Governments around the globe are promoting co-production and community social enterprise as policy strategies to address the need for local, 21st century service provision - but can small communities engage spontaneously in social enterprise and what is the true potential for citizens to produce services? This book addresses a clutch of contemporary societal challenges including: aging demography and the consequent need for extended care in communities; public service provision in an era of retrenching welfare and global financial crises; service provision to rural communities that are increasingly 'hollowed out' through lack of working age people; and, how best to engender the development of community social enterprise organizations capable of providing high quality, accessible services. It is packed with information and evidence garnered from research into the environment for developing community social enterprise and co-producing services; how communities react to being asked to co-produce; what to expect in terms of the social enterprises they can produce; and, how to make them happen. This book is an antidote to the rhetoric of optimistic governments that pronounce co-production as a panacea to the challenges of providing local services and by drawing on the evidence from a 'real-life' international study will make policy makers more savvy about their aspirations for co-production, give service professionals practical strategies for working with communities, fill a gap in the academic evidence about community, as opposed to individual, social enterprise and reassure community members that they can deliver services through community social enterprise if the right partnerships and strategies are in place. Community Co-Production will appeal to students and scholars over a broad range of disciplines including development, entrepreneurship, public and social policy, economics and regional studies. Contributors: S. Bradley, J. Farmer, C. Hill, S.-A. Munoz, K. Radford, S. Shortall, S. Skerratt, A. Steinerowski, K. Stephen, S. Whitelaw

The relations between medieval East Anglia and countries across the North Sea examined from a variety of perspectives. East Anglia was a distinctive English region during the Middle Ages, but it was one that owed much of its character and identity to its place in a much wider "North Sea World" that stretched from the English Channel to Iceland, the Baltic and beyond. Relations between East Anglia and its maritime neighbours have for the most part been peaceful, involving migration and commercial, artistic, architectural and religious exchanges, but have also at times beencharacterised by violence and contestation. All these elements have played a significant role in processes of historical change that have shaped the history both of East Anglia and its North Sea world. This collection of essays discusses East Anglia in the context of this maritime framework and explores the extent to which there was a distinctive community bound together by the shared frontier of the North Sea during the Middle Ages. It brings together the work of a range of international scholars and includes contributions from the disciplines of history, archaeology, art history and literary studies. David Bates is Professorial Fellow in History at the Universityof East Anglia, Robert Liddiard is Professor of History at the University of East Anglia. Contributors: Anna Agnarsdottir, Brian Ayers, Wendy R. Childs, Lynda Dennison, Stephen Heywood, Carole Hill, John Hines, David King, Robert Liddiard, Rory Naismith, Eljas Oksanen, Richard Plant, Aleksander Pluskowski, Christopher Scull, Tim Pestell, Charles West, Gareth Williams, Tom Williamson.

An investigation into the manifestations of religious art in East Anglia and how they are connected to and inspired by their locations. The relationship between religious or spiritual artworks and the locality where such objects are made and used is the central question this volume addresses. While it is a well-known fact that religious artworks, objects and buildings can have a power or agency of their own (iconoclasm, the violent defacement of an object which paradoxically testifies to the fear and loathing it has generated, being an extreme example), the sources of this power are less well understood. It is this problem which the book seeks to begin to remedy, using East Anglia, an area of Britain with an exceptionally long history of religious diversity, as its prism. Case-studies are taken from prehistory right up to the twenty-first century, and from a variety of media, including wall-paintings, church architecture, and stained glass; famous sites examined include Seahenge and Sutton Hoo. Overall, the book shows how profoundly religious artworks are embedded in local communities, belief systems, histories and landscapes. T.A. Heslop is Professor of Visual Arts, Elizabeth Mellings a Post-doctoral Research Fellow, and Margit Thofner Senior Lecturer, at the School of World Art Studies, University of East Anglia. Contributors: Margit Thofner, T.A. Heslop, Elizabeth de Bièvre, Daphne Nash Briggs, Adrian Marsden, Timothy Pestell, Matthew Champion, Carole Hill, ElizabethRutledge, David King, John Peake, Nicola Whyte, Chris King, Francesca Vanke, Stefan Muthesius, Kate Hesketh-Harvey, Karl Bell, Elizabeth Mellings, Robert Wallis, Trevor Ashwin. Cover artwork: Glowing Embers (Seahenge), 2000. Painting by Susan Laughlin.

A vivid account of the nature and significance of intense female spirituality in one of England's greatest medieval cities. The religious attachments and charitable activity of women in and around late medieval Norwich are used here as a case study to consider women and religion in the period more generally. Drawing on uniquely rich and varied sources,the book demonstrates, far more fully and effectively than studies for other cities have been able to do, how links with continental Europe enriched female life. Norwich's successful status as an international depot - especiallyits trade with the Low Countries and with Germany -- became the vehicle for the transmission of various cults, artistic expression and books related to continental female mysticism. Norwich women's special attraction to aspects ofincarnational piety is demonstrated by their devotion to the Body of Christ and to his earthly family, exemplified by the popular cults of St Anne and her daughter, the Virgin Mary. The wealth of fifteenth-century literature, much of local provenance, which survives highlights both this and other religious preoccupations of Norwich women. Among them are, of course, Julian of Norwich and Margery Kempe, who are here reinterpreted within the wider context ofthe religious life of the medieval city, and of women's contributions to it. CAROLE HILL gained her PhD from the University of East Anglia.

The relations between medieval East Anglia and countries across the North Sea examined from a variety of perspectives. East Anglia was a distinctive English region during the Middle Ages, but it was one that owed much of its character and identity to its place in a much wider "North Sea World" that stretched from the English Channel to Iceland, the Baltic and beyond. Relations between East Anglia and its maritime neighbours have for the most part been peaceful, involving migration and commercial, artistic, architectural and religious exchanges, but have also at times beencharacterised by violence and contestation. All these elements have played a significant role in processes of historical change that have shaped the history both of East Anglia and its North Sea world. This collection of essays discusses East Anglia in the context of this maritime framework and explores the extent to which there was a distinctive community bound together by the shared frontier of the North Sea during the Middle Ages. It brings together the work of a range of international scholars and includes contributions from the disciplines of history, archaeology, art history and literary studies. Professor David Bates is Professorial Fellow in History, RobertLiddiard is Professor of History, at the University of East Anglia. Contributors: Anna Agnarsdottir, Brian Ayers, Wendy R. Childs, Lynda Dennison, Stephen Heywood, Carole Hill, John Hines, David King, Robert Liddiard,Rory Naismith, Eljas Oksanen, Richard Plant, Aleksander Pluskowski, Christopher Scull, Tim Pestell, Charles West, Gareth Williams, Tom Williamson.

Medieval East Anglia - one of the most significant and prosperous parts of England in the middle ages - examined through essays on its landscape, history, religion, literature, and culture. East Anglia was the most prosperous region of medieval England; far from being an isolated backwater, it had strong economic, religious and cultural connections with continental Europe, with Norwich for a time England's second city. The essays in this volume bring out the importance of the region during the middle ages. Spanning the late eleventh to the fifteenth century, they offer a broad coverage of East Anglia's history and culture; particular topics examined include its landscape, urban history, buildings, government and society, religion and rich culture. Contributors: Christopher Harper-Bill, Tom Williamson, Robert E. Liddiard, P. Maddern, Brian Ayers, Elisabeth Rutledge, Penny Dunn, Kate Parker, Carole Rawcliffe, James Campbell, Lucy Marten, Colin Richmond, T. M. Colk, Carole Hill, T.A. Heslop, A.E. Oliver, Theresa Coletti, Penny Granger, Sarah Salih

The essays collected here provide fresh insight into a range of important topics across the period. They discuss religion (both orthodox, as revealed by the lives of anchoresses living in Norwich, and heretical, as practised by lollards living in Coventry); politics (exploring the motivations of individuals seeking election to parliament, and how the way Cade's Rebellion was recorded by contemporaries affected its subsequent perception); law (whether it may be deduced from manorial court rolls that lawyers were employed by peasants, and an examination of the process of peace-making in feuds on the Scottish border); national, ethnic and political identity in the British Isles; social ranking and chivalry (in particular knighthood in Scotland); and verse (a consideration of the poem Lydgate addressed to Thomas Chaucer, and the occasion of its composition). Contributors: JACKSON W. ARMSTRONG, JACQUELYN FERNHOLTZ, TONY GOODMAN, DAVID GRUMMITT, CAROLE HILL, MAUREEN JURKOWSKI, JENNI NUTTALL, SIMON PAYLING, ANDREA RUDDICK, KATIE STEVENSON, MATTHEW TOMPKINS

Essays reflecting the interests and scholarship of one of our most important and influential historians. For almost four decades Carole Rawcliffe has been a towering figure among historians of the later Middle Ages. Although now best known for her pioneering contributions to medical history, including major studies of hospitals, leprosy and public health, her published works range far more broadly to encompass among other subjects the English nobility, Members of Parliament, the regional history of East Anglia and myriad aspects of political and social interaction. The essays collected in this festschrift, written by a selection of her colleagues, friends and former students, cover a wide spectrum of themes and introduce such diverse characters as an estranged queen, a bankrupt aristocrat, a female apothecary, a flute-playing Turkish doctor and a medieval "Dad's Army" conscripted to defend England's coasts. Linda Clark is Editor of the 1422-1504 section of the History of Parliament; Elizabeth Danbury is an Honorary Senior Research Fellow at the Institute of English Studies, School of Advanced Study, University of London, and Honorary Research Fellow at the Department of Information Studies, University College London. Contributors: Jean Agnew, John Alban, Brian Ayers, Caroline Barron, Christopher Bonfield, Carole Hill, Peregrine Horden, Hannes Kleineke, Nicholas Vincent.

In a time when the unrest and bloody crisis of the Middle East causes us to wonder if there is any hope for the war-torn nations there, a story offering a beautiful picture of hope emerges. A modern-day Esther, poised to save her people, rises from the ashes and confronts us with the courage and determination we should all strive to live by. Desert Rose introduces a fresh, new genre for Christian readers. An exotic setting, timely scenario, relevant life lessons and original ideas bring the characters to life on the pages, keeping readers intensely involved. C. Hill weaves an enchanting story, as rich and colorful as a Bedouin tapestry, and readers will want to know more as hero Dahlia learns of a new faith and finds a ministry perfectly suited for her by a personal and loving God.