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This updated second edition of A Practical Guide to Teaching Music
in the Secondary School provides valuable support, guidance and
creative new ideas for students and practising teachers who want to
develop their music teaching practice. Written to accompany the
successful textbook Learning to Teach Music in the Secondary
School, it explores a range of current issues, developments and
opportunities within music education. The book supports the reader
in undertaking practical enquiries across the breadth of the
subject to support their critical reflection and the development of
their own context-relevant strategies and understandings. Key
themes explored include the pedagogy of: * singing; * composing; *
improvising; * performing; * responding; * musical literacy; *
music and cross-curricular learning. Using practical examples and
reflective activities, this book will help you critically examine
ways in which you can place pupils at the centre of learning music.
It is an invaluable resource for those involved in teaching music
who are seeking to develop their practical and theoretical
understanding, whether at a trainee or practising music teacher
level.
This 3rd edition of Learning to Teach Music in the Secondary School
has been thoroughly revised to take account of the latest
initiatives, research and scholarship in the field of music
education, and the most recent changes to the curriculum. By
focusing on overarching principles, it aims to develop reflective
practitioners who will creatively and critically examine their own
and others' ideas about music education, and the ways in which
children learn music. Providing an overview of contemporary issues
in music teaching and learning from a range of perspectives, the
book focuses on teaching music musically, and enables the reader
to: place music education in its historical and social context
consider the nature of musical knowledge and how teachers can
facilitate their students to learn musically critically analyse the
frameworks within which music teachers work develop an
understanding of composing, performing and responding to music, as
well as key issues such as creativity, individual needs and
assessment examine aspects of music beyond the classroom and how
effective links can be made between curriculum music and music
outside of school. Including a range of case studies, tasks and
reflections to help student teachers integrate the theory and
practice of music education effectively, this new edition will
provide invaluable support, guidance and challenges for teachers at
all stages of their careers, as well as being a useful resource for
teacher educators in a wide range of settings.
This updated second edition of A Practical Guide to Teaching Music
in the Secondary School provides valuable support, guidance and
creative new ideas for students and practising teachers who want to
develop their music teaching practice. Written to accompany the
successful textbook Learning to Teach Music in the Secondary
School, it explores a range of current issues, developments and
opportunities within music education. The book supports the reader
in undertaking practical enquiries across the breadth of the
subject to support their critical reflection and the development of
their own context-relevant strategies and understandings. Key
themes explored include the pedagogy of: * singing; * composing; *
improvising; * performing; * responding; * musical literacy; *
music and cross-curricular learning. Using practical examples and
reflective activities, this book will help you critically examine
ways in which you can place pupils at the centre of learning music.
It is an invaluable resource for those involved in teaching music
who are seeking to develop their practical and theoretical
understanding, whether at a trainee or practising music teacher
level.
This 3rd edition of Learning to Teach Music in the Secondary School
has been thoroughly revised to take account of the latest
initiatives, research and scholarship in the field of music
education, and the most recent changes to the curriculum. By
focusing on overarching principles, it aims to develop reflective
practitioners who will creatively and critically examine their own
and others' ideas about music education, and the ways in which
children learn music. Providing an overview of contemporary issues
in music teaching and learning from a range of perspectives, the
book focuses on teaching music musically, and enables the reader
to: place music education in its historical and social context
consider the nature of musical knowledge and how teachers can
facilitate their students to learn musically critically analyse the
frameworks within which music teachers work develop an
understanding of composing, performing and responding to music, as
well as key issues such as creativity, individual needs and
assessment examine aspects of music beyond the classroom and how
effective links can be made between curriculum music and music
outside of school. Including a range of case studies, tasks and
reflections to help student teachers integrate the theory and
practice of music education effectively, this new edition will
provide invaluable support, guidance and challenges for teachers at
all stages of their careers, as well as being a useful resource for
teacher educators in a wide range of settings.
In Sickness and in Health: Surviving Prostate Cancer Together is
the most detailed and multifaceted account of the impact of
prostate cancer and subsequent treatment yet written by a spouse.
Due to the sexual nature of prostate cancer, it may affect
relationships and intimacy more than many other cancers. Gervais
writes written from a woman's point of view to support spouses as
part of the healing team, knowing that partners can feel isolated
because of needs to talk with someone about fears and yet to be
positive for the man involved. Few books address, from first-hand
experience, four treatment options: surgery, radiation, hormone
therapy, and alternative therapies. In Sickness and in Health:
Surviving Prostate Cancer Together was written to give couples
information about the effects these therapies have on quality of
life, sexuality, intimate relationships, and survival. Gervais
details the first 5 years following a diagnosis of prostate cancer
in her otherwise healthy husband. She provides support to take
positive steps regardless of the prognosis. Nothing is spared, from
the initial shock, through the search for the best treatment
options, to the agonizing wait for results after surgery, and
finally through somewhat experimental treatment of combined hormone
therapy and radiation. Many people tend to treat prostate cancer
from just one perspective, but the author thinks affected couples
need to be encouraged to do everything possible to effect a cure.
The importance of the couple's use of alternative therapy involving
diet, supplements, exercise, and visualization is clearly detailed
The description of the slow return to full potency against harsh
odds gives hope to other couples facing the same situation while
the author shares her view on the importance of activism regarding
sexual function. Gervais frankly discusses sexuality and prostate
cancer from a personal perspective. What is a hospital stay like?
What are the risks and side effects of surgery? What is daily life
like during radiation therapy? How does hormone therapy affect
sexual relations? How are communication and intimacy between
couples changed by prostate cancer and treatment? How does a spouse
stop worrying about cancer and "let it go"? This book answers these
questions and more, as the author shares her optimism and her
belief that life can be better after prostate cancer than before,
in a book written to give hope and support to couples as they work
together to survive prostate cancer.
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Bostons (Paperback)
Carolyn Cooke
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R376
R335
Discovery Miles 3 350
Save R41 (11%)
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Ships in 10 - 15 working days
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Carolyn Cooke's stories have been featured in several volumes of PRIZE STORIES: THE O. HENRY AWARDS and THE BEST AMERICAN SHORT STORIES. Her highly anticipated debut collection tells hilarious and often savage truths about people struggling within the confines of history, society, and class. Mr. Sargent, the aging Brahmin aesthete of the title story, scribbles his epiphanies on cocktail napkins and covers them up with his drinks. A Maine innkeeper shoots his wife, who remains bitterly loyal to him until the death of their son. A whole family conspires to keep the birth of yet another dirt-poor relation a secret from his grandmother. On the icy cobblestone streets of Boston and the rockbound coast of Maine, these vividly realized characters try to reconcile habits of obedience and self-reliance with the urgent desire to capture the wild core of life. The result is an explosion of exquisitely tuned voices, as authentic as they are unforgettable.
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