Though perhaps better known for her tumultuous marriages to the painter Lucian Freud and poet Robert Lowell, Caroline Blackwood remains a woman whose formidable intellect and artistry indelibly marked every person she met and every sentence she crafted. When he interviewed her a year before her death in 1996, The New York Times chief art critic, Michael Kimmelman, called Blackwood a strangely dramatic woman: intense and vulnerable, with . . . a dark, razor-sharp sense of humor and an offbeat sensibility.
The same can be said of the mostly female, and often troubled, characters in the stories of this startling new collection. Selections span the entirety of her career, from her first book, For All That I Found There, to Good Night Sweet Ladies, one of her last. The seven evocative nonfiction vignettes draw directly from Blackwood's fascinating life, from her early difficult years through her days as a quintessential bohemian. Three entirely unpublished stories are included in the collection.

In 1980, Lady Caroline Blackwood was commissioned by "The Sunday Times" to write an article on the aging Duchess of Windsor, who was said to be convalescing in her French mansion in the Bois de Boulogne. Yet what began as a curiosity was to become for Blackwood one of the most challenging experiences of her writing career, launching her into a battle of wits with the Duchess's formidable lawyer, Maitre Suzanne Blum.
Maitre Blum refused to let Blackwood near the Duchess, spinning elaborate excuses as to why she was unavailable and threatening anyone who dared suggest that she was in anything other than the best of health. Still, while Blum's machinations restricted Blackwood's ability to publish a frank interview, it only served to pique her interest in the bizarre relationship between the infamous Duchess--a woman who once inspired a king to abdicate his crown--and her eccentric, domineering gatekeeper. Sixteen years later, Blackwood turned her experiences into this riveting and excoriating modern classic about the frailties of old age, the foibles of society, and the dual-edged nature of celebrity.