This open access edited collection brings together established and new perspectives on Cold War civil defence in Western Europe within a common analytical framework that also facilitates comparative and transnational dimensions. The current interest in creating disaster-resilient societies demands new histories of civil defence. Historical contextualization is essential in order to understand what is at stake in preparing, devising, and implementing forms of preparedness, protection, and security that are specifically targeted at societies and citizens. Applying the concept of sociotechnical imaginaries to civil defence history, the chapters of this volume cover a range of new themes, from technology and materiality to media, memory, and everyday experience. The book underlines the social embeddedness of civil defence by detailing how it both prompted new forms of social interaction and reflected norms and visions of the 'good society' in an age where nuclear technology seemed to hold the key to both doom and salvation.

What is a realist response to nuclear weapons? This book is animated by the idea that contemporary attempts to confront the challenge of nuclear weapons and other global security problems would benefit from richer historical foundations. Returning to the decade of deep, thermonuclear anxiety inaugurated in the early 1950s, the authors focus on four creative intellectuals - Gunther Anders, John H. Herz, Lewis Mumford and Bertrand Russell - whose work they reclaim under the label of 'nuclear realism'. This book brings out an important, oppositional and resolutely global strand of political thought that combines realist insights about nuclear weapons with radical proposals for social and political transformation as the only escape from a profoundly endangered planet. Nuclear Realism is a highly original and provocative study that will be of great use to advanced undergraduates, graduates and scholars of political theory, International Relations and Cold War history.

This timely, comprehensive and interdisciplinary volume advances an original argument about the complex roots and multiple politics of globality. It shows that technological innovations and decisive developments since 1945 - from the nuclear revolution to anthropogenic climate change and debates about the Anthropocene - have prompted reflections on the global condition of humanity and helped reshape political communities by making the world (appear) small, manageable and interconnected. The contributors stress how human beings have transformed both their habitat and their view of human-earth relations since 1945. Such changes have been accompanied by important shifts in political visions, prompted new forms of human association, encouraged legal and institutional reform and spurred ideas about ecological humility. At the same time, the spatially all-encompassing nature of globality have also informed projects of human mastery and a range of practices historically associated with militarization and a strongly statist conception of national security. This volume reflects on these paradoxical relationships, their history and contemporary relevance. Contributing to the overlapping concerns of four burgeoning fields of study across the humanities and the social sciences - globality and globalization studies; geopolitics and political geography; Anthropocene studies; global governance and political theory - the book will be of great use to scholars and graduates working in these areas.

This timely, comprehensive and interdisciplinary volume advances an original argument about the complex roots and multiple politics of globality. It shows that technological innovations and decisive developments since 1945 - from the nuclear revolution to anthropogenic climate change and debates about the Anthropocene - have prompted reflections on the global condition of humanity and helped reshape political communities by making the world (appear) small, manageable and interconnected. The contributors stress how human beings have transformed both their habitat and their view of human-earth relations since 1945. Such changes have been accompanied by important shifts in political visions, prompted new forms of human association, encouraged legal and institutional reform and spurred ideas about ecological humility. At the same time, the spatially all-encompassing nature of globality have also informed projects of human mastery and a range of practices historically associated with militarization and a strongly statist conception of national security. This volume reflects on these paradoxical relationships, their history and contemporary relevance. Contributing to the overlapping concerns of four burgeoning fields of study across the humanities and the social sciences - globality and globalization studies; geopolitics and political geography; Anthropocene studies; global governance and political theory - the book will be of great use to scholars and graduates working in these areas.

As a central component of contemporary culture, films mirror and shape political debate. Reflecting on this development, scholars in the field of International Relations (IR) increasingly explore the intersection of TV series, fiction film and global politics. So far, however, virtually no systematic scholarly attention has been given to documentary film within IR. This book fills this void by offering a critical companion to the subject aimed at assisting students, teachers and scholars of IR in understanding and assessing the various ways in which documentary films matter in global politics. The authors of this volume argue that much can be gained if we do not just think of documentaries as a window on or intervention in reality, but as a political epistemology that - like theories - involve particular postures, strategies and methodologies towards the world to which they provide access. This work will be of great interest to students and scholars of international relations, popular culture and world politics and media studies alike.

Classics of International Relations introduces, contextualises and assesses 24 of the most important works on international relations of the last 100 years. Providing an indispensable guide for all students of IR theory, from advanced undergraduates to academic specialists, it asks why are these works considered classics? Is their status deserved? Will it endure? It takes as its starting point Norman Angell's best-selling The Great Illusion (1909) and concludes with Daniel Deudney's award winning Bounding Power (2006). The volume does not ignore established classics such as Morgenthau's Politics Among Nations and Waltz's Theory of International Politics, but seeks to expand the 'IR canon' beyond its core realist and liberal texts. It thus considers emerging classics such as Linklater's critical sociology of moral boundaries, Men and Citizens in the Theory of International Relations, and Enloe's pioneering gender analysis, Bananas, Beaches and Bases. It also innovatively considers certain 'alternative format' classics such as Kubrick's satire on the nuclear arms race, Dr Strangelove, and Errol Morris's powerful documentary on war and US foreign policy, The Fog of War. With an international cast of contributors, many of them leading authorities on their subject, Classics of International Relations will become a standard reference for all those wishing to make sense of a rapidly developing and diversifying field. Classics of International Relations is designed to become a standard reference text for advanced undergraduates, post-graduates and lecturers in the field of IR.

Documentaries such as "An Inconvenient Truth," "Countdown to Zero," "Inside Job," "Fahrenheit 9/11 "are powerful narratives through which political meaning is being produced, circulated and consumed on a global level .By casually treating the documentary genre as one among other visual forms, the discipline of IR risks cutting itself off from understanding the significance and complexity of this visual culture and the ways in which it encroaches on informed debates about global politics. The purpose of this book is to provide new vistas for grasping and using the genre of documentary film in the study and teaching of global politics.

Documenting World Politics introduces the genres and sub-genres of documentary film as they pertain to (the study of) world politics; by offering readings of specific films and types of films; as well as by providing interviews with directors. Together, these increase the reflexivity of IR scholars about the ways in which the increasingly popular medium of documentary represents and takes part in global politics. The contributors to this volume argue that much can be gained if we do not just think of documentaries as a window on or intervention in reality, but as a political epistemology that like theories involve particular postures, strategies and methodologies towards the world to which they provide access.

This work will be of great interest to students and scholars of international relations, popular culture and world politics and media studies alike. "

This open access edited collection brings together established and new perspectives on Cold War civil defence in Western Europe within a common analytical framework that also facilitates comparative and transnational dimensions. The current interest in creating disaster-resilient societies demands new histories of civil defence. Historical contextualization is essential in order to understand what is at stake in preparing, devising, and implementing forms of preparedness, protection, and security that are specifically targeted at societies and citizens. Applying the concept of sociotechnical imaginaries to civil defence history, the chapters of this volume cover a range of new themes, from technology and materiality to media, memory, and everyday experience. The book underlines the social embeddedness of civil defence by detailing how it both prompted new forms of social interaction and reflected norms and visions of the 'good society' in an age where nuclear technology seemed to hold the key to both doom and salvation.

Classics of International Relations introduces, contextualises and assesses 24 of the most important works on international relations of the last 100 years. Providing an indispensable guide for all students of IR theory, from advanced undergraduates to academic specialists, it asks why are these works considered classics? Is their status deserved? Will it endure? It takes as its starting point Norman Angell's best-selling The Great Illusion (1909) and concludes with Daniel Deudney's award winning Bounding Power (2006). The volume does not ignore established classics such as Morgenthau's Politics Among Nations and Waltz's Theory of International Politics, but seeks to expand the 'IR canon' beyond its core realist and liberal texts. It thus considers emerging classics such as Linklater's critical sociology of moral boundaries, Men and Citizens in the Theory of International Relations, and Enloe's pioneering gender analysis, Bananas, Beaches and Bases. It also innovatively considers certain 'alternative format' classics such as Kubrick's satire on the nuclear arms race, Dr Strangelove, and Errol Morris's powerful documentary on war and US foreign policy, The Fog of War. With an international cast of contributors, many of them leading authorities on their subject, Classics of International Relations will become a standard reference for all those wishing to make sense of a rapidly developing and diversifying field. Classics of International Relations is designed to become a standard reference text for advanced undergraduates, post-graduates and lecturers in the field of IR.

This book claims that the need for new, substantive thinking about nuclear weapons presents a significant opportunity to reassess and broaden our view of realism in politics. What, today, is a realist response to nuclear weapons? This book is animated by the idea that contemporary attempts to confront the challenge of nuclear weapons and other global security problems of the modern age would benefit from richer historical foundations. To this end, the book revisits, re-articulates and reclaims a particular type of sophisticated, yet largely overlooked responses to the thermonuclear revolution. The aim is to widen the horizon of current conversations on nuclear weapons as well as to spur caution and reflection about the governance of global security more broadly. Foreshadowing the 'critical turn' in IR theory, nuclear realism provided a critique of dominant approaches to war and military force in the face of large-scale destruction, reflections on the meaning and implications of 'national security', and attention to the far-reaching encroachments that nuclear state apparatuses and the increasing militarization of social life involved.Moreover, it also included a revised conception of the relationship between liberty and political authority, appreciated environmental problems within a global ecological vision, and dissected the role of technology in improving, structuring, restricting and endangering human life. This work provokes a discussion that will be instructive and rewarding at a time when nuclear weapons and other planetary security problems demand attention and political action.