A centennial volume, with previously unavailable poems, by Turkey's greatest poet. Published in celebration of the poet's one hundredth birthday, this exciting edition of the poems of the Nazim Hikmet (1902-1963) collects work from his four previous selected volumes and adds more than twenty poems never before available in English. The Blasing/Konuk translations, acclaimed for the past quarter-century for their accuracy and grace, convey Hikmet's compassionate, accessible voice with the subtle music, innovative form, and emotional directness of the originals.

2019 National Book Award Finalist "Reading it will change you, perhaps forever." -San Francisco Chronicle "Astonishing, powerful, so important at this time." --Margaret Atwood What You Have Heard is True is a devastating, lyrical, and visionary memoir about a young woman's brave choice to engage with horror in order to help others. Written by one of the most gifted poets of her generation, this is the story of a woman's radical act of empathy, and her fateful encounter with an intriguing man who changes the course of her life. Carolyn Forche is twenty-seven when the mysterious stranger appears on her doorstep. The relative of a friend, he is a charming polymath with a mind as seemingly disordered as it is brilliant. She's heard rumors from her friend about who he might be: a lone wolf, a communist, a CIA operative, a sharpshooter, a revolutionary, a small coffee farmer, but according to her, no one seemed to know for certain. He has driven from El Salvador to invite Forche to visit and learn about his country. Captivated for reasons she doesn't fully understand, she accepts and becomes enmeshed in something beyond her comprehension. Together they meet with high-ranking military officers, impoverished farm workers, and clergy desperately trying to assist the poor and keep the peace. These encounters are a part of his plan to educate her, but also to learn for himself just how close the country is to war. As priests and farm-workers are murdered and protest marches attacked, he is determined to save his country, and Forche is swept up in his work and in the lives of his friends. Pursued by death squads and sheltering in safe houses, the two forge a rich friendship, as she attempts to make sense of what she's experiencing and establish a moral foothold amidst profound suffering. This is the powerful story of a poet's experience in a country on the verge of war, and a journey toward social conscience in a perilous time.

Placed in the context of twentieth-century moral disaster--war, genocide, the Holocaust, the atomic bomb--Forché's ambitions and compelling third collection of poems is a meditation of memory, specifically how memory survives the unimaginable. The poems reflect the effects of such experience: the lines, and often the images within them, are fragmented discordant. But read together, these lines, become a haunting mosaic of grief, evoking the necessary accommodations human beings make to survive what is unsurvivable. As poets have always done, Forché attempts to gibe voice to the unutterable, using language to keep memory alive, relive history, and link the past with the future.

FINALIST FOR THE 2021 PULITZER PRIZE FOR POETRY 2021 AMERICAN BOOK AWARD WINNER "An undisputed literary event." -NPR "History-with its construction and its destruction-is at the heart of In the Lateness of the World. . . . In [it] one feels the poet cresting a wave-a new wave that will crash onto new lands and unexplored territories." -Hilton Als, The New Yorker Over four decades, Carolyn Forche's visionary work has reinvigorated poetry's power to awaken the reader. Her groundbreaking poems have been testimonies, inquiries, and wonderments. They daringly map a territory where poetry asserts our inexhaustible responsibility to one another. Her first new collection in seventeen years, In the Lateness of the World is a tenebrous book of crossings, of migrations across oceans and borders but also between the present and the past, life and death. The world here seems to be steadily vanishing, but in the moments before the uncertain end, an illumination arrives and "there is nothing that cannot be seen." In the Lateness of the World is a revelation from one of the finest poets writing today.

Carolyn Forche is one of America's most important contemporary poets - renowned as a 'poet of witness' - as well as an indefatigable human rights activist. Over four decades, she has crafted visionary work that has reinvigorated poetry's power to awaken the reader. Her groundbreaking poems have been testimonies, enquiries and wonderments. They daringly map a territory where poetry asserts our inexhaustible responsibility to each other. In the Lateness of the World is a dark book of crossings, of migrations across oceans and borders but also between the present and the past, life and death. The poems call to the reader from the end of the world where they are sifting through the aftermath of history. Forche imagines a place where 'you could see everything at once... every moment you have lived or place you have been'. The world here seems to be steadily vanishing, but in the moments before the uncertain end, an illumination arrives and 'there is nothing that cannot be seen'. In the Lateness of the World is a revelation from one of the finest poets writing today. Her meditative poetry has a majestic sweep, with themes ranging from life on earth and human existence to history, war, genocide and the Holocaust. In the Lateness of the World is her first new collection in seventeen years, and follows three other collections published by Bloodaxe in Britain, The Country Between Us (1981/2018), The Angel of History (1994) and Blue Hour (2003). Jane Miller called Blue Hour 'a masterwork for the 21st century'. According to Joyce Carol Oates (New York Times Book Review), Forche's ability to wed the "political" with the "personal" places her in the company of such poets as Pablo Neruda, Philip Levine and Denise Levertov.

Carolyn Forche's The Country Between Us bears witness to what she saw in El Salvador in the late 1970s, when she travelled around a country erupting into civil war. Documenting killings and other brutal human rights abuses, while working alongside Archbishop Oscar Romero's church group, she found in her poetry the only possible way to come to terms with what she was experiencing first-hand. By 1980, when the fighting was becoming too dangerous, Archbishop Romero urged Forche to return home, asking her to 'talk to the American people, tell them what is happening to us. Convince them to stop the military aid.' A week later he was assassinated (and is only now being made a saint). Back in the US, Forche gave readings and talks about US-backed oppression in Central America, but found publishers and critics uncomfortable with the startlingly different poems of her second collection, poems relating to torture, murder, injustice and trauma. When the book appeared in 1981, at a time when the conflict in El Salvador had finally forced its way into public awareness, it won her immediate recognition. Briefly available in Britain from Jonathan Cape in the 1980s, it was reissued by Bloodaxe to coincide with the publication by Penguin of Carolyn Forche's long awaited memoir of those times, What You Have Heard Is True: a memoir of witness and resistance (Penguin, 2018) followed by a new collection from Bloodaxe, In the Lateness of the World (2020). The Country Between Us has sold tens of thousands of copies on the US, where it has never been out of print. It won the Poetry Society of America's Alice Fay di Castagnola Award, and was the Lamont Poetry Selection of the Academy of American Poets.

This landmark anthology, the first of its kind, takes it impulse from the words of Bertolt Brecht: "In these dark times, will there also be singing? / Yes, there will be singing. / About the dark times." Bearing witness to extremity—whether of war, torture, exile, or repression—the volume encompasses more than 140 poets from five continents, over the span of this century from the Armenian genocide to Tiananmen Square.

"Poetry cannot block a bullet or still a sjambok, but it can bear witness to brutality—thereby cultivating a flower in a graveyard. Carolyn Fourché's Against Forgetting is itself a blow against tyranny, against prejudice, against injustice. It bears witness to the evil we would prefer to forget, but never can—and never should."—Nelson Mandela

"In a class by itself, edited and and introduced with precise passion and Olympian breadth, Against Forgetting encapsulates both the horrors of our century and the power of musical language to make a place to live, breathe, hope, love."—Calvin Bedient

"From every continent comes the news that our age is an age of murder and repression on a scale unimagined before. And yet I can't peruse this book without marveling at what beauty these writers have made of the calamity called the Twentieth Century. I would not have thought a poetry anthology could be so stirring."—Arthur Miller

Mahmoud Darwish is a literary rarity: at once critically acclaimed as one of the most important poets in the Arabic language, and beloved as the voice of his people. A legend in Palestine, his lyrics are sung by fieldworkers and schoolchildren. He has assimilated some of the world's oldest literary traditions while simultaneously struggling to open new possibilities for poetry. This collection spans Darwish's entire career, nearly four decades, revealing an impressive range of expression and form. A splendid team of translators has collaborated with the poet on these new translations, which capture Darwish's distinctive voice and spirit. Fady Joudah's foreword, new to this edition, addresses Darwish's enduring legacy following his death in 2008.

When he was awarded an honorary degree in civil law at Newcastle University in 1967, Dr Martin Luther King gave an electrifying extemporaneous address, speaking without notes, in which he said: 'There are three urgent and indeed great problems that we face today...That is the problem of racism, the problem of poverty and the problem of war.' As part of a fifty year anniversary and celebration, this anthology gathers poets from both sides of the Atlantic to address the challenges set out by Dr King. It's a shock to think how little has changed, and that Martin Luther King could well be speaking right here, right now. In the spirit of Dr King and his work as a humanitarian and activist, this anthology brings together poems that offer powerful testimonies to the urgent issues Dr King defines and represents the polyphony of voices that speak in resistance to our continuing problems of racism, poverty and war. Featuring poems by Claudia Rankine, Grace Nichols, Yusef Komunyakaa, Moniza Alvi, Rita Dove, Daljit Nagra, Imtiaz Dharker, Fred D'Aguiar, Oliver de la Paz, Rowan Ricardo Phillips, John Agard, Patricia Smith, Jericho Brown, Toi Derricotte, Vahni Capildeo, Carl Phillips, Sarah Howe, Elizabeth Alexander, Ishion Hutchinson, Linton Kwesi Johnson, Marilyn Nelson, Mimi Khalvati, Nikki Giovanni, Robert Pinsky, Bernardine Evaristo, Vidyan Ravinthiran, Major Jackson, Tim Seibles, Choman Hardi, Benjamin Zephaniah, Shazea Quraishi, E. Ethelbert Miller, Sandeep Parmar, Malika Booker, Roger Robinson, Rigoberto Gonzalez, Rae Paris, Kendel Hippolyte, Amali Rodrigo, Zaffar Kunial, Rishi Dastidar, Raymond Antrobus, Mai Der Vang, Martin Espada, Inua Ellams, Arundhathi Subramaniam, Gregory Pardlo, Edward Doegar, Degna Stone, MacDonald Dixon, Ada Limon, Philip Metres, Nick Makoha, Nathalie Handal, Lauren K Alleyne, Kevin Bowen, Bashabi Fraser, Satchid Anandan. Co-publication with Newcastle University.

Language for a New Century celebrates the artistic and cultural forces flourishing today in the East, bringing together an unprecedented selection of works by South Asian, East Asian, Middle Eastern, and Central Asian poets as well as poets living in the Diaspora. Some poets, such as Bei Dao and Mahmoud Darwish, are acclaimed worldwide, but many more will be new to the reader. The collection includes 400 unique voices political and apolitical, monastic and erotic that represent a wider artistic movement that challenges thousand-year-old traditions, broadening our notion of contemporary literature. Each section of the anthology organized by theme rather than by national affiliation is preceded by a personal essay from the editors that introduces the poetry and exhorts readers to examine their own identities in light of these powerful poems. In an age of violence and terrorism, often predicated by cultural ignorance, this anthology is a bold declaration of shared humanity and devotion to the transformative power of art."

An examination of kinship and uprootedness, Gathering the Tribes is the first volume of poetry by Carolyn Forche and the 71st volume of the Yale Series of Younger Poets The poems in Gathering the Tribes recount experiences from the author's adolescence and young-adult life, closely bound to the natural cycles of the seasons, of generations, of the body's functioning. Many deal with uprootedness-hasty emigrations from Czechoslovakia and Kiev, the loss of grandparents and other elders, people leaving and being sent away. But this poetry is not a sentimental celebration of the goodness of nature and harmony with the world is never something assumed. The harmony Forche seeks goes deeper than simple submission to natural processes or identification with an ethnic group, and it must be fought for with a tenuous faith. The balance that must be found between the ugliness, the harshness of her history-both natural and social-and its intense beauty, is what distinguishes Forche's poetry and gives it its depth and dimension.

'Astonishing, powerful, so important at this time' - Margaret Atwood (on Twitter) 'Riveting . . . intricate and surprising' - The New York Times 'Reading it will change you, perhaps forever' - San Francisco Chronicle An electrifying memoir set in the Salvadoran Civil War: the true story of a young poet who becomes an activist through a trial by fire Carolyn Forche, an American poet, is 27 when a mysterious stranger called Leonel appears on her doorstep, having driven direct from El Salvador. Her friend has heard rumours about who he might be - a communist, a CIA operative, a sharpshooter, a motorcycle racer, a revolutionary, a small coffee farmer - but nobody seems to know for certain. Captivated for reasons she doesn't fully understand, she accepts his invitation to visit and learn about his country, and so becomes enmeshed in the early stages of a brutal civil conflict which will ultimately see the Salvadoran state turn paramilitary death squads against its own people, and leave nearly 90,000 dead or disappeared. Leonel knows that war is coming, and he wants Carolyn - as a writer - to bear witness to it. Told across peasant shanties, protest marches, the grand homes of retired generals and safe houses on the run, What You Have Heard Is True is the devastating true story of a young woman's choice to engage with horror in order to help others, of an unlikely friendship which will change the course of her life, and of a remarkable man's doomed effort to save his people from disaster.

""Blue Hour" is an elusive book, because it is ever in pursuit of what the German poet Novalis called 'the [lost] presence beyond appearance.' The longest poem, 'On Earth, ' is a transcription of mind passing from life into death, in the form of an abecedary, modeled on ancient gnostic hymns. Other poems in the book, especially 'Nocturne' and 'Blue Hour, ' are lyric recoveries of the act of remembering, though the objects of memory seem to us vivid and irretrievable, the rage to summon and cling at once fierce and distracted.

"The voice we hear in "Blue Hour" is a voice both very young and very old. It belongs to someone who has seen everything and who strives imperfectly, desperately, to be equal to what she has seen. The hunger to know is matched here by a desire to be new, totally without cynicism, open to the shocks of experience as if perpetually for the first time, though unillusioned, wise beyond any possible taint of a false or assumed innocence."

-- Robert Boyers