Glass of the Roman World illustrates the arrival of new cultural systems, mechanisms of trade and an expanded economic base in the early 1st millennium AD which, in combination, allowed the further development of the existing glass industry. Glass became something which encompassed more than simply a novel and highly decorative material. Glass production grew and its consumption increased until it was assimilated into all levels of society, used for display and luxury items but equally for utilitarian containers, windows and even tools. These 18 papers by renowned international scholars include studies of glass from Europe and the Near East. The authors write on a variety of topics where their work is at the forefront of new approaches to the subject. They both extend and consolidate aspects of our understanding of how glass was produced, traded and used throughout the Empire and the wider world drawing on chronology, typology, patterns of distribution, and other methodologies, including the incorporation of new scientific methods. Though focusing on a single material the papers are firmly based in its archaeological context in the wider economy of the Roman world, and consider glass as part of a complex material culture controlled by the expansion and contraction of the Empire. The volume is presented in honour of Jenny Price, a foremost scholar of Roman glass.

The explosion of research in the field of ancient and historic glasses has opened up glass studies in recent years. However, our deeper understanding of the technology and provenance of Bronze Age Egyptian and Roman glasses in the Mediterranean has not been mirrored by our studies of glasses and other vitreous materials found in the Late Bronze Age Aegean. There are few studies which collate the material culture of the region and still fewer which explore the patterning of vitreous materials in the landscape. Our knowledge of where the material originated and who used it is still incomplete. Therefore, in 2005 a group of scholars in the fields of glass studies and Aegean prehistory came together as part of the Sheffield Centre for Aegean Archaeology's Round Table discussions to bring the subject up to date. The central themes to this discussion were based upon provenance, occurrence and the role of vitreous materials in the Late Bronze Age Mediterranean. Nine papers are presented from the discussions by experts in Bronze Age glass and faience and Aegean specialists, who examine a fascinating and diverse selection of topics surrounding the production, movement, use and role of vitreous materials in the Late Bronze Age Aegean. The contributions from John Bennet, Karen Foster, Paul Nicholson, George Nightingale, Marina Panagiotaki, Mark Peters, Thilo Rehren, Sue Sherratt and Mike Tite bring together our current understanding of these materials and their role in the societies who used them.

Presented through 20 case studies covering Europe and the Near East, Neighbours and Successors of Rome investigates development in the production of glass and the mechanisms of the wider glass economy as part of a wider material culture in Europe and the Near East around the later first millennium AD. Though highlighting and solidifying chronology, patterns of distribution, and typology, the primary aims of the collection are to present a new methodology that emphasises regional workshops, scientific data, and the wider trade culture. This methodology embraces a shift in conceptual approach to the study of glass by explaining typological change through the existence of a thriving supra-national commercial network that responded to market demands and combines the results of a range of new scientific techniques into a framework that stresses co-dependence and similarities between the various sites considered. Such an approach, particularly within Byzantine and Early Islamic glass production, is a pioneering concept that contextualises individual sites within the wider region. By twinning a critique of archaeometric methods with the latest archaeological research, the contributors present a foundation for glass research, seen through the lens of consumption demands and geographical necessity, that analyses production centres and traditional typological knowledge. In so doing the they bridge an important divide by demonstrating the co-habitability of diverse approaches and disciplines, linking, for example, the production of Campanulate bowls from Gallaecia with the burgeoning international late antique style. Equally, the particular details of those pieces allow us to identify a regional style as well as local production. As such this compilation provides a highly valuable resource for archaeologists, anthropologists, and art historians.