Dorothea Lange, Documentary Photography, and Twentieth-Century America charts the life of Dorothea Lange (1895-1965), whose life was radically altered by the Depression, and whose photography helped transform the nation. The book begins with her childhood in immigrant, metropolitan New York, shifting to her young adulthood as a New Woman who apprenticed herself to Manhattan's top photographers, then established a career as portraitist to San Francisco's elite. When the Great Depression shook America's economy, Lange was profoundly affected. Leaving her studio, Lange confronted citizens' anguish with her camera, documenting their economic and social plight. This move propelled her to international renown. This biography synthesizes recent New Deal scholarship and photographic history and probes the unique regional histories of the Pacific West, the Plains, and the South. Lange's life illuminates critical transformations in the U.S., specifically women's evolving social roles and the state's growing capacity to support vulnerable citizens. The author utilizes the concept of "care work," the devalued nurturing of others, often considered women's work, to analyze Lange's photography and reassert its power to provoke social change. Lange's portrayal of the Depression's ravages is enmeshed in a deeply political project still debated today, of the nature of governmental responsibility toward citizens' basic needs. Students and the general reader will find this a powerful and insightful introduction to Dorothea Lange, her work, and legacy. Dorothea Lange, Documentary Photography, and Twentieth-Century America makes a compelling case for the continuing political and social significance of Lange's work, as she recorded persistent injustices such as poverty, labor exploitation, racism, and environmental degradation.

Dorothea Lange, Documentary Photography, and Twentieth-Century America charts the life of Dorothea Lange (1895-1965), whose life was radically altered by the Depression, and whose photography helped transform the nation. The book begins with her childhood in immigrant, metropolitan New York, shifting to her young adulthood as a New Woman who apprenticed herself to Manhattan's top photographers, then established a career as portraitist to San Francisco's elite. When the Great Depression shook America's economy, Lange was profoundly affected. Leaving her studio, Lange confronted citizens' anguish with her camera, documenting their economic and social plight. This move propelled her to international renown. This biography synthesizes recent New Deal scholarship and photographic history and probes the unique regional histories of the Pacific West, the Plains, and the South. Lange's life illuminates critical transformations in the U.S., specifically women's evolving social roles and the state's growing capacity to support vulnerable citizens. The author utilizes the concept of "care work," the devalued nurturing of others, often considered women's work, to analyze Lange's photography and reassert its power to provoke social change. Lange's portrayal of the Depression's ravages is enmeshed in a deeply political project still debated today, of the nature of governmental responsibility toward citizens' basic needs. Students and the general reader will find this a powerful and insightful introduction to Dorothea Lange, her work, and legacy. Dorothea Lange, Documentary Photography, and Twentieth-Century America makes a compelling case for the continuing political and social significance of Lange's work, as she recorded persistent injustices such as poverty, labor exploitation, racism, and environmental degradation.

In the twentieth century's first decades, U.S. workers waged an epic struggle to achieve security through unions; simultaneously Americans came to interpret current events through newspaper photographs. Eyes on Labor brings these two revolutions together, revealing how news photography brought workers into the nation's mainstream. Carol Quirke focuses on images ignored by scholars but seen by millions of Americans in the news of the day. Part visual analysis, part labor and cultural history, Quirke analyzes over one hundred photographs: stereographs of the Uprising of 1877, tabloid photos of the 1919 strike wave, photo-essays in the nationally popular LIFE Magazine, and even photos taken by a union camera club. Quirke anchors her interpretations in a lively historical narrative that takes readers from Washington D.C. hearings, to small towns in Indiana and Pennsylvania, to local union halls and to New York City boardrooms. Illuminating why unions, employers, and news publishers vied to represent workers with the camera's eye, Eyes on Labor explores how Americans understood the complex and contradictory portrait of labor they produced.

In the twentieth century's first decades, U.S. workers waged an epic struggle to achieve security through unions; simultaneously Americans came to interpret current events through newspaper photographs. Eyes on Labor brings these two revolutions together, revealing how news photography brought workers into the nation's mainstream. Carol Quirke focuses on images ignored by scholars but seen by millions of Americans in the news of the day. Part visual analysis, part labor and cultural history, Quirke analyzes over one hundred photographs: stereographs of the Uprising of 1877, tabloid photos of the 1919 strike wave, photo-essays in the nationally popular LIFE Magazine, and even photos taken by a union camera club. Quirke anchors her interpretations in a lively historical narrative that takes readers from Washington D.C. hearings, to small towns in Indiana and Pennsylvania, to local union halls and to New York City boardrooms. Illuminating why unions, employers, and news publishers vied to represent workers with the camera's eye, Eyes on Labor explores how Americans understood the complex and contradictory portrait of labor they produced.