This volume considers the complex relationships that exist between Christianity, rape culture, and gender violence. Each chapter explores the various roles that Christian theologies, teachings, and practices have played in shaping contemporary understandings of gender violence and in sanctioning rape-supportive cultural belief systems and practices. Our contributors explore this topic from a range of disciplinary perspectives, including theology, gender and queer studies, cultural studies, pastoral care, and counseling. Together, the chapters in this volume testify to the considerable influence that Christianity has had, and continues to have, in directing conversations within the Christian tradition around gender violence and rape culture. They therefore invite readers to engage fruitfully in these conversations, fostering transformative dialogues with the Christian community about our shared responsibility to tackle the current global crisis of gender violence.

This book explores the Bible's ongoing relevance in contemporary discussions around rape culture and gender violence. Each chapter considers the ways that biblical texts and themes engage with various forms of gender violence, including the subjective, physical violence of rape, the symbolic violence of misogynistic and heteronormative discourses, and the structural violence of patriarchal power systems. The authors within this volume attempt to name (and shame) the multiple forms of gender violence present within the biblical traditions, contesting the erasure of this violence within both the biblical texts themselves and their interpretive traditions. They also consider the complex connections between biblical gender violence and the perpetuation and validation of rape culture in contemporary popular culture. This volume invites new and ongoing conversations about the Bible's complicity in rape-supportive cultures and practices, challenging readers to read these texts in light of the global crisis of gender violence.

This volume explores the multiple intersections between rape culture, gender violence, and religion. Each chapter considers the ways that religious texts, theologies, and traditions engage with contemporary cultural discourses of gender, sexuality, gender violence, and rape culture. Particularly, they interrogate the multifaceted roles that religious texts and teachings can have in challenging, confirming, querying, or redefining socio-cultural understandings of rape culture and gender violence. Unique to this volume, authors explore the topic from a range of disciplinary perspectives, including anthropology, theology, biblical studies, gender and queer studies, politics, modern history, art history, linguistics, religious studies, and English literature. Together, these interdisciplinary approaches resist the tendency to oversimplify the complexity of the connections between religion, gender violence, and rape culture; rather, the volume offers readers a multi-vocal and multi-perspectival view of this crucial subject, inviting readers to think deeply about it in light of the global crisis of gender violence.

In this fascinating book, Caroline Blyth takes a close look at Bibles marketed to teen girls and asks how these might perpetuate harmful gender stereotypes that lie at the heart of rape culture. The author considers the devotionals, commentaries, and advice sections placed throughout these Bibles, which offer teen girl readers life advice on topics such as friendships, body image, and how to navigate romantic relationships. Within these discussions, there is a strong emphasis on modesty, purity, and sexual passivity as markers of young women's 'godliness'. Yet, as the author argues, these gendered ideals are prescribed to readers using rape-supportive discourses and the tactics of coercive control. Moreover, the placement of these various editorial inserts within the pages of sacred scripture gives them considerable power to reinforce deeply harmful ideologies about gender, sexuality, and sexual violence. Given the seeming popularity of these Bibles among Christian teen girls, the need to dismantle their damaging rhetoric is especially urgent. This book will be of particular interest to those studying the Bible, religion, gender, and theology, as well as the general reader.

Spirit Possession and Communication in Religious and Cultural Contexts explores the phenomenon of spirit possession, focusing on the religious and cultural functions it serves as a means of communication. Drawing on the multidisciplinary expertise of philosophers, anthropologists, historians, linguists, and scholars of religion and the Bible, the volume investigates the ways that spirit possession narratives, events, and rituals are often interwoven around communicative acts, both between spiritual and earthly realms and between members of a community. This book offers fresh insight into the enduring cultural and religious significance of spirit possession. It will be an important resource for scholars from a diverse range of disciplines, including religion, anthropology, history, linguistics, and philosophy.

comprehensive and interdisciplinary collection which explores the history of interpretation that surrounds Eve's character in both religious writings and cultural texts. The volume will equip readers to begin their own explorations of Eve’s extraordinary legacy. no other current titles that offer a comprehensive overview of Eve research and scholarship

What thresholds of theology would we cross if we engage the aches and despairs, wisdoms and hopes in and of Aotearoa New Zealand, and the neighboring sea of islands? What thresholds need to be jarred or moved (threshold as opening), probed and raised (threshold as limit, ceiling)? This book engages these questions, over two vaults: (1) "(re)Locating theological studies" contains essays that interrogate the purposes of theological studies (locally and globally), identify gaps due to the Western heritage and blind spots of "traditional theology," and provide examples of how those gaps may be bridged when local concerns are engaged; (2) "Nativizing theological studies" contains essays that present and engage the heritage and wisdom of tangata whenua (indigenous, native people) of Aotearoa and Pasifika. These essays reaffirm the "native" rhetoric with pride. Overall, this collection of essays affirms that theological studies have a future, and that there is a role for theologians in and from Aotearoa New Zealand and Pasifika to play in navigating (into) that future.

In this fascinating book, Caroline Blyth takes a close look at Bibles marketed to teen girls and asks how these might perpetuate harmful gender stereotypes that lie at the heart of rape culture. The author considers the devotionals, commentaries, and advice sections placed throughout these Bibles, which offer teen girl readers life advice on topics such as friendships, body image, and how to navigate romantic relationships. Within these discussions, there is a strong emphasis on modesty, purity, and sexual passivity as markers of young women's 'godliness'. Yet, as the author argues, these gendered ideals are prescribed to readers using rape-supportive discourses and the tactics of coercive control. Moreover, the placement of these various editorial inserts within the pages of sacred scripture gives them considerable power to reinforce deeply harmful ideologies about gender, sexuality, and sexual violence. Given the seeming popularity of these Bibles among Christian teen girls, the need to dismantle their damaging rhetoric is especially urgent. This book will be of particular interest to those studying the Bible, religion, gender, and theology, as well as the general reader.

Spirit Possession and Communication in Religious and Cultural Contexts explores the phenomenon of spirit possession, focusing on the religious and cultural functions it serves as a means of communication. Drawing on the multidisciplinary expertise of philosophers, anthropologists, historians, linguists, and scholars of religion and the Bible, the volume investigates the ways that spirit possession narratives, events, and rituals are often interwoven around communicative acts, both between spiritual and earthly realms and between members of a community. This book offers fresh insight into the enduring cultural and religious significance of spirit possession. It will be an important resource for scholars from a diverse range of disciplines, including religion, anthropology, history, linguistics, and philosophy.

This volume is both an essential resource for undergraduates and graduates studying Victorian and Decadent literature and an instructive work for enthusiastic readers of verse. The wide span of the 1872-1900 epoch enables readers to appreciate in great depth the literary developments that led to the fin de siecle, unlike most studies of this period, which focus solely on the 1890s, with no relation to cultural and historical developments in the previous two important decades.

This volume takes readers on a fascinating journey through the visual arts of Aotearoa New Zealand, Australia and the Pacific Islands, contemplating the multivocal dialogues that occur between these artistic media and the texts and traditions of the Bible. With their distinctively antipodean perspectives, contributors explore the innovative ways that both creators and beholders of Oceanic arts draw upon their contexts and cultures in order to open up creative engagements with the stories, themes and theologies of the biblical traditions. Various motifs weave their way throughout the volume, including antipodean landscapes and ecology, (post)colonialism, philosophy, Oceanic spiritualities and the often contested engagements between western and indigenous cultures. Within this weaving process, each essay invites readers to contemplate these various forms of visual culture through Oceanic eyes, and to appreciate the fresh insights that this process can bring to reading and interpreting the biblical traditions. The result is a rich and interdisciplinary array of conversations that will capture the attention of readers within the fields of biblical reception studies, cultural studies, theology and art history.

The story of Samson and Delilah in Judges 16 has been studied and retold over the centuries by biblical interpreters, artists, musicians, filmmakers and writers. Within these scholarly and cultural retellings, Delilah is frequently fashioned as the quintessential femme fatale - the shamelessly seductive 'fatal woman' whose sexual treachery ultimately leads to Samson's downfall. Yet these ubiquitous portrayals of Delilah as femme fatale tend to eclipse the many other viable readings of her character that lie, underexplored, within the ambiguity-laden narrative of Judges 16 - interpretations that offer alternative and more sympathetic portrayals of her biblical persona. In Reimagining Delilah's Afterlives as Femme Fatale, Caroline Blyth guides readers through an in-depth exploration of Delilah's afterlives as femme fatale in both biblical interpretation and popular culture, tracing the social and historical factors that may have inspired them. She then considers alternative afterlives for Delilah's character, using as inspiration both the Judges 16 narrative and a number of cultural texts which deconstruct traditional understandings of the femme fatale, thereby inviting readers to view this iconic biblical character in new and fascinating lights.

This collection of poetry brings to life many of the important patterns of development in the verse of the late-Victorian period, and offers a fuller reflection of 'decadence' than those anthologies confined to the 1890s.

This book explores the Bible's ongoing relevance in contemporary discussions around rape culture and gender violence. Each chapter considers the ways that biblical texts and themes engage with various forms of gender violence, including the subjective, physical violence of rape, the symbolic violence of misogynistic and heteronormative discourses, and the structural violence of patriarchal power systems. The authors within this volume attempt to name (and shame) the multiple forms of gender violence present within the biblical traditions, contesting the erasure of this violence within both the biblical texts themselves and their interpretive traditions. They also consider the complex connections between biblical gender violence and the perpetuation and validation of rape culture in contemporary popular culture. This volume invites new and ongoing conversations about the Bible's complicity in rape-supportive cultures and practices, challenging readers to read these texts in light of the global crisis of gender violence.

This volume explores the multiple intersections between rape culture, gender violence, and religion. Each chapter considers the ways that religious texts, theologies, and traditions engage with contemporary cultural discourses of gender, sexuality, gender violence, and rape culture. Particularly, they interrogate the multifaceted roles that religious texts and teachings can have in challenging, confirming, querying, or redefining socio-cultural understandings of rape culture and gender violence. Unique to this volume, authors explore the topic from a range of disciplinary perspectives, including anthropology, theology, biblical studies, gender and queer studies, politics, modern history, art history, linguistics, religious studies, and English literature. Together, these interdisciplinary approaches resist the tendency to oversimplify the complexity of the connections between religion, gender violence, and rape culture; rather, the volume offers readers a multi-vocal and multi-perspectival view of this crucial subject, inviting readers to think deeply about it in light of the global crisis of gender violence.

This volume considers the complex relationships that exist between Christianity, rape culture, and gender violence. Each chapter explores the various roles that Christian theologies, teachings, and practices have played in shaping contemporary understandings of gender violence and in sanctioning rape-supportive cultural belief systems and practices. Our contributors explore this topic from a range of disciplinary perspectives, including theology, gender and queer studies, cultural studies, pastoral care, and counseling. Together, the chapters in this volume testify to the considerable influence that Christianity has had, and continues to have, in directing conversations within the Christian tradition around gender violence and rape culture. They therefore invite readers to engage fruitfully in these conversations, fostering transformative dialogues with the Christian community about our shared responsibility to tackle the current global crisis of gender violence.

The Bible has always enjoyed notoriety within the genres of crime fiction and drama; numerous authors have explicitly drawn on biblical traditions as thematic foci to explore social anxieties about violence, religion, and the search for justice and truth. The Bible in Crime Fiction and Drama brings together a multi-disciplinary scholarship from the fields of biblical interpretation, literary criticism, criminology, and studies in film and television to discuss international texts and media spanning the beginning of the 20th century to the present day. The volume concludes with an afterword by crime writer and academic, Liam McIvanney. These essays explore both explicit and implicit engagements between biblical texts and crime narratives, analysing the multiple layers of meaning that such engagements can produce - cross-referencing Sherlock Holmes with the murder mystery in the Book of Tobit, observing biblical violence through the eyes of Christian fundamentalists in Henning Mankell's Before the Frost, catching the thread of homily in the serial murders of Se7en, or analysing biblical sexual violence in light of television crime procedurals. The contributors also raise intriguing questions about the significance of the Bible as a religious and cultural text - its association with the culturally pervasive themes of violence, (im)morality, and redemption, and its relevance as a symbol of the (often fraught) location that religion occupies within contemporary secular culture.

This innovative study explores the interconnectedness of ancient and current attitudes towards sexual violence, focusing upon the representation of rape in the biblical narrative of Genesis 34.
Caroline Blyth takes the reader on a journey through both biblical and contemporary cultures, contemplating the commonality and diversity of rape survivors' experiences across space and time. In particular, Blyth evaluates the insidious and pervasive influences of the cultural myths and misperceptions surrounding sexual violence, which have long served to deny rape survivors a voice with which to relate their narrative of suffering. Blyth examines whether such 'rape myths' are likewise given voice within the biblical text of Genesis 34, where we encounter Dinah, a voiceless literary victim of sexual violence. When these myths do appear to be represented within the narrative, consideration is then given to the ways in which they may have shaped Dinah's literary experience of sexual violation and furthermore, contributed to her narrative silence.
Appealing to the witness of contemporary rape survivors whose own testimonies of their experiences have been affected by such rape myths, Blyth attempts to grant Dinah a literary voice with which to share her story. The Narrative of Rape in Genesis 34 provides a deeper insight into Dinah's literary silence within the narrative, in order that contemporary readers can better comprehend its significance and complexity.

The story of Samson and Delilah in Judges 16 has been studied and retold over the centuries by biblical interpreters, artists, musicians, filmmakers and writers. Within these scholarly and cultural retellings, Delilah is frequently fashioned as the quintessential femme fatale - the shamelessly seductive 'fatal woman' whose sexual treachery ultimately leads to Samson's downfall. Yet these ubiquitous portrayals of Delilah as femme fatale tend to eclipse the many other viable readings of her character that lie, underexplored, within the ambiguity-laden narrative of Judges 16 - interpretations that offer alternative and more sympathetic portrayals of her biblical persona. In Reimagining Delilah's Afterlives as Femme Fatale, Caroline Blyth guides readers through an in-depth exploration of Delilah's afterlives as femme fatale in both biblical interpretation and popular culture, tracing the social and historical factors that may have inspired them. She then considers alternative afterlives for Delilah's character, using as inspiration both the Judges 16 narrative and a number of cultural texts which deconstruct traditional understandings of the femme fatale, thereby inviting readers to view this iconic biblical character in new and fascinating lights.

This volume takes readers on a fascinating journey through the visual arts of Aotearoa New Zealand, Australia and the Pacific Islands, contemplating the multivocal dialogues that occur between these artistic media and the texts and traditions of the Bible. With their distinctively antipodean perspectives, contributors explore the innovative ways that both creators and beholders of Oceanic arts draw upon their contexts and cultures in order to open up creative engagements with the stories, themes and theologies of the biblical traditions. Various motifs weave their way throughout the volume, including antipodean landscapes and ecology, (post)colonialism, philosophy, Oceanic spiritualities and the often contested engagements between western and indigenous cultures. Within this weaving process, each essay invites readers to contemplate these various forms of visual culture through Oceanic eyes, and to appreciate the fresh insights that this process can bring to reading and interpreting the biblical traditions. The result is a rich and interdisciplinary array of conversations that will capture the attention of readers within the fields of biblical reception studies, cultural studies, theology and art history.

The Bible has always enjoyed notoriety within the genres of crime fiction and drama; numerous authors have explicitly drawn on biblical traditions as thematic foci to explore social anxieties about violence, religion, and the search for justice and truth. The Bible in Crime Fiction and Drama brings together a multi-disciplinary scholarship from the fields of biblical interpretation, literary criticism, criminology, and studies in film and television to discuss international texts and media spanning the beginning of the 20th century to the present day. The volume concludes with an afterword by crime writer and academic, Liam McIvanney. These essays explore both explicit and implicit engagements between biblical texts and crime narratives, analysing the multiple layers of meaning that such engagements can produce - cross-referencing Sherlock Holmes with the murder mystery in the Book of Tobit, observing biblical violence through the eyes of Christian fundamentalists in Henning Mankell's Before the Frost, catching the thread of homily in the serial murders of Se7en, or analysing biblical sexual violence in light of television crime procedurals. The contributors also raise intriguing questions about the significance of the Bible as a religious and cultural text - its association with the culturally pervasive themes of violence, (im)morality, and redemption, and its relevance as a symbol of the (often fraught) location that religion occupies within contemporary secular culture.