The analysis of UNESCO's audio-visual archives for their digitization has brought to light a forgotten album of 38 contact sheets and accompanying texts by Magnum photographer, David "Chim" Seymour - a reportage made in 1950 for UNESCO on the fi ght against illiteracy in Italy's southern region of Calabria. A number of his photographs appeared in the March 1952 issue of UNESCO Courier in an article written by Carlo Levi, who had gained worldwide fame with his novel Christ Stopped at Eboli (1945). L'analyse des archives audio-visuelles de l'UNESCO en vue de leur numerisation a permis de decouvrir un album oublie comprenant 38 planches-contact et des textes d'accompagnement du photographe de Magnum David " Chim " Seymour - un reportage realise en 1950 pour l'UNESCO sur la bataille contre l'analphabetisme en Calabre, une region du sud de l'Italie. Un certain nombre de ses photographies ont ete publiees dans le numero de mars 1952 du Courrier de l'UNESCO avec un article de Carlo Levi, dont le roman Le Christ s'est arrete a Eboli (1945) lui avait valu une renommee internationale

"He used his camera like a doctor would use a stethoscope in order to diagnose the state of the heart. His own was vulnerable.", Cartier-Bresson wrote about David Seymour, who liked to be called Chim. Chim is best known as one of the cofounders of photojournalism's famous cooperative Magnum Photos. Weaving Chim's life and work, this book discovers this empathetic photographer who has been called "The First Human Rights Photographer". In 1947, Chim was one of the four cofounders of the Magnum Photos cooperative with Robert Capa, Henri Cartier-Bresson and George Rodger. He also wrote Magnum's 1955 bylaws, which are still in effect today. But he is the only one of those famous photographers who does not have a full biography to his name. This book examines his life and work from Poland to France to the Spanish Civil War, his work for British intelligence during World War II, his reportage on Europe's children after the war, his reportages on Italian actors, illiteracy and religious festivals in Southern Italy, his coverage of Israel's beginnings before his 1956 death during the Suez war. His complex itinerary is emblematic of the displacements and passages of the XXth century.

The first complete illustrated bibliography of 1,000 iconic photobooks created by members of the renowned photo agency This fascinating in-depth survey brings Magnum's history alive through the genre of the photobook - an essential vehicle for photographers to share their work. Its pages include unpublished behind-the-scenes material, together with ephemera from the photographers' archives about the making of their books. With an introduction by Fred Ritchin and texts by Carole Naggar, this book explores the evolution of the photobook, as well as the important role that Magnum has played in the history of documentary photography.

Vistos por ojos extranjeros 1850-1990

A photographic tribute to Mexico's rich and diverse cultures.

For the wandering photographer perhaps no country, over photography's century-and-a-half history, has had the consistent allure and been the site of so many artistic breakthroughs as Mexico.

From Henri Cartier-Bresson, who flowered as a masterful surrealist in Mexico in the 1930s, to the American Paul Strand's "Mexican Portfolio"-the spiritual jewel of his life's work-to Edward Steichen and into recent years, photographers have found in Mexico's people, its culture, and its light much of their defining inspiration.

Here are fresh views of the land and people of Mexico, its powerful histories constantly enriching its present.

Carole Naggar is a writer, painter, curator, and American editor of Camera International. Fred Ritchin has curated "Contemporary Latin American Photographers" and other exhibitions.