Is there a peculiarly English 'look' and if so how does one define it? From the 'traditional' dress of the Victorian rural working class through to the contemporary collections of Vivienne Westwood and a younger generation of London-based designers, notions of Englishness, either real or imagined, have always been at play in considerations of English fashion and clothing. This provocative book explores how far these fraught ideals can be applied to the dress of the past and present. English expressions of taste and creativity have had a profound influence on style over the last three centuries, and the pursuit and subversion of an English 'look' have shaped conceptions of fashionability from the pastoralism of the eighteenth-century through to the eras of Twiggy, Punk and beyond. But are these simply stereotypical characterizations that relate to an imagined 'Englishness', or is there some concrete basis for them? If the former, what has led to their development? If the latter, what definitions can be employed to unravel such complicated conceptions of national identity? What role has social decorum played in developing an 'English' style, and is this preoccupation with etiquette in fact unique to England ? With chapters authored by leading scholars in the fields of costume history, social history and cultural studies, this is the first book to examine the ways in which fashion and dress might be considered in the context of national identities as they apply in England. Presenting an overview of how particular designers and consumer groups have striven to present or contest versions of Englishness through clothing from the 18th through to the 21st centuries, it will fascinate anyone interested in dress history, national and ethnic identity or English cultural history.

Foreword by Gerda Flöckinger Vintage Jewellery recounts 120 years of history, including Lalique's Art Nouveau enamelling at the turn of the twentieth century, Cartier's gemstones, Christian Dior's mid-century costume pieces and Harry Winston's diamonds. Accompanied by archive images, fashion photography and specially commissioned photographs of period pieces, the most collectible and beautiful bracelets, necklaces, rings and brooches are showcased, including Elizabeth Taylor's peregrina pearl and Wallis Simpson's Cartier panther bracelet. The book explores the key designers and jewellery houses, technical developments and cultural influences that shaped jewellery design and shows you how to collect and wear vintage pieces.

Foreword by Christian Louboutin Vintage Shoes recounts a century of shoe history, from Andre Perugia's designs for society women in the 1920s to Christian Louboutin's red soles. Accompanied by archive images, stunning fashion photography and specially commissioned photographs of rare period footwear, the most collectible and fabulous footwear designs are showcased. An invaluable reference as well as a visual delight of times past, the book explores the key designers, technical developments and cultural influences that shaped shoe fashions, presenting exquisite footwear from such trailblazers as Salvatore Ferragamo, Charles Jourdan, Roger Vivier, Beth Levine, Vivienne Westwood and Manolo Blahnik.

Introduction by Baroness Cox

Between 1819 and 1845, as veterans of the Revolutionary War were filing applications to receive pensions for their service, the government was surprised to learn that many of the soldiers were not men, but boys, many of whom were under the age of sixteen, and some even as young as nine. In Boy Soldiers of the American Revolution, Caroline Cox reconstructs the lives and stories of this young subset of early American soldiers, focusing on how these boys came to join the army and what they actually did in service. Giving us a rich and unique glimpse into colonial childhood, Cox traces the evolution of youth in American culture in the late eighteenth century, as the accepted age for children to participate meaningfully in society--not only in the military--was rising dramatically. Drawing creatively on sources, such as diaries, letters, and memoirs, Caroline Cox offers a vivid account of what life was like for these boys both on and off the battlefield, telling the story of a generation of soldiers caught between old and new notions of boyhood.

This groundbreaking and authoritative resource reporting on the state of modern-day worldwide slavery and human trafficking has now been thoroughly updated.

It is estimated that more than 27 million slaves exist today, ranging from prostitutes in London and New York to indentured workers in Burma. The statistics are shocking. But behind each statistic is a human being--a man, woman, or child; and behind each human being is a family and a community which have been devastated or destroyed. This Immoral Trade shares the stories of some of these.

Including chapters on the causes of slavery, the history and different forms of contemporary slavery, the Christian roots of the anti-slavery movement, and three detailed case studies--on Sudan, Burma, and Uganda--the new edition also includes a special chapter on the Dalits of India and a section on human trafficking, both with arresting and disturbing case histories. It concludes with an important chapter on action readers can take.

Sharply written and carefully researched, This Immoral Trade is a powerful resource that will spur thoughtful readers to a deeper understanding of this global threat.

"This book demands the attention of all who would seek to follow in the footsteps of Wilberforce."

--Dr. John Sentamu, Archbishop of York

This is a powerful and inspirational challenge to the Western Church to take the systematic, symbolic and comprehensive attacks on Christians of all denominations around the world seriously. That Christians are persecuted in various parts of the world is well-known. Less often documented are the violent, systematic attacks on churches and holy sites. Part of an historic process, places of Christian worship have been destroyed over the centuries, from the middle ages through the Armenian genocide and the assaults on Christians in the Middle East and Turkey through to the present day. This book focuses on the continuing attacks on Christian communities in many parts of the world today. Baroness Cox presents graphic photographs and survivors' accounts as testimony to widespread destruction, and provides powerful documentary evidence of contemporary persecution. This is a powerful challenge to the rest of the Church, and advocates of religious freedom, to take these attacks on Christians of all denominations seriously. She writes, 'no other belief tradition has suffered such sustained assaults - or been so silent about violence perpetrated against its own people.' Though painful, the contents combine to provide a moving celebration of the resilience of the human spirit and the Christian faith.

Armies are the products of the societies that create them. In 1775, when patriot leaders formed the Continental army, they were informed by their own experiences and their knowledge of the British army. Thus, the Continental Congress created a corps of officers who were gentlemen and a body of soldiers who were not. Caroline Cox shows that, following this decision, a great gap existed in the conditions of service between soldiers and officers of the Continental army. Her study of daily military life, punishment and military justice, medical care and burial rituals illuminates the social world of the Continental army and shows how every aspect of life reinforced the distinctions of rank. At a time when existing social arrangements were increasingly challenged by war and political rhetoric that embraced the equal rights of men, Cox shows that change crept slowly into American military life.

Is there a peculiarly English 'look' and if so how does one define it?
From the 'traditional' dress of the Victorian rural working class through to the contemporary collections of Vivienne Westwood and a younger generation of London-based designers, notions of Englishness, either real or imagined, have always been at play in considerations of English fashion and clothing. This provocative book explores how far these fraught ideals can be applied to the dress of the past and present. English expressions of taste and creativity have had a profound influence on style over the last three centuries, and the pursuit and subversion of an English 'look' have shaped conceptions of fashionability from the pastoralism of the eighteenth-century through to the eras of Twiggy, Punk and beyond. But are these simply stereotypical characterizations that relate to an imagined 'Englishness', or is there some concrete basis for them? If the former, what has led to their development? If the latter, what definitions can be employed to unravel such complicated conceptions of national identity? What role has social decorum played in developing an 'English' style, and is this preoccupation with etiquette in fact unique to England ?
With chapters authored by leading scholars in the fields of costume history, social history and cultural studies, this is the first book to examine the ways in which fashion and dress might be considered in the context of national identities as they apply in England. Presenting an overview of how particular designers and consumer groups have striven to present or contest versions of Englishness through clothing from the 18th through to the 21st centuries, it will fascinate anyone interested in dress history, national and ethnic identity or English cultural history.