In this collection of plays from one of our finest dramatists, Caryl Churchill demonstrates her remarkable ability to find new forms to express profound truths about the world we live in. Complete with a new introduction by the author, this volume contains: Seven Jewish Children (Royal Court Theatre, London, 2009): a short play about seven families wondering how to protect their children, written at the time of the bombing of Gaza by Israel in 2008-9. Love and Information (Royal Court, 2012): a fast-moving kaleidoscope in which more than a hundred characters try to make sense of what they know. Ding Dong the Wicked (Royal Court, 2012): two families on opposite sides of a war, locked in identical hatred. Here We Go (National Theatre, 2015): a play about dying and being dead. Escaped Alone (Royal Court, 2016): three old friends and an unexpected neighbour have tea in a sunny back yard, and face catastrophes. Pigs and Dogs (Royal Court, 2016): a look at how colonialism crushed the fluidity of sexuality in Africa and brought a new intolerance, as shown in the Ugandan Anti-Homosexuality Act of 2014. Also included are three previously unpublished short plays, each written in response to political events: War and Peace Gaza Piece (2014), Tickets are Now On Sale (2015) and Beautiful Eyes (2017). 'The wit, invention and structural ingenuity of Churchill's work are remarkable... she never does anything twice' Telegraph 'The most dazzlingly inventive living dramatist in the English language' New York Times

A landmark play about sexual politics in colonial Africa and modern-day Britain, in which all our assumptions about sex and gender are stunningly exploded. Set in both colonial Africa and modern-day Britain, Cloud Nine is about relationships - between women and men, men and men, women and women. It is about sex, work, mothers, Africa, power, children, grandmothers, politics, and money. Caryl Churchill's play Cloud Nine was first staged by Joint Stock and premiered in London at the Royal Court Theatre in 1979. It has since been staged all over the world.

Premiered at the Royal National Theater, this extraordinary new play by one of Britain's leading playwrights combines English folk tales with modern urban life. In terms of its language alone, it is as exciting and challenging on the page as on the stage.

The play follows the Skriker, 'a shapeshifter and death portent, ancient and damaged', in its search for love and revenge as it pursues two young women to London, changing its shape at every new encounter. Along with the Skriker come Raw head and bloody bones, the Kelpie, the Green Lady, Black Dog and more, till the whole country is swarming with enticing and angry creatures that have burst from the underworld.

Someone sneezes. Someone can't get a signal. Someone shares a secret. Someone won't answer the door. Someone put an elephant on the stairs. Someone's not ready to talk. Someone is her brother's mother. Someone hates irrational numbers. Someone told the police. Someone got a message from the traffic light. Someone's never felt like this before. In this fast moving kaleidoscope, more than a hundred characters try to make sense of what they know. Caryl Churchill's play Love and Information was first performed at the Royal Court Theatre, London, in September 2012.

In this fast-moving kaleidoscope, more than one hundred characters try to make sense of what they know. Declared "the greatest living English playwright" by Tony Kushner, Caryl Churchill premiered this latest full-length work at London's Royal Court. It will make its US premiere as part of New York Theater Workshop's 2013-2014 season.

"I'm walking down the street and there's a door in the fence open and inside there are three women I've seen before." Three old friends and a neighbour. A summer of afternoons in the back yard. Tea and catastrophe. Caryl Churchill's play Escaped Alone premiered at the Royal Court Theatre, London, in 2016, in a production directed by James Macdonald. It was named Best Play at the 2017 Writers' Guild Awards.

A short play about death by Caryl Churchill. A funeral party for a man with an adventurous past and a ginger cat that needs a home. Where is he now? Is his heart lighter than a feather? How did he die? And what happens to his friends? Caryl Churchill's play Here We Go was premiered at the National Theatre, London, in November 2015.

Marlene thinks the eighties are going to be stupendous. Her sister Joyce has her doubts. Her daughter Angie is just frightened. Since its premiere in 1982, Top Girls has become a seminal play of the modern theatre. Set during a period of British politics dominated by the presence of the newly elected Prime Minister Margaret Thatcher, Churchill's play prompts us to question our notions of women's success and solidarity. Its sharp look at the society and politics of the 1980s is combined with a timeless examination of women's choices and restrictions regarding career and family. This new Student Edition features an introduction by Sophie Bush, Senior Lecturer at Sheffield Hallam University, UK prepared with the contemporary student in mind. METHUEN DRAMA STUDENT EDITIONS are expertly annotated texts of a wide range of plays from the modern and classic repertoires. A well as the complete text of the play itself, this volume contains: * A chronology of the play and the playwright's life and work * an introductory discussion of the social, political, cultural and economic context in which the play was originally conceived and created * a succinct overview of the creation processes followed and subsequent performance history of the piece * an analysis of, and commentary on, some of the major themes and specific issues addressed by the text * a bibliography of suggested primary and secondary materials for further study.

Our insatiable appetite for celebrity is the topic of this wild fantasy, in which Celine Dion speaks through an oracle to cashiers at Wal-Mart. It is the latest adventure of Caryl Churchill, "one of the most original and unpredictable of dramatists" ("Daily Telegraph").

Olivier Choiniere hails from Montreal, Quebec, where his plays have been produced. He is a 2007 recipient of London's Royal Court Theatre's International Residency.

Caryl Churchill is one of the most influential playwrights of her generation. Her other works include "Cloud Nine," "Top Girls," "Far Away," "A Number," "Serious Money," and "Drunk Enough to Say I Love You?."

The dialectic of Top Girls is wide-ranging, covering universal dilemmas facing women, but focuses on major themes of contemporary life. The critique of feminist ambitions is a clear central theme and Churchill's selection of women from the past and modern world shows sympathy for the feminist cause and disdain for the male oppressor, but there is no sentimentality an no comfortable solution is offered for their problems.

Marlene hosts a dinner party in a London restaurant to celebrate her promotion to managing director of 'Top Girls' employment agency. Her guests are five women from the past: Isabella Bird (1831- 1904) - the adventurous traveller; Lady Nijo (b1258) - the mediaeval courtesan who became a Buddhist nun and travelled on foot through Japan; Dull Gret, who as Dulle Griet in a Bruegel painting, led a crowd of women on a charge through hell; Pope Joan - the transvestite early female pope and last but not least Patient Griselda, an obedient wife out of Chaucer's Canterbury Tales. As the evening continues we are involved with the stories of all five women and the impending crisis in Marlene's own life. A classic of contemporary theatre, Churchill's play is seen as a landmark for a new generation of playwrights. It was premiered by the Royal Court in 1982.

A fascinating meditation on human cloning, personal identity and the conflicting claims of nature and nurture. Bernard thought he was an only child. One day he learns the shocking truth: he is just one of a number of clones. Together, he and his father confront epic questions of identity, intimacy and belonging. Caryl Churchill's play A Number pushes the boundaries of science and ethics with an astonishing twist on the dynamics of the father/son relationship. It was originally produced at the Royal Court Theatre, London, in 2002, winning the Evening Standard Award for Best Play. Set Text: A Number is a set text for AS/A-Level Drama (WJEC) A Number is also available in the volume Caryl Churchill Plays: Four.

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The newest work by the playwright Tony Kushner calls "the greatest living English playwright." body]

The newest work by the playwright Tony Kushner calls "the greatest living English playwright." "Far Away" is a howl of anguish at the increasing--and increasingly accepted--levels of inhumanity in a world seemingly perpetually involved in conflict, whether in Chechnya or Sierra Leone, Fiji or Zimbabwe. But is it all as Far Away as we would like to think.

Caryl Churchill is the author of some twenty plays, including "Cloud Nine, Top Girls, Serious Money, The Skriker" and "Blue Heart," seen and admired all over the world.

Two exhilarating and teasingly entertaining one-act plays from one of the UK's leading playwrights. Heart's Desire sees a family awaiting their daughter's return from Australia, though in a series of alternative scenarios, the play collapses as it keeps veering off in unexpected and ridiculous directions. Blue Kettle tells the story of conman Derek and the five women he misleads into believing he is their biological son. Try as he might, Derek's plans are scuppered as the play is invaded by a virus. In Caryl Churchill's ever-inventive style, the two plays in Blue Heart pull apart language and structure in a way that is theatrically remarkable and fast paced, in a stirring yet truthful exploration of family and relationships. Blue Heart was first performed at Theatre Royal, Bury St Edmunds, in August 1997 in a touring co-production by Out of Joint and the Royal Court Theatre. This edition was published alongside the first major revival of Blue Heart, nearly twenty years after its premiere, in a co-production by the Orange Tree Theatre, Richmond, and Tobacco Factory Theatres, Bristol, in 2016.

'Make me happen' Your partner's died, could things have been different? Caryl Churchill's short play What If If Only premiered in the Jerwood Theatre Downstairs at the Royal Court Theatre, London, in September 2021, directed by James Macdonald. This edition also includes the resonant and surreal short piece, Air. 'Caryl Churchill has remade the landscape of contemporary drama - and earned herself a place among the greats' Guardian

Comedy / Casting: 4m, 3f w/doubling / Scenery: 2 exteriors

The time-shifting comedy by the author of Top Girls created a sensation Off-Broadway directed by Tommy Tune. Here we are in 1880 darkest but British Africa as portrayed in old movies, plays and novels. Only with a difference. Both parody and spoof of the Victorian Empire and its rigid attitudes especially towards sex. There is Clive, a British functionary, his wife Betty (played by a man), their daughter Victoria (a rag doll), Clive's friend Harry an explorer, Mrs. Saunders who runs about dressed in a riding habit, Clive's son Edward who still plays with dolls and is played by a woman and Joshua a native servant who knows exactly what is really going on. What really is going on is a marvelous send up and a non-stop round robin of sexual liaisons. All this time the natives are restless in the background. The second act shifts to London in 1980 except for the surviving characters it is only twenty five years later and all those repressed sexual longings have evaporated along with the Empire.

"Intelligent, inventive and funny."-The New York Times

"I really don't know when I've had more fun. It blends farce, pathos into a work of total theatre."-New York Daily News

Serious Comedy / Castin: 7f. with doubling / Ints.

Marlene has been promoted to managing director of a London employment agency and is celebrating. The symbolic luncheon is attended by women in legend or history who offer perspectives on maternity and ambition. In a time warp, these ladies are also her co workers, clients and relatives. Marlene, like her famous guests, has had to pay a price to ascend from proletarian roots to the executive suite: she has become, figuratively speaking, a male oppressor and even coaches female clients on adopting odious male traits. Marlene has also abandoned her illegitimate and dull witted daughter. Her emotional and sexual life has become as barren as Lady Macbeth's.

"A blistering yet sympathetic look at women who achieve success by adopting the worse traits of self made men.... Truly original." N.Y. Times.

"Very funny and provocative.... A mind lifting experience." N.Y. Post.

First publication of Churhcill's newest one act play written in conjunction with her highly successful "Blue Heart. "Churchill, who constantly reinvents the dramatic form, has come up with something compelling and strange: an intimate revue about the increasing surreality of modern life."-"London Guardian

Premiered at the Royal National Theatre, this extraordinary new play by one of Britain's leading playwrights combines English folk tales with modern urban life. In terms of its language alone, it is as exciting and challenging on the page as on the stage. The play follows the Skriker, 'a shapeshifter and death portent, ancient and damaged, ' in its search for love and revenge as it pursues two young women to London, changing its shape at every new encounter. Along with the Skriker come Rawheadandbloodybones, the Kelpie, the Green Lady, Black Dog and more, till the whole country is swarming with enticing and angry creatures that have burst from the underworld.

I believe in the individual. Look at me. Set in the early Thatcher years, Top Girls is a seminal play of the modern theatre, revealing a world of women's experience at a pivotal moment in British history. Told by an eclectic group of historical and modern characters in a continuous conversation across ages and generations it was described by The Guardian as 'the best British play ever from a woman dramatist'. The play opens with an anachronistic dinner party hosted by Marlene, the newly-promoted manager of the 'Top Girls' employment agency. Her guests are five women from the past: a female Pope, a courtesan-cum-nun, a tireless adventurer, an obedient wife from Chaucer and the leader of a charge into hell from a Bruegel painting. The feminist themes introduced by this cacophonous scene echo throughout the more contemporary action of the play, as Churchill uses the setting of the 'Top Girls' agency to allow a glimpse into the lives of several very different working women. The play presents complex questions about a feminism which mimics aggressive, oppressive behaviour, and success which can only be achieved by abandoning family ties to force a way to the top. Top Girls premiered in 1982 at the Royal Court Theatre, London. Methuen Drama's iconic Modern Plays series began in 1959 with the publication of Shelagh Delaney's A Taste of Honey and has grown over six decades to now include more than 1000 plays by some of the best writers from around the world. This new special edition hardback of Top Girls was published to celebrate 60 years of Methuen Drama's Modern Plays in 2019, chosen by a public vote and features a foreword by critic and journalist Ann McFerran.

With an introduction by Graham Whybrow, literary manager of the Royal Court Theatre, this anthology collects the defining plays of the 1980s and 1990s in one volume - Top Girls 'The best British play ever from a woman dramatist' (The Guardian) Hysteria 'One of the most brilliantly original and entertaining new plays I have seen in years' (The Sunday Times) Blasted 'Her dialogue is both sparse and stunning. They will call her mad, but then they said that about Strindberg' (Mail on Sunday) Shopping and F***ing 'A real coup de theatre' (Evening Standard) The Beauty Queen of Leenane 'The most wickedly funny, brilliantly abrasive young dramatist ...a born storyteller' (New York Times)The result is a collection of "must reads" that's excellent value for students and theatre fans alike.

Marlene has been promoted to managing director of a London employment agency and is celebrating. The symbolic luncheon is attended by women in legend or history who offer perspectives on maternity and ambition. In a time warp, these ladies are also her co-workers, clients, and relatives. Marlene, like her famous guests, has had to pay a price to ascend from proletarian roots to the executive suite: she has become, figuratively speaking, a male oppressor and even coaches female clients on adopting odious male traits. Marlene has also abandoned her illegitimate and dull-witted daughter. Her emotional and sexual life has become as barren as Lady Macbeth's.

'You western-backed goats, They forced us into slavery and killed millions. Now they want us to accept the sinfulness of homos. It shall not work.' In 2014, Uganda passed an Anti-Homosexuality Act. This short, startling play looks at what lies behind it. Caryl Churchill's Pigs and Dogs premiered at the Royal Court Theatre, London, in 2016, in a production directed by Dominic Cooke.

The fourth volume of the collected plays of one of the best playwrights alive. Written over a period of ten years and evincing an extraordinary range of topics and techniques, this fourth volume of Caryl Churchill's collected plays confirms her standing as a playwright who is 'amongst the best half-dozen now writing' (The Times). This volume includes: Hotel (Schauspielhaus, Hannover, 1997), an innovative theatre piece combining music, voices and dance, with a text by Caryl Churchill and music by Orlando Gough. This is a Chair (Royal Court Theatre, 1997), a short play about the surreal nature of modern life. Blue Heart (Out of Joint & Royal Court Theatre, 1997), two linked one-act plays, both startlingly innovative, exploring the underpinnings of family relationships. Far Away (Royal Court, 2000), a brilliantly unsettling play about conflict and its unsettling effect on our lives and humanity. A Number (Royal Court, 2002), a fascinating meditation on human cloning, personal identity and the conflicting claims of nature and nurture. Drunk Enough to Say I Love You? (Royal Court, 2006),examining US foreign policy and international power politics through the lens of an intense personal relationship. A Dream Play (National Theatre, London, 2005), a spare and resonant version of August Strindberg's 1901 masterpiece.