Edith Wharton emerges in this book as a novelist of morals (rather than manners). Behind her polished portraits of upper-class New York life is a thoughtful, questioning spirit. This book analyzes Wharton's religion and philosophy in short stories and seven major novels. It considers Wharton in terms of nineteenth- and early-twentieth-century American intellectual and religious life. It also analyzes Wharton in terms of her gender and class, explaining how this aristocratic woman applies and yet transforms both the classical and Christian traditions that she inherits.

Edith Wharton: Matters of Mind and Spirit, first published in 1995, makes the case for Wharton as a novelist of morals rather than of manners; a novelist who sought answers to profound spiritual and metaphysical questions. Focusing on Wharton's treatment of Anglicanism, Calvinism, Transcendentalism, and Catholicism, Carol Singley analyzes the short stories and seven novels in the light of religious and philosophical developments in Wharton's life and fiction. Singley situates Wharton in the context of turn-of-the-century science, historicism, and aestheticism, reading her religious and philosophical outlook as an evolving response to the cultural crisis of belief. She invokes the dynamics of class and gender as central to Wharton's quest, describing how the author accepted and yet transformed both the classical and Christian traditions that she inherited. By locating Wharton in the library rather than the drawing room, Matters of Mind and Spirit gives this writer her literary and intellectual due, and offers fresh ways of interpreting her life and fiction.

What if the American literary canon were expanded to consistently represent women writers, who do not always fit easily into genres and periods established on the basis of men's writings? How would the study of American literature benefit from this long-needed revision? This timely collection of essays by fourteen women writers breaks new ground in American literary study. Not content to rediscover and awkwardly "fit" female writers into the "white male" scheme of anthologies and college courses, editors Margaret Dickie and Joyce W. Warren question the current boundaries of literary periods, advocating a revised literary canon. The essays consider a wide range of American women writers, including Mary Rowlandson, Margaret Fuller, Harriet Beecher Stowe, Emily Dickinson, Frances Harper, Edith Wharton, Gertrude Stein, Amy Lowell and Adrienne Rich, discussing how the present classification of these writers by periods affects our reading of their work. Beyond the focus of feminist challenges to American literary periodization, this volume also studies issues of a need for literary reforms considering differences in race, ethnicity, class, and sexuality. The essays are valuable and informative as individual critical studies of specific writers and their works. Challenging Boundaries presents intelligent, original, well-written, and practical arguments in support of long-awaited changes in American literary scholarship and is a milestone of feminist literary study.

American literature abounds with orphans who experience adoption or placements that resemble adoption. These stories do more than recount adventures of children living away from home. They tell an American story of family and national identity. In narratives from the seventeenth to the early twentieth century, adoption functions as narrative event and trope that describes the American migratory experience, the impact of Calvinist faith, and the growth of democratic individualism. The roots of literary adoption appear in the discourse of Puritan settlers, who ambivalently took leave of their birth parent country and portrayed themselves as abandoned children. Believing they were chosen children of God, they also prayed for spiritual adoption and emulated God's grace by extending adoption to others. Nineteenth-century adoption literature develops from this notion of adoption as salvation and from simultaneous attachments to the Old World and the New. In domestic fiction of the mid-nineteenth century, adoption also reflects a focus on nurture in childrearing, increased mobility in the nation, and middle-class concerns over immigration and urbanization, assuaged when the orphan finds a proper, loving home. Adoption signals fresh starts and the opportunity for success without genealogical constraints, especially for white males, but inflected by gender and racial biases, it often entails dependency for girls and children of color. A complex signifier of difference, adoption gives voice to sometimes contradictory calls to origins and fresh beginning; to feelings of worthiness and unworthiness. In writings from Cotton Mather to Edith Wharton, it both replicates and offers an alternative to the genealogical norm, evoking ambivalence as it shapes national mythologies.

American literature abounds with orphans who experience adoption or placements that resemble adoption. These narratives do more than describe adventures of children living away from home. They tell an American story of family and national identity. In literature from the seventeenth to the early twentieth century, adoption functions as narrative event and trope to recount the American migratory experience, the impact of Calvinist faith, and the growth of democratic individualism.
The literary roots of adoption appear in the discourse of Puritan settlers, who ambivalently took leave of their birth country and portrayed themselves as abandoned offspring. Believing they were chosen children of God, they also prayed for spiritual adoption and emulated God's grace by extending adoption to others. Nineteenth-century literature develops from this idea of adoption as salvation and from simultaneous attachments to the Old World and New. In fiction of the mid-nineteenth century, adoption also reflects the importance of nurture in childrearing and the nation's increased mobility. Middle-class concerns over immigration and urbanization appear in the form of orphancy and are addressed through adoption. For some, adoption signals a fresh start and the opportunity for success without genealogical constraints. Other times, particularly for girls and children of color, it suggests dependence, reflecting contemporary gender and racial biases.
A complex signifier of difference, adoption gives voice to concurrent and sometimes contradictory calls to origins and new beginnings; to feelings of worthiness and unworthiness. In writings from John Winthrop and Cotton Mather to Nathaniel Hawthorne, Louisa May Alcott, and Edith Wharton, Carol Singley reveals how adoption both replicates and challenges genealogical norms, evoking ambivalence and playing a foundational role in the shaping of many of our most dearly held national mythologies.

The House of Mirth is perhaps Edith Wharton's best-known and most frequently read novel. This casebook collects critical essays addressing a broad spectrum of topics and utilizing a range of critical and theoretical approaches.

Edith Wharton, arguably the most important American female novelist, stands at a particular historical crossroads between sentimental lady writer and modern professional author. Her ability to cope with this collision of Victorian and modern sensibilities makes her work especially interesting. Wharton also writes of American subjects at a time of great social and economic change-Darwinism, urbanization, capitalism, feminism, world war, and eugenics. She not only chronicles these changes in memorable detail, she sets them in perspective through her prodigious knowledge of history, philosophy, and religion. A Historical Guide to Edith Wharton provides scholarly and general readers with historical contexts that illuminate Wharton's life and writing in new, exciting ways. Essays in the volume expand our sense of Wharton as a novelist of manners and demonstrate her engagement with issues of her day.

A Historical Guide to Edith Wharton provides scholarly and general readers with historical contexts that illuminate Wharton's life and writing in new, exciting ways. The essays in this volume expand our sense of Wharton as a novelist of manners and reflect the latest developments in new historicism and cultural studies.