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Edited volume tracing the development of a new generation of German Jewish writers, offering fresh interpretations of individual works, and probing the very concept of "German Jewish literature." The 1990 reunification of Germany gave rise to a new generation of writers who write in German, identify as both German and Jewish, and often also sustain cultural affiliations with places such as Russia, Azerbaijan, or Israel. This edited volume traces the development of this new literature into the present, offers fresh interpretations of individual works, and probes the very concept of "German Jewish literature." A central theme is the transformation ofmemory at a time when the Holocaust is moving into greater historical distance while the influx of new immigrant groups to Germany brings other past trauma into view. The volume's ten original essays by scholars from Europe and the US reframe the debates about Holocaust memory and contemporary German culture. The concluding interviews with authors Mirna Funk and Olga Grjasnowa offer a glimpse into the future of German Jewish literature. Contributors: Luisa Banki, Caspar Battegay, Helen Finch, Mirna Funk, Katja Garloff, Olga Grjasnowa, Elizabeth Loentz, Andree Michaelis-Koenig, Agnes Mueller, Jessica Ortner, Jonathan Skolnik, Stuart Taberner. Katja Garloff is Professor of German and Humanities at Reed College. Agnes Mueller is the College of Arts & Sciences Distinguished Professor of the Humanities at the University of South Carolina.
How Jews use media to connect with one another has profound consequences for Jewish identity, community, and culture. This volume explores how the use of media can both create communities and divide them because of how different media shape actions and project anxieties, conflicts, and emotions. Taken together, the essays presented here consider how Jewish use of media at home and in the street, as well as in the synagogue and in school, affects the individual's sense of ethnic and religious affiliation. They include closely observed case studies, in various national contexts, of the role of popular film, television, records, the Internet, and smartphones, as well as the role of print media, now and historically. They raise fascinating questions about how Jews and Jewish institutions harness, tolerate, or resist media to create their sense of social belonging as Jews within the wider society.
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