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Traditionally, tourism media has referred to the image of
destinations constructed through media texts such as brochures and
postcards, with increasing attention towards other mediascapes such
as films and television. Yet, with prolific advancements in
technologies of media communication, such traditional formats have
experienced a shift in the productive and consumptive practices
through which they come into being. The possibilities of production
and subsequent consumption are unequivocally changing the ways in
which tourists imagine, understand and engage with destinations.
This book therefore explores the role of tourism media and
mediating practices in the development of non-linear processes of
communication and understanding as both producers and consumers
come together to negotiate the tourist experience. In varying ways
it examines the emergent relationships and connections between
media practices and tourism practices, everyday experiences and
encounters of place. Collectively, the authors in this book address
a range of media and technologies from brochures, television, video
and film to mediated virtual spaces, such as e-brochures, Internet
cultures, social networks, and Google Earth. In doing so, the book
highlights the continued significance of media in tourism contexts;
recognising both traditional and newer technologies, and the
non-linear, continuous cycle of mediated representations and
experiences.
Traditionally, tourism media has referred to the image of
destinations constructed through media texts such as brochures and
postcards, with increasing attention towards other mediascapes such
as films and television. Yet, with prolific advancements in
technologies of media communication, such traditional formats have
experienced a shift in the productive and consumptive practices
through which they come into being. The possibilities of production
and subsequent consumption are unequivocally changing the ways in
which tourists imagine, understand and engage with destinations.
This book therefore explores the role of tourism media and
mediating practices in the development of non-linear processes of
communication and understanding as both producers and consumers
come together to negotiate the tourist experience. In varying ways
it examines the emergent relationships and connections between
media practices and tourism practices, everyday experiences and
encounters of place. Collectively, the authors in this book address
a range of media and technologies from brochures, television, video
and film to mediated virtual spaces, such as e-brochures, Internet
cultures, social networks, and Google Earth. In doing so, the book
highlights the continued significance of media in tourism contexts;
recognising both traditional and newer technologies, and the
non-linear, continuous cycle of mediated representations and
experiences.
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