An Open Access edition of this book is available on the Liverpool University Press website and through Knowledge Unlatched. Argentine Cinema and National Identity covers the development of Argentine cinema since the late 1950s to the mid-1970s, a period that has been understudied. This essential cultural history delves on the dialect tradition versus modernity that was in place during those years and also comprises an examination of the political economy of film production as well as the different laws, including that implementing censorship that regulated this cultural industry. It also pays particular attention to two historical film genres: the historical film genre per se and the gauchesque, a genre based on outlaw gauchos that was crucial for nation-building in the nineteenth century. This volume investigates the way Argentine cinema positioned itself when facing the competition of glossy American films and resorted to the historical and gauchesque to bridge the stark divisions between the Argentine left and right in the late 1960s.

Contemporary Latin American Cinema investigates the ways in which neoliberal measures of privatization, de-regularization and austerity introduced in Latin America during the 1990s have impacted film production and film narratives. The collection examines the relationship between economic policies and the films that depict recent transformations in many Latin American countries, demonstrating how contemporary Latin American film has not only criticized and resisted, but also benefitted from neoliberal advancements. Based on films produced in Argentina, Bolivia, Brazil, Chile, Colombia, Ecuador, Mexico and Peru since 2010, the fourteen case studies illustrate neoliberalism's effects, from big industries to small national cinemas. It also shows the new types of producers that have emerged, and the novel patterns of distribution, exhibition and consumption that shape and influence the Latin American filmscape. Through industry studies, reception analyses and close readings, this book establishes an informative and accessible text for scholars and students alike.

This collection focuses on children and adolescents in Latin American and Spanish cinema from 1960 to the present as witnesses and objects of the spectatorial gaze. The carefully chosen essays survey the representation of the past and the definition of gender and class identity as experienced by young protagonists in films. This volume offers an interdisciplinary approach to the study of Latin American and Spanish film as well as gender studies. Some of the questions addressed in this collection are: what do children and adolescents in Latin American and Spanish film see and how are they seen?

Interdisciplinary and engaging, Masculinities in Contemporary Argentine Popular Cinema is the first scholarly work to link visual representations of heterosexual masculinities to the neo-liberal transformations in Argentina. Rocha critically examines contemporary cinematic representations of Argentine masculinities produced after the crucial changes of the 1990s affected both the social construction of gender and the financing of domestic film productions. Theoretically innovative, this study provides detailed analysis of six Argentine blockbusters.

This anthology explores the role of children and teenagers in Latin American and Spanish Film as protagonists, victims and witnesses of societies polarized by and still grappling with the consequences of political divisions.

Screening Minors in Latin American Cinema is the first volume to delve into the construction of children's subjectivity and agency in Latin American film, and addresses such questions as: How and to what extent do films express the point of view of the child? How do plots and film practices represent children s subjectivity and agency? Childhood studies has demonstrated the importance of examining the lives of children. Building on those insights, together with current research from film studies and Latin American cultural studies, the essays in this volume analyze the development of agency and voices of minors in contemporary Latin American film. The theoretical perspectives used gender studies, psychoanalytic and postcolonial theory, film studies, play and performance studies, and emotion studies, among others take into account innovative approaches to filmic techniques as they explore the varied representations of children."

Why has violence been a predominant topic in contemporary Argentine film and literature? What conclusions can be drawn from the dissemination of violent images and narratives that depict violence in Argentina? In Argentina, the problem of violence is rooted in the country's long experience with authoritarian rule as well as in more recent trends such as the weakening of the state and the rule of law brought about by neoliberal reforms. The eleven essays that make up Violence in Argentine Literature and Film (1989-2005) seek to interpret and analyze the extent to which violence communicates structural inequalities or lines of fissure in contemporary Argentina resulting from the transformations that the state, the economy, and society in general have experienced during the past two decades. Applying a variety of critical approaches, the contributors explore violence in Argentine cultural productions as it relates to four broad themes: the body as site of physical violence, the legacies of Argentina's authoritarian past, the collapse of the myth of the Argentine nation, and the current battles over how to define particular "social and geographical places" in the context of an increasingly violent society.

Screening Minors in Latin American Cinema is the first volume to delve into the construction of children's subjectivity and agency in Latin American film, and addresses such questions as: How and to what extent do films express the point of view of the child? How do plots and film practices represent children's subjectivity and agency? Childhood studies has demonstrated the importance of examining the lives of children. Building on those insights, together with current research from film studies and Latin American cultural studies, the essays in this volume analyze the development of agency and voices of minors in contemporary Latin American film. The theoretical perspectives used-gender studies, psychoanalytic and postcolonial theory, film studies, play and performance studies, and emotion studies, among others-take into account innovative approaches to filmic techniques as they explore the varied representations of children.

This volume examines some of the ways that Brazil has been represented and seeks to represent itself in popular media. It looks at social inequalities, racial divisions, and legacies of political restructuring as it illuminates the challenges and opportunities that the nation faces at present and going into preparations for and recovery from the upcoming mega events, both the 2014 World Cup and 2016 Summer Olympics. Drawing on the expertise of scholars in the fields of film and media studies, political science, social movement analysis, and cultural studies this volume features chapters examining the role of stereotyped Brazilian identity and myths of what it means to be Brazilian, the growing interest in favela-slum-culture, and sites of resistance in contemporary Brazilian society.

This volume examines some of the ways that Brazil has been represented and seeks to represent itself in popular media. It looks at social inequalities, racial divisions, and legacies of political restructuring as it illuminates the challenges and opportunities that the nation faces at present and going into preparations for and recovery from the upcoming mega events, both the 2014 World Cup and 2016 Summer Olympics. Drawing on the expertise of scholars in the fields of film and media studies, political science, social movement analysis, and cultural studies this volume features chapters examining the role of stereotyped Brazilian identity and myths of what it means to be Brazilian, the growing interest in favela slum culture, and sites of resistance in contemporary Brazilian society."

An Open Access edition of this book is available on the Liverpool University Press website and through Knowledge Unlatched. Argentine Cinema and National Identity covers the development of Argentine cinema since the late 1950s to the mid-1970s, a period that has been understudied. This essential cultural history delves on the dialect tradition versus modernity that was in place during those years and also comprises an examination of the political economy of film production as well as the different laws, including that implementing censorship that regulated this cultural industry. It also pays particular attention to two historical film genres: the historical film genre per se and the gauchesque, a genre based on outlaw gauchos that was crucial for nation-building in the nineteenth century. This volume investigates the way Argentine cinema positioned itself when facing the competition of glossy American films and resorted to the historical and gauchesque to bridge the stark divisions between the Argentine left and right in the late 1960s.

As part of a raft of neoliberal economic reforms in the early 1990s, Brazilian president Fernando Collor de Mello and Argentine president Carlos Menem eliminated long-standing state financial support for cinema. National film production, distribution, and exhibition were deeply affected by the absence of the entire structure and legislation on which they had relied for decades. By the mid-1990s, however, new laws were passed reestablishing subsidies and credit lines--and allowing for a rebirth of national cinema in both countries.
This comprehensive and accessible volume surveys Brazilian and Argentine cinematic production from its subsequent dramatic rebirth to the present. It addresses not only the commercially successful films but also the effects of globalization and cultural policies on public incentives for filmmaking. An indispensable resource for students of film and cultural studies, "New Trends in Argentine and Brazilian Cinema" is moreover an exciting glimpse into a momentous period in recent cinematic history.