British thriller. Would-be writer Zakes (William Ash) is driving home along the rain-drenched M1 motorway with his girlfriend Beth (Christine Bottomley) asleep in the passenger seat beside him. When a near-accident causes him to catch a fleeting glimpse into the back of a white lorry just in front of him, he sees to his horror that it contains a woman tied up and covered in blood. The couple stop at the next service station, where Zakes, tired and shaken, carries out his job of posting flyers in the toilets. When he comes out he is horrified to discover that Beth has gone missing. Could she be the next victim of the owner of the white lorry?

Using literary criticism, theory, and sociohistoric data, this book brings into conversation black migrations with mystery novels by African American women, novels which explore fully the psychic, economic, and spiritual impact of mass migratory movements. Diaspora travel has been forced and selected and has extended from the Slave Trade through the contemporary moment, causing the black subject to wrestle with motion, the self in motion, the community in motion, the spirit in motion, culture in motion, and especially the past in motion. Reviewing these major migratory patterns of Africans to and within the United States from slavery to the present and defining the primary tropes and traditions in African American female mystery writing, each subsequent chapter looks intensely at specific figurative locations that could become a repository for reconstituted dense space in the new world. Detectives as penned by African American women writers sound out and deliberate over the viability of integrated institutions, the family, Bohemianism, religion, cities, class consciousness, and finally culture. Courses on African American literature, African American history and culture, detective fiction, urban studies, and women's studies would find the book instructive.