This directory is designed to aid prospective authors seeking publication opportunities in economic journals. In addition to providing manuscript submission information for over two hundred academic and professional economic journals accepting manuscripts in English, it includes specific information on reviewing practices and clearly identifies refereed and nonrefereed journals. Entries for each journal, listed alphabetically by title, include brief bibliographical information about the age and affiliation of the journal, frequency of publication, circulation and audience. A concise statement of the journal's editorial policy is included, and as a further aid to journal selection, the percentage of unsolicited manuscripts published in an average issue is included.

New Essays in Technical and Scientific Communication represents the most important collection of writings about technical communications ever compiled. Focusing on a wide range of theoretical and practical issues, these essays reflect the rigor, vitality, and interdisciplinary nature of modern technical communications. This represents a collection of the very best scholarly work being done.

A new collection of Shaw's major political writings presents an opportunity to reflect on his influential role as a public intellectual. At the forefront of economic and political debate from the 1880s to the 1950s, George Bernard Shaw was once the most widely read socialist writer in the English language, and his lifelong crusade against inequality and exploitation is far from irrelevant today. The thorough interpenetration of Shaw's literary and political engagements is an unusual story in modern literature, and this volume offers a portrait of Shaw as a political artist in the purest possible sense: that is, as a writer of essays, articles, pamphlets, and books with explicitly and expressly political aims. The selected writings in this volume showcase Shaw's most influential and most accomplished political work, but also provide a cross-section that is representative of the whole of his long career. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

A prolific artist, writer, designer, and political activist, the work of William Morris remains remarkably powerful and relevant today. But how do you teach someone like Morris who made significant contributions to several different fields of study? And how, within the exigencies of the modern educational system, can teachers capture the interdisciplinary spirit of this polymath, whose various contributions hang so curiously together? Teaching William Morris gathers together the work of nineteen Morris scholars from a variety of fields, offering a wide array of perspectives on the challenges and the rewards of teaching William Morris. Across the book’s five sections – “Art and Design,” “Literature,” “Political Contexts,” “Pasts and Presents,” and “Digital Humanities” – readers will learn the history of Morris’s place in the modern curriculum, the current state of the field for teaching Morris’s work today, and how this pedagogical effort is reaching beyond the classroom by way of books, museums, and digital resources.

New Essays in Technical and Scientific Communication represents the most important collection of writings about technical communications ever compiled. Focusing on a wide range of theoretical and practical issues, these essays reflect the rigor, vitality, and interdisciplinary nature of modern technical communications. This represents a collection of the very best scholarly work being done.

How literature of the British imperial world contended with the social and environmental consequences of industrial mining The 1830s to the 1930s saw the rise of large-scale industrial mining in the British imperial world. Elizabeth Carolyn Miller examines how literature of this era reckoned with a new vision of civilization where humans are dependent on finite, nonrenewable stores of earthly resources, and traces how the threatening horizon of resource exhaustion worked its way into narrative form. Britain was the first nation to transition to industry based on fossil fuels, which put its novelists and other writers in the remarkable position of mediating the emergence of extraction-based life. Miller looks at works like Hard Times, The Mill on the Floss, and Sons and Lovers, showing how the provincial realist novel's longstanding reliance on marriage and inheritance plots transforms against the backdrop of exhaustion to withhold the promise of reproductive futurity. She explores how adventure stories like Treasure Island and Heart of Darkness reorient fictional space toward the resource frontier. And she shows how utopian and fantasy works like "Sultana's Dream," The Time Machine, and The Hobbit offer imaginative ways of envisioning energy beyond extractivism. This illuminating book reveals how an era marked by violent mineral resource rushes gave rise to literary forms and genres that extend extractivism as a mode of environmental understanding.

(Willis). The A Dozen a Day Songbook series contains wonderful Broadway, movie and pop hits that may be used as companion pieces to the memorable technique exercises in the A Dozen a Day series. Also suitable as supplements with ANY method Songs in Book 1 include: Cabaret * Climb Ev'ry Mountain * Give a Little Whistle * If I Were a Rich Man * Let It Be * Rock Around the Clock * Twist and Shout * The Wonderful Thing About Tiggers * Yo Ho (A Pirate's Life for Me) * Zip-A-Dee-Doo-Dah.

This book explores the literary culture of Britain's radical press from 1880 to 1910, a time that saw a flourishing of radical political activity as well as the emergence of a mass print industry. While Enlightenment radicals and their heirs had seen free print as an agent of revolutionary transformation, socialist, anarchist and other radicals of this later period suspected that a mass public could not exist outside the capitalist system. In response, they purposely reduced the scale of print by appealing to a small, counter-cultural audience. "Slow print," like "slow food" today, actively resisted industrial production and the commercialization of new domains of life.
Drawing on under-studied periodicals and archives, this book uncovers a largely forgotten literary-political context. It looks at the extensive debate within the radical press over how to situate radical values within an evolving media ecology, debates that engaged some of the most famous writers of the era (William Morris and George Bernard Shaw), a host of lesser-known figures (theosophical socialist and birth control reformer Annie Besant, gay rights pioneer Edward Carpenter, and proto-modernist editor Alfred Orage), and countless anonymous others.

Charlotte "Brownie" Wright is the town clerk in tiny map-dot Abbott, a Southern town determined not to leap too quickly into the next century. She is best described as a cross between Scarlett O'Hara and Flo Castleberry from Mel's Diner and has big hair, a big heart, and a big laugh. She stays on top of the action in Abbott with the help of the local cast of characters, good fashion sense, and good pimento cheese and pickle sandwiches. Investigating a murder is the last thing from her mind until she finds the town historian dead in the old courthouse. With the police force down one man, Brownie steps up with the organizational skills only a clerk can possess. She and the police chief work their way through a set of contradictory clues, a nineteenth century old civil war ghost, and motives abound.

(Willis). Eight great classic pop songs that beginning pianists will love to play Contains: Endless Love * I'm a Believer * Right Here Waiting * Tears in Heaven * Top of the World * What a Wonderful World * Yesterday * You Raise Me Up. A perfect complement to any piano method.

How literature of the British imperial world contended with the social and environmental consequences of industrial mining The 1830s to the 1930s saw the rise of large-scale industrial mining in the British imperial world. Elizabeth Carolyn Miller examines how literature of this era reckoned with a new vision of civilization where humans are dependent on finite, nonrenewable stores of earthly resources, and traces how the threatening horizon of resource exhaustion worked its way into narrative form. Britain was the first nation to transition to industry based on fossil fuels, which put its novelists and other writers in the remarkable position of mediating the emergence of extraction-based life. Miller looks at works like Hard Times, The Mill on the Floss, and Sons and Lovers, showing how the provincial realist novel's longstanding reliance on marriage and inheritance plots transforms against the backdrop of exhaustion to withhold the promise of reproductive futurity. She explores how adventure stories like Treasure Island and Heart of Darkness reorient fictional space toward the resource frontier. And she shows how utopian and fantasy works like "Sultana's Dream," The Time Machine, and The Hobbit offer imaginative ways of envisioning energy beyond extractivism. This illuminating book reveals how an era marked by violent mineral resource rushes gave rise to literary forms and genres that extend extractivism as a mode of environmental understanding.

The Spirit of the Laws is without question one of the central texts in the history of eighteenth-century thought, yet there has been no complete scholarly English language edition since 1750. This lucid translation renders Montesquieu's problematic text newly accessible to a fresh generation of students, helping them to understand why Montesquieu was such an important figure in the early enlightenment and why The Spirit of the Laws was such an influence on those who framed the American Constitution. Fully annotated, this edition focuses on Montesquieu's use of sources and his text as a whole, rather than on those opening passages toward which critical energies have traditionally been devoted.