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Catharism was a popular medieval heresy based on the belief that
the creation of humankind was a disaster in which angelic spirits
were trapped in matter by the devil. Their only goal was to escape
the body through purification. Cathars denied any value to material
life, including the human body, baptism, and the Eucharist, even
marriage and childbirth. What could explain the long popularity of
such a bleak faith in the towns of southern France and Italy?
Emotions depend on language, cultural practices, expectation and moral beliefs. Hate, fear, cruelty and love are always turning history into the history of passion and lust, because emotional life is always ready to overflow intellectual life. This fascinating study of emotion in Renaissance Italy shows that emotions are built and created by the society in which they are expressed and conditioned. The contributors examine, among others, the emotional language of the court, around public execution, religious practices and during outbreaks of disease.
Catharism was a popular, if bleak, medieval heresy that held that the creation of humankind was a disaster in which angelic spirits were trapped in matter, and their only goal was to escape through purification. Power and Purity explores the place of cathar heresy in the life of the medieval Italian town of Orvieto. Based on extensive archival research, it details the social makeup of the Cathar community and argues that Cathar beliefs about the body addressed questions of sexual difference and the structure of authority that were central to medieval Italian life. This detailed microhistory will appeal to medieval historians and scholars of religion and gender studies.
This collection of essays offers a unique contribution to the study of violence and justice in a late medieval and early modern Italy by combining a multivocal perspective with a case-study focus on the city-state of Bologna. Drawing on the city's singularly rich archival resources, the authors explore various facets of violence-ranging from the interpersonal to the less frequently studied typologies of blasphemy, rape, political rebellion, and student brawls-and set the institutions of the police and law courts into their socio-political and cultural contexts. They also apply a broad variety of quantitative and qualitative approaches-processual, microhistorical, legalism, comparative and criminological-to their assessments of the procedures and practices of criminal justice and the experiences of violent behavior, providing both short-term, in-depth analyses of specific events and over-arching reviews of long-term trends. Bologna itself, with its renowned university, economic innovations, strategic importance as a commercial and cultural crossroads, its political volatility and experiments with diverse constitutional structures, provides a rewarding laboratory for analyzing changes and continuities in late medieval and early modern violence and justice. From these studies emerges a narrative that challenges the traditional portrayal of those periods as eras when brutality and rage were "normal" in social relations and criminal justice was characterized mainly by punitive strategies of torture and repression.
In the 1290s a new guild-based Florentine government placed a group of noble families under severe legal restraints, on the grounds that they were both the most powerful and the most violent and disruptive element in the city. In this colorful portrayal of civic life in medieval Florence, Carol Lansing explores the patrilineal structure and function of these urban families, known as "magnates." She shows how they emerged as a class defined not by specific economic interests but by a distinctive culture. During the earlier period of weaker civic institutions, these families built their power by sharing among themselves crucial resources--forts, political alliances, ecclesiastical rights. Lansing examines this activity as well as the responses patrilineal strategies drew from women, who were excluded from inheritance and full lineage membership. In looking at the elements of this culture, which emphasized private military force, knighthood, and faction, Lansing argues that the magnates' tendency toward violence derived from a patrician youth culture and from the instability inherent in the exaggerated use of patrilineal ties. In describing the political changes of the 1290s, she shows how some families eventually dropped the most stringent aspects of patrilineage and exerted their influence through institutions and patronage networks. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
In the 1290s a new guild-based Florentine government placed a group of noble families under severe legal restraints, on the grounds that they were both the most powerful and the most violent and disruptive element in the city. In this colorful portrayal of civic life in medieval Florence, Carol Lansing explores the patrilineal structure and function of these urban families, known as "magnates." She shows how they emerged as a class defined not by specific economic interests but by a distinctive culture. During the earlier period of weaker civic institutions, these families built their power by sharing among themselves crucial resources--forts, political alliances, ecclesiastical rights. Lansing examines this activity as well as the responses patrilineal strategies drew from women, who were excluded from inheritance and full lineage membership. In looking at the elements of this culture, which emphasized private military force, knighthood, and faction, Lansing argues that the magnates' tendency toward violence derived from a patrician youth culture and from the instability inherent in the exaggerated use of patrilineal ties. In describing the political changes of the 1290s, she shows how some families eventually dropped the most stringent aspects of patrilineage and exerted their influence through institutions and patronage networks. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The way in which a society expresses grief can reveal how it views both intense emotions and public order. In thirteenth-century Italian communes, a conscious effort to change appropriate public reaction to death threw into sharp relief connections among urban politics, gender expectations, and understandings of emotionality. In Passion and Order, Carol Lansing explores a dramatic change in thinking and practice about emotional restraint. This shift was driven by politics and understood in terms of gender. Thirteenth-century court cases reveal that male elites were accustomed to mourning loudly and demonstratively at funerals. As many as a hundred men might gather in a town's streets and squares to weep and cry out, even tear at their beards and clothing. Yet these elites enacted laws against such emotional display and proceeded to pay the fines levied against themselves for violating their own legislation.Political theorists used gender norms to urge men to restrain their passions; histrionic grieving, like lust, was now considered "womanish." Lawmakers drew on a complex of gendered ideas about grief and public order to characterize governance in ways that linked the self and the state. They articulated their beliefs in terms of rules of decorum, how men and women need to behave in order to live together in society. Lansing demonstrates this change through a rich combination of sources: archival records from Orvieto, Bologna, and Perugia; political treatises; literary works, notably Petrarch's letters; and representations of grief in painting and sculpture.
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