Combining psychological suspense with elements of the ghost story, Shadow Girls is a literary exploration of girlhood by the Booker Prize-shortlisted author of Jamrach's Menagerie. Manchester, 1960s. Sally, a cynical fifteen-year-old schoolgirl, is much too clever for her own good. When partnered with her best friend, Pamela - a mouthy girl who no-one else much likes - Sally is unable to resist the temptation of rebellion. The pair play truant, explore forbidden areas of the old school and - their favourite - torment posh Sylvia Rose, with her pristine uniform and her beautiful voice that wins every singing prize. One day, Sally ventures (unauthorised, of course) up to the greenhouse on the roof alone. Or at least she thinks she's alone, until she sees Sylvia on the roof too. Sally hurries downstairs, afraid of Sylvia snitching, but Sylvia appears to be there as well. Amidst the resurgence of ghost stories and superstition among the girls, a tragedy is about to occur, one that will send Sally further and further down an uncanny rabbit hole... Praise for Shadow Girls: 'A terrific evocation of a bygone Manchester girlhood, poignant and creepy by turns, by one of the most under-rated writers in England' D.J. Taylor 'Compulsively readable, Shadow Girls is an atmospheric, shape-shifting novel, part coming-of-age, part supernatural thriller. Birch renders the atmosphere of the sixties impeccably, and conveys most brilliantly the taut, complicated relationships between teenage girls with all their neediness, bravado and gullibility' Lesley Glaister

SHORTLISTED FOR THE MAN BOOKER PRIZE 2011 Young Jaffy Brown never expects to escape the slums of Victorian London. Then, aged eight, a chance encounter with Mr Jamrach changes Jaffy's stars. And before he knows it, he finds himself at the docks waving goodbye to his beloved Ishbel and boarding a ship bound for the Indian Ocean. With his friend Tim at his side, Jaffy's journey will push faith, love and friendship to their utmost limits.

'A naturally literary writer who can, with a simple image, evoke the deepest emotion' GUARDIAN Did you hear? Big landslip over by Ercol. Last night. The road into Gully's closed off. They found a body. Got police tape. All that stuff. They only do that for murder, don't they? Murder! A body has been uncovered in a mudslide just outside the village of Andwiston. In the pub they talk of murder, but Dan - sometime mechanic, constant drunk - is finding it hard to sift through his jumbled memories. Watching him from the dark is Lorna, a lost soul living in the woods, haunted by ghosts and a vision from her childhood: a cold boy standing alone in Gallinger's field. Fusing the ghost story with sharp, psychological insight, this brilliant, timely novel about loneliness, buried secrets and the havoc they play on the mind, cements Carol Birch as one of our most important literary writers.

Combining psychological suspense with elements of the ghost story, Shadow Girls is a literary exploration of girlhood by the Booker Prize-shortlisted author of Jamrach's Menagerie. Manchester, 1960s. Sally, a cynical fifteen-year-old schoolgirl, is much too clever for her own good. When partnered with her best friend, Pamela - a mouthy girl who no-one else much likes - Sally is unable to resist the temptation of rebellion. The pair play truant, explore forbidden areas of the old school and - their favourite - torment posh Sylvia Rose, with her pristine uniform and her beautiful voice that wins every singing prize. One day, Sally ventures (unauthorised, of course) up to the greenhouse on the roof alone. Or at least she thinks she's alone, until she sees Sylvia on the roof too. Sally hurries downstairs, afraid of Sylvia snitching, but Sylvia appears to be there as well. Amidst the resurgence of ghost stories and superstition among the girls, a tragedy is about to occur, one that will send Sally further and further down an uncanny rabbit hole... Praise for Shadow Girls: 'A terrific evocation of a bygone Manchester girlhood, poignant and creepy by turns, by one of the most under-rated writers in England' D.J. Taylor 'Compulsively readable, Shadow Girls is an atmospheric, shape-shifting novel, part coming-of-age, part supernatural thriller. Birch renders the atmosphere of the sixties impeccably, and conveys most brilliantly the taut, complicated relationships between teenage girls with all their neediness, bravado and gullibility' Lesley Glaister

'A naturally literary writer who can, with a simple image, evoke the deepest emotion' GUARDIAN Did you hear? Big landslip over by Ercol. Last night. The road into Gully's closed off. They found a body. Got police tape. All that stuff. They only do that for murder, don't they? Murder! A body has been uncovered in a mudslide just outside the village of Andwiston. In the pub they talk of murder, but Dan - sometime mechanic, constant drunk - is finding it hard to sift through his jumbled memories. Watching him from the dark is Lorna, a lost soul living in the woods, haunted by ghosts and a vision from her childhood: a cold boy standing alone in Gallinger's field. Fusing the ghost story with sharp, psychological insight, this brilliant, timely novel about loneliness, buried secrets and the havoc they play on the mind, cements Carol Birch as one of our most important literary writers.

A life in the spotlight will keep anyone hidden. Julia Pastrana is the singing and dancing marvel from Mexico. She is heralded across nineteenth-century Europe as much for her talent as for her unusual looks. Yet few can see past her freakish appearance to the ambitious woman within. Orphans of the Carnival sweeps us from the music halls of Vienna to an attic in modern-day South London, playing out an epic tale of grit, love, music and the triumph of the human spirit pushed to extremes.

She's come to steal my thunder again, hasn't she? Dying, my foot. She's probably just being dramatic. Dying for dramatic effect. She would.' Cathy Wren, aged 37, lives alone in a small northern town, surviving on waitressing and piano teaching. She nurses her quiet drab life, keeping memories of a tumultuous earlier time at bay, until one stray remnant of that old life knocks on her front door. There, standing on her doorstep, in the rain, is Stephen, ex-boyfriend of her younger sister, Veronica Karen. He's come with bad news about her sister and a dogged determination to find her, and he wants Cathy's help. Cathy, who hasn't spoken to Veronica Karen - that thorn in her side - for ten years, is about to find herself on a weird and haphazard journey that turns into much more than a search for her little sister. 'It is in its delicate exploration of the murky ground between objective assessment for life and irrational affection for a person that the novel compels' - TLS

Kinnaird Buildings, a tenement block in Waterloo, was once quality. Now ancient and blackened, it houses a fringe community of the feckless, the light-fingered, the addicted, who ignore the thuds and screams, and try to patch something together out of the rags and tatters of their lives. At the centre are Judy, resting from emotional entanglements with men, attempting to resist romantic, wayward Jimmy Raffo; and Loretta, fighting poverty and the brutality of her surroundings.

This is an extraordinarily haunting novel, inspired by a true story. In the late 1960s, in the hollow of an ancient oak tree beyond a derelict cottage in Cork, were found the bones of a three-year-old girl. It was thought that they dated back to the time of the great potato famine of the mid 1800s. The bones were discovered by an American woman, who had inherited the cottage which had lain empty and broken for forty years. Local searches reveal that the house had originally belonged to The Quinns. Eliza Quinn was their baby. This is a story that speaks of generations and of landscapes: abandoned villages, famine graves, old potato ridges sinking back into the earth, traces of a population that fell by two and a half million in less than ten years. It is also about hunger, both physical and emotional. But above all, it is the story of the Quinn family. And it is Carol Birch's tour de force. 'Deeply rooted humanity and highly intelligent understanding of the simulataneous complexity and simplicity of individual lives' Alex Clark. TLS

"The die was cast. There was no turning back now." The two authors of this book start out to achieve their goal of walking the length of Britain - to become "End to Enders." We are treated to a wonderful panorama of the British countryside but the authors are not simply walkers - they are explorers and commentators with a human touch. They analyse the characters they meet on the way and record the varied architecture and social culture of this country. There is not a page which lacks an interesting observation or anecdote. With total sincerity they reveal their own reactions to the challenge. They describe the situations they have to master - from forgetting the teabags to walking on hard road surfaces in the heat. However, encouraged by family support and by the views of stunning countryside from the beaches of Cornwall to the lochs of Scotland, these End to Enders complete the walk in less time than planned despite the headaches, blisters, exhaustion and inclement weather. We cannot help but be inspired by their enthusiasm, and as we read, we realise why their journey turned into a pilgrimage and why they wrote this book. If you wish to follow in the authors' footsteps, they are willing to give encouragement. There is enough information in the book to write to them.

This is the story of Margaret Catchpole, born into a smugglers' world in Suffolk in the late 1700s. As the valued servant of a wealthy family and a friend of criminals, Margaret leads a double life that inevitably brings about her downfall, and she is sentenced to hang not once, but twice. But she escapes the gallows and is transported with other convicts to Australia. A wonderful adventure story, Scapegallows takes inspiration from the life of the real Margaret Catchpole. A woman who lived by her wits, she was a slip-gibbet, a scapegallows.