Print Culture in Southern Africa is concerned with the institutions and processes informing textual production, circulation and consumption in the region, over a broad historical period from the late 18th century to the present day. The book is organised around three closely related themes. Firstly, it presents original research into the formation of reading publics and the impact of reading cultures, by uncovering obscure but important reading communities and circuits of book distribution and reception. A second theme is the relationship between print and politics, with a particular focus on the networks of power: how control over the production and circulation of printed books has shaped literary and cultural development. The third theme is transnational print culture, and how the control exercised by publishers in Europe and America has shaped literature and society in southern Africa. Drawing together interdisciplinary research and diverse methodologies, the collection encompasses a range of perspectives, including literary studies, anthropology, publishing studies, the history of the book and art history, and many of the chapters are based on previously unexamined archives and collections. The volume contributes to current debates and opens up new and exciting ways of furthering the study of postcolonial literature and African book history. The chapters included in this book were originally published in the Journal of Southern African Studies.

The assumption that there is a significant connection between normal psychological and biological differences and the development of psychological disorders has grown in recent years and research in this area has developed rapidly. Written by psychologists with expertise in both the areas of abnormal and differential psychology, this textbook aims to integrate evidence and ideas from healthy personality and temperament on the one hand and psychological disorders on the other. This is achieved by viewing personality traits as predispositions to disorder, and by questioning how far the causes of various disorders can be seen as an extension or exaggeration of processes underlying normal personality or temperament. These main themes are discussed using a biological perspective, based on the theory that personality can be deconstructed into a number of basic dimensions (of biological origin) that also act as vulnerability factors for disorder. This is a second level textbook for undergraduate students of psychology, but it can also be used by health professionals and their trainees, psychiatrists, clinical psychologists and nurses.

Fully updated to reflect changes in teacher education and the curriculum, the Fifth Edition of Learning to Teach English in the Secondary School explores the background to debates about teaching the subject, alongside tasks, teaching ideas and further reading to expand upon issues and ideas raised in the book.

Including chapters on planning, changes to the assessment system, language teaching, and cross-curricular aspects of secondary teaching, this new edition features:

changes in policy and practice, including the most recent GCSE reforms;

a new chapter on 'Media literacy in English';

a consideration of modern digital technology and how it underpins good practice in all areas of English teaching and learning; and

cross-referencing to guidance on assessment and well-being and resilience in the core text Learning to Teach in the Secondary School.

A key text for all student teachers, Learning to Teach English in the Secondary School combines theory and practice to present a comprehensive introduction to the opportunities and challenges of teaching English in the secondary school.

Table of Contents

List of Illustrations

List of Tasks

Notes on Contributors

Introduction to the Fifth Edition

JON DAVISON AND CAROLINE DALY

Introduction to the First Edition

JON DAVISON AND JANE DOWSON

1 Which English?

JOHN MOSS

2 Battles for English 1894–2018

JON DAVISON

3 English as a Curriculum Subject

MORLETTE LINDSAY AND JOHN YANDELL

4 Speaking and Listening

GABRIELLE CLIFF HODGES AND ELIZABETH RAWLINSON-MILLS

5 Reading

JANE COLES

6 Writing

GILL ANDERSON

7 Teaching Language and Grammar

ANNE TURVEY

8 Media Literacy and English

ANDY GOODWYN

9 Social Media and Digital Technologies

THEO BRYER

10 Drama in Teaching and Learning English

ANTON FRANKS AND THEO BRYER

11 Approaching Shakespeare

JOHN YANDELL AND ANTON FRANKS

12 Possibilities with Poetry

GABRIELLE CLIFF HODGES AND ELIZABETH RAWLINSON-MILLS

13 Advanced Level English

BARBARA BLEIMAN

14 Critical Practice

JON DAVISON AND CAROLINE DALY

Bibliography

Index/

Print Culture in Southern Africa is concerned with the institutions and processes informing textual production, circulation and consumption in the region, over a broad historical period from the late 18th century to the present day. The book is organised around three closely related themes. Firstly, it presents original research into the formation of reading publics and the impact of reading cultures, by uncovering obscure but important reading communities and circuits of book distribution and reception. A second theme is the relationship between print and politics, with a particular focus on the networks of power: how control over the production and circulation of printed books has shaped literary and cultural development. The third theme is transnational print culture, and how the control exercised by publishers in Europe and America has shaped literature and society in southern Africa. Drawing together interdisciplinary research and diverse methodologies, the collection encompasses a range of perspectives, including literary studies, anthropology, publishing studies, the history of the book and art history, and many of the chapters are based on previously unexamined archives and collections. The volume contributes to current debates and opens up new and exciting ways of furthering the study of postcolonial literature and African book history. The chapters included in this book were originally published in the Journal of Southern African Studies.

Please note this title is suitable for any student studying: Exam Board: AQA Level: GCSE Subject: English Language First teaching: 2015 First exams: 2017 Matched to the requirements of the AQA GCSE English Language specification, this workbook provides a targeted approach to practising the key reading skills of language and structural analysis; evaluation and comparision. Focusing on grades 6-9, this full-colour, write-in workbook takes students through the individual exam questions and provides extensive practice opportunities, sample student answers, revision tips and sample exam papers. Including opportunities for self-assessment and reviewing progress, students take control of their skills development through this motivational resource, written by an expert and experienced author team.

Drop this amusing waterproof book in the water with baby's bath for a festival of noisy, splashing fun! Bright, humorous animal pictures appear on every floatable vinyl page, and a rattle embedded inside the book makes an amusing jingle that will evoke baby's laughter. Baby can see pictures of a crab, a starfish, a school of fish, an octopus, and a seahorse.

During the period of decolonisation in Africa, the CIA covertly subsidised a number of African authors, editors and publishers as part of its anti-communist propaganda strategy. Managed by two front organisations, the Congress of Cultural Freedom and the Farfield Foundation, its Africa programme stretched across the continent. This Element unravels the hidden networks and associations underpinning African literary publishing in the 1960s; it evaluates the success of the CIA in secretly infiltrating and influencing African literary magazines and publishing firms, and examines the extent to which new circuits of cultural and literary power emerged. Based on new archival evidence relating to the Transcription Centre, The Classic and The New African, it includes case studies of Wole Soyinka, Nat Nakasa and Bessie Head, which assess how the authors' careers were affected by these transnational networks and also reveal how they challenged, subverted, and resisted external influence and control.

This reader is the most comprehensive selection of key texts on twentieth and twenty-first century print culture yet compiled. Illuminating the networks and processes that have shaped reading, writing and publishing, the selected extracts also examine the effect of printed and digital texts on society. Featuring a general introduction to contemporary print culture and publishing studies, the volume includes 42 influential and innovative pieces of writing, arranged around themes such as authorship, women and print culture, colonial and postcolonial publishing and globalisation. Offering a concise survey of critical work, this volume is an essential companion for students of literature or publishing with an interest in the history of the book.

This reader is the most comprehensive selection of key texts on twentieth and twenty-first century print culture yet compiled. Illuminating the networks and processes that have shaped reading, writing and publishing, the selected extracts also examine the effect of printed and digital texts on society. Featuring a general introduction to contemporary print culture and publishing studies, the volume includes 42 influential and innovative pieces of writing, arranged around themes such as authorship, women and print culture, colonial and postcolonial publishing and globalisation. Offering a concise survey of critical work, this volume is an essential companion for students of literature or publishing with an interest in the history of the book.