese migration to Southeast Asia. By examining China's long historical relationship with the Global South, this volume presents a non-state-centric history of China that foregrounds the importance of transnational communicative and imaginative worldmaking processes and interactions. Contributors. Andrea Bachner, Luciano Damian Bolinaga, Nellie Chu, Rachel Cypher, Mingwei Huang, T. Tu Huynh, Yu-lin Lee, Ng Kim Chew, Lisa Rofel, Carlos Rojas, Shuang Shen, Derek Sheridan, Nicolai Volland

The contributors to New World Orderings demonstrate that China's twenty-first-century rise occurs not only through economics and state politics but equally through the mutual entanglements of overlapping social, economic, and cultural worlds in Southeast Asia, Africa, and Latin America. They show how the Chinese state has sought to reconfigure the nation's position in the world and the centrality of trade, labor, religion, migration, gender, race, and literature to this reconfiguration. Among other topics, the contributors examine China's post-Bandung cultural diplomacy with African nations, how West African "pastor-entrepreneurs" in China interpreted and preached the prosperity doctrine, the diversity of Chinese-Argentine social relations in the soy supply chain, and the ties between China and India within the complex history of inter-Asian exchange and Chinese migration to Southeast Asia. By examining China's long historical relationship with the Global South, this volume presents a non-state-centric history of China that foregrounds the importance of transnational communicative and imaginative worldmaking processes and interactions. Contributors. Andrea Bachner, Luciano Damian Bolinaga, Nellie Chu, Rachel Cypher, Mingwei Huang, T. Tu Huynh, Yu-lin Lee, Ng Kim Chew, Lisa Rofel, Carlos Rojas, Shuang Shen, Derek Sheridan, Nicolai Volland

Over the past twenty years, Chinese novelist Yan Lianke has emerged as one of the most important writers in the world. In Discovering Fiction, Yan offers insights into his views on literature and realism, the major works that inspired him, and his theories of writing. He juxtaposes discussions of the high realism of Leo Tolstoy and Lu Xun against Franz Kafka's modernism and Gabriel Garcia Marquez's magical realism, charting the relationship between causality, truth, and modes of realism. He also discusses his approach to realism, which he terms "mythorealism"-a way of capturing the world's underlying truth by relying on the allegories, myths, legends, and dreamscapes that emerge from daily life. Revealing and instructive, Discovering Fiction gives readers an unprecedented look into the mind and art of a literary giant.

The collapse of China's Qing dynasty coincided roughly with discoveries that helped revolutionize views of infectious disease. Together, these parallel developments generated a set of paradigm shifts in the understanding of society, the individual, as well as the cultural matrix that mediates between them. In Homesickness, Carlos Rojas examines an array of Chinese literary and cinematic tropes of illness, arguing that these works approach sickness not solely as a symptom of dysfunction but more importantly as a key to its potential solution. Rojas focuses on a condition he calls "homesickness"-referring to a discomfort caused not by a longing for home but by an excessive proximity to it. The product of a dialectics of internal alienation and self-differentiation, this inverse homesickness marks a movement away from the "home," conceived as spaces associated with the nation, the family, and the individual body. The result is a productive dynamism that gives rise to the possibility of long-term health. Without sickness, in other words, there could be no health. Through a set of detailed analyses of works from China, Greater China, and the global Chinese diaspora-ranging from late-imperial figures such as Liu E and Zeng Pu to contemporary figures such as Yan Lianke and Tsai Ming-liang-Rojas asserts that the very possibility of health is predicated on this condition of homesickness.

Carlos Rojas presents a sweeping survey of the historical and political significance of one of the world's most recognizable monuments. Although the splendor of the Great Wall has become virtually synonymous with its vast size, the structure's conceptual coherence is actually grounded on the tenuous and ephemeral stories we tell about it. These stories give life to the Wall and help secure its hold on our collective imagination, while at the same time permitting it to constantly reinvent itself in accordance with the needs of each new era. Through an examination of allusions to the Wall in an eclectic array of texts-ranging from official dynastic histories, elite poetry, and popular folktales, to contemporary tourist testimonials, children's songs, and avant-garde performance art-this study maps out a provocative new framework for understanding the structure's function and significance. This volume approaches the Wall through the stories we tell and contends that it is precisely in this cultural history that we may find the Wall's true meaning, together with the secret of its greatness.