____________________ 'An illuminating and timely story that highlights the plight of refugees ... A book that haunts and shames in equal measure' - Guardian 'This short but heart-wrenching book ... brings home the terrible human consequences of war. Caroline Brothers' stark, unsentimental novel is one everyone should read' - Daily Mail 'Intensely evocative ... The emotional as well as geographical borderlands are sensitively delineated in this visceral and moving debut' - Independent ____________________ The inspiration for Flight, the stunning play coming to the Bridge Theatre, from the creatives behind Harry Potter and the Cursed Child ____________________ Two young boys cross a river in the middle of the night. The river is also a border, and their lives depend on this journey. With nothing but the clothes on their backs, Aryan and his little brother Kabir travel by truck, boat, train, bus and on foot across a Europe they desperately hope will offer them a future they can no longer wait for in Afghanistan. Kabul-Tehran-Istanbul-Athens-Rome-Paris-London - this is the route they cling to, the mantra they repeat in their prayers, and the only option they can see before them. Hinterland is the story of two ordinary brothers whose courageous gamble brings home the devastating human consequences of war.

Buenos Aires, 1976. Osvaldo Ferrero, a distinguished doctor, and his wife Yolanda escape the city with their daughters, sensible Julieta and wilful Graciela, who is nineteen and madly in love. On their return, the Argentine military stages a coup. Friends disappear overnight, and Osvaldo is forced to flee to Europe. When her fiance is abducted, Graciela goes into hiding, then she vanishes in turn. As Yolanda fights on the ground for some trace of their beloved daughter, she soon realises she may be fighting for an unknown grandchild as well...

Drawing on the work of Barthes, Eco, Foucault, Baudrillard, Burgin and Tagg, and on the historians of mentalities, War and Photography presents a theoretical approach to the understanding of press photography in its historical and contemporary context. Brothers applies her argument with special reference to French and British newspaper images of the Spanish Civil War, a selection of which is presented in the book. Rejecting analyses based upon the content of the images alone, she argues that photographic meaning is largely predetermined by its institutional and cultural context. Acting as witnesses despite themselves, photographs convey a wealth of information not about any objective reality, but about the collective attitudes and beliefs particular to the culture in which they operate.

Drawing on the work of Barthes, Eco, Foucault, Baudrillard, Burgin and Tagg, and on the historians of mentalities, War and Photography presents a theoretical approach to the understanding of press photography in its historical and contemporary context. Brothers applies her argument with special reference to French and British newspaper images of the Spanish Civil War, a selection of which is presented in the book. Rejecting analyses based upon the content of the images alone, she argues that photographic meaning is largely predetermined by its institutional and cultural context. Acting as witnesses despite themselves, photographs convey a wealth of information not about any objective reality, but about the collective attitudes and beliefs particular to the culture in which they operate.