This open access edited collection brings together established and new perspectives on Cold War civil defence in Western Europe within a common analytical framework that also facilitates comparative and transnational dimensions. The current interest in creating disaster-resilient societies demands new histories of civil defence. Historical contextualization is essential in order to understand what is at stake in preparing, devising, and implementing forms of preparedness, protection, and security that are specifically targeted at societies and citizens. Applying the concept of sociotechnical imaginaries to civil defence history, the chapters of this volume cover a range of new themes, from technology and materiality to media, memory, and everyday experience. The book underlines the social embeddedness of civil defence by detailing how it both prompted new forms of social interaction and reflected norms and visions of the 'good society' in an age where nuclear technology seemed to hold the key to both doom and salvation.

Classics of International Relations introduces, contextualises and assesses 24 of the most important works on international relations of the last 100 years. Providing an indispensable guide for all students of IR theory, from advanced undergraduates to academic specialists, it asks why are these works considered classics? Is their status deserved? Will it endure? It takes as its starting point Norman Angell's best-selling The Great Illusion (1909) and concludes with Daniel Deudney's award winning Bounding Power (2006). The volume does not ignore established classics such as Morgenthau's Politics Among Nations and Waltz's Theory of International Politics, but seeks to expand the 'IR canon' beyond its core realist and liberal texts. It thus considers emerging classics such as Linklater's critical sociology of moral boundaries, Men and Citizens in the Theory of International Relations, and Enloe's pioneering gender analysis, Bananas, Beaches and Bases. It also innovatively considers certain 'alternative format' classics such as Kubrick's satire on the nuclear arms race, Dr Strangelove, and Errol Morris's powerful documentary on war and US foreign policy, The Fog of War. With an international cast of contributors, many of them leading authorities on their subject, Classics of International Relations will become a standard reference for all those wishing to make sense of a rapidly developing and diversifying field. Classics of International Relations is designed to become a standard reference text for advanced undergraduates, post-graduates and lecturers in the field of IR.

Documentaries such as "An Inconvenient Truth," "Countdown to Zero," "Inside Job," "Fahrenheit 9/11 "are powerful narratives through which political meaning is being produced, circulated and consumed on a global level .By casually treating the documentary genre as one among other visual forms, the discipline of IR risks cutting itself off from understanding the significance and complexity of this visual culture and the ways in which it encroaches on informed debates about global politics. The purpose of this book is to provide new vistas for grasping and using the genre of documentary film in the study and teaching of global politics.

Documenting World Politics introduces the genres and sub-genres of documentary film as they pertain to (the study of) world politics; by offering readings of specific films and types of films; as well as by providing interviews with directors. Together, these increase the reflexivity of IR scholars about the ways in which the increasingly popular medium of documentary represents and takes part in global politics. The contributors to this volume argue that much can be gained if we do not just think of documentaries as a window on or intervention in reality, but as a political epistemology that like theories involve particular postures, strategies and methodologies towards the world to which they provide access.

This work will be of great interest to students and scholars of international relations, popular culture and world politics and media studies alike. "

This open access edited collection brings together established and new perspectives on Cold War civil defence in Western Europe within a common analytical framework that also facilitates comparative and transnational dimensions. The current interest in creating disaster-resilient societies demands new histories of civil defence. Historical contextualization is essential in order to understand what is at stake in preparing, devising, and implementing forms of preparedness, protection, and security that are specifically targeted at societies and citizens. Applying the concept of sociotechnical imaginaries to civil defence history, the chapters of this volume cover a range of new themes, from technology and materiality to media, memory, and everyday experience. The book underlines the social embeddedness of civil defence by detailing how it both prompted new forms of social interaction and reflected norms and visions of the 'good society' in an age where nuclear technology seemed to hold the key to both doom and salvation.

Classics of International Relations introduces, contextualises and assesses 24 of the most important works on international relations of the last 100 years. Providing an indispensable guide for all students of IR theory, from advanced undergraduates to academic specialists, it asks why are these works considered classics? Is their status deserved? Will it endure? It takes as its starting point Norman Angell's best-selling The Great Illusion (1909) and concludes with Daniel Deudney's award winning Bounding Power (2006). The volume does not ignore established classics such as Morgenthau's Politics Among Nations and Waltz's Theory of International Politics, but seeks to expand the 'IR canon' beyond its core realist and liberal texts. It thus considers emerging classics such as Linklater's critical sociology of moral boundaries, Men and Citizens in the Theory of International Relations, and Enloe's pioneering gender analysis, Bananas, Beaches and Bases. It also innovatively considers certain 'alternative format' classics such as Kubrick's satire on the nuclear arms race, Dr Strangelove, and Errol Morris's powerful documentary on war and US foreign policy, The Fog of War. With an international cast of contributors, many of them leading authorities on their subject, Classics of International Relations will become a standard reference for all those wishing to make sense of a rapidly developing and diversifying field. Classics of International Relations is designed to become a standard reference text for advanced undergraduates, post-graduates and lecturers in the field of IR.