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"Experimental Film and Anthropology "urges a new dialogue between
two seemingly separate fields. The book explores the practical and
theoretical challenges arising from experimental film for
anthropology, and vice versa, through a number of contact zones:
trance, emotions and the senses, materiality and time,
non-narrative content and montage. Experimental film and cinema are
understood in this book as broad, inclusive categories covering
many technical formats and historical traditions, to investigate
the potential for new common practices. An international range of
renowned anthropologists, film scholars and experimental
film-makers engage in vibrant discussion and offer important new
insights for all students and scholars involved in producing their
own films. This will be indispensable reading for students and
scholars in a range of disciplines including anthropology, visual
anthropology, visual culture and film and media studies.
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