Trailblazing women working in digital arts media and education established the Midwest as an international center for the artistic and digital revolution in the 1980s and beyond. Foundational events at the University of Illinois and the School of the Art Institute of Chicago created an authentic, community-driven atmosphere of creative expression, innovation, and interdisciplinary collaboration that crossed gender lines and introduced artistically informed approaches to advanced research. Interweaving historical research with interviews and full-color illustrations, New Media Futures captures the spirit and contributions of twenty-two women working within emergent media as diverse as digital games, virtual reality, medicine, supercomputing visualization, and browser-based art. The editors and contributors give voice as creators integral to the development of these new media and place their works at the forefront of social change and artistic inquiry. What emerges is the dramatic story of how these Midwestern explorations in the digital arts produced a web of fascinating relationships. These fruitful collaborations helped usher in the digital age that propelled social media. Contributors: Carolina Cruz-Niera, Colleen Bushell, Nan Goggin, Mary Rasmussen, Dana Plepys, Maxine Brown, Martyl Langsdorf, Joan Truckenbrod, Barbara Sykes, Abina Manning, Annette Barbier, Margaret Dolinsky, Tiffany Holmes, Claudia Hart, Brenda Laurel, Copper Giloth, Jane Veeder, Sally Rosenthal, Lucy Petrovic, Donna J. Cox, Ellen Sandor, and Janine Fron.

The two volume set LNCS 4841 and LNCS 4842 constitutes the refereed proceedings of the Third International Symposium on Visual Computing, ISVC 2007, held in Lake Tahoe, NV, USA in November 2007.

The 77 revised full papers and 42 poster papers presented together with 32 full and 5 poster papers of 6 special tracks were carefully reviewed and selected from more than 270 submissions. The papers cover the four main areas of visual computing: vision, graphics, visualization, and virtual reality. There 6 additional special tracks address issues such as intelligent algorithms for smart monitoring of complex environments, object recognition, image databases, algorithms for the understanding of dynamics in complex and cluttered scenes, medical data analysis, and soft computing in image processing. The papers of this volume are organized in topical sections on motion and tracking, segmentation, feature extraction, classification, intelligent algorithms for smart monitoring of shape/recognition, image databases, soft computing in image processing, and posters.

The two volume set LNCS 4841 and LNCS 4842 constitutes the refereed proceedings of the Third International Symposium on Visual Computing, ISVC 2007, held in Lake Tahoe, NV, USA in November 2007.

The 77 revised full papers and 42 poster papers presented together with 32 full and 5 poster papers of 6 special tracks were carefully reviewed and selected from more than 270 submissions. The papers cover the four main areas of visual computing: vision, graphics, visualization, and virtual reality. There 6 additional special tracks address issues such as intelligent algorithms for smart monitoring of complex environments, object recognition, image databases, algorithms for the understanding of dynamics in complex and cluttered scenes, medical data analysis, and soft computing in image processing. The papers of this volume are organized in topical sections on motion and tracking, computer graphics, virtual reality, medical data analysis, calibration/reconstruction, visualization, computer vision applications, algorithms for the understanding, face reconstruction and processing, object recognition, and shape/motion/tracking.

Trailblazing women working in digital arts media and education established the Midwest as an international center for the artistic and digital revolution in the 1980s and beyond. Foundational events at the University of Illinois and the School of the Art Institute of Chicago created an authentic, community-driven atmosphere of creative expression, innovation, and interdisciplinary collaboration that crossed gender lines and introduced artistically informed approaches to advanced research. Interweaving historical research with interviews and full-color illustrations, New Media Futures captures the spirit and contributions of twenty-two women working within emergent media as diverse as digital games, virtual reality, medicine, supercomputing visualization, and browser-based art. The editors and contributors give voice as creators integral to the development of these new media and place their works at the forefront of social change and artistic inquiry. What emerges is the dramatic story of how these Midwestern explorations in the digital arts produced a web of fascinating relationships. These fruitful collaborations helped usher in the digital age that propelled social media. Contributors: Carolina Cruz-Niera, Colleen Bushell, Nan Goggin, Mary Rasmussen, Dana Plepys, Maxine Brown, Martyl Langsdorf, Joan Truckenbrod, Barbara Sykes, Abina Manning, Annette Barbier, Margaret Dolinsky, Tiffany Holmes, Claudia Hart, Brenda Laurel, Copper Giloth, Jane Veeder, Sally Rosenthal, Lucy Petrovic, Donna J. Cox, Ellen Sandor, and Janine Fron.