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Barbara Earl Thomas's new body of work carries within it the
sediments of history and grapples with race and the color line. At
the heart of it lies a story of life and death, hope and
resilience-a child's survival. With her quietly glowing portraits
of young Black boys and girls, Thomas puts before us the humble
question: can we see, and be present to, the humanity, the trust,
the hopes and dreams of each of these children? The Geography of
Innocence offers a reexamination of Black portraiture and the
preconceived dichotomies of innocence and guilt and sin and
redemption, and the ways in which these notions are assigned and
distorted along cultural and racial lines. Two interconnected
visual arguments unfold: a portrait gallery of children from the
artist's extended community and an illuminated environment that
appears like a delicate paper lantern. To accompany the visual
elements, the book's essays examine Thomas's work in the context of
different art historical portraiture traditions and political
relevance. Thomas also contributes an interview and an essay
reflecting on the current climate in which the work exists.
Seattle art collectors Richard E. Lang and Jane Lang Davis were
frequent visitors to New York City in the 1970s and early 1980s
when they collaboratively built their collection, filling their
home with singular works of art. Their shared legacy and passion
for engaging thoughtfully, deeply, and personally with art-and the
frisson of excitement that arises with such a connection-are
celebrated and echoed in this special exhibition catalogue.
Spanning 1945 through 1976, the paintings, drawings, and sculptures
in Frisson serve as significant examples of mature works and
pivotal moments of artistic development from some of the most
influential American and European artists of the postwar period,
including Francis Bacon, Lee Krasner, Clyfford Still, Philip
Guston, Joan Mitchell, David Smith, and others. Together they
represent an inimitable archive of innovation and a
cross-pollination of leading artistic positions in the postwar
years. With twenty new scholarly essays written by leading experts,
Frisson provides the first opportunity for in-depth research into
and new insights about nineteen noteworthy artworks recently
acquired by the Seattle Art Museum.
A comprehensive survey of the work of the legendary Swiss artist,
this book illustrates and examines more than 100 of his sculptures,
paintings, drawings, and prints This lavishly illustrated
retrospective traces the early and midcareer development of the
preeminent Swiss artist Alberto Giacometti (1901-1966), examining
the emergence of his distinct figural style through works including
a series of walking men, elongated standing women, and numerous
busts. Rare paintings and drawings from his formative period show
the significance of landscape in Giacometti's work, while also
revealing the influence of the postimpressionist painters that
surrounded his father, the artist Giovanni Giacometti. Other areas
of inquiry on which Alberto Giacometti casts new light are his
studio practice-amply illustrated with photographs-his obsessive
focus on depicting the human head, his collaborations with poets
and writers, and his development of the walking man sculpture,
thanks to numerous drawings, many of which have never been shown.
Original essays by modern art and Giacometti specialists shed new
light on era-defining sculptural masterpieces, including the
Walking Man, the Nose, and the Chariot, or on key aspects of his
work, such as the significance of surrealism, his drawing practice,
or the question of space. Distributed for the Cleveland Museum of
Art Exhibition Schedule: Cleveland Museum of Art (March 12-June 12,
2022) Seattle Art Museum (July 14-October 9, 2022) Museum of Fine
Arts, Houston (November 13, 2022-February 12, 2023) The
Nelson-Atkins Museum of Art, Kansas City (March 19-June 18, 2023)
A survey of the decades-long legacy of American Pop Art, from the
iconic works of the 1960s to contemporary art that innovatively
revisits the movement's key themes Pop Art's influence continues to
be felt more than a half century since its advent, as this engaging
book deftly shows. Early Pop artists such as Roy Lichtenstein,
Claes Oldenburg, and Andy Warhol adopted alternately critical,
embracing, or ambivalent attitudes toward America's rapidly
proliferating consumer culture and its representations. Key works
by these artists are illustrated as the foundation for this look at
the ongoing relevance of Pop Art and its interrogation of American
culture into the 21st century. Following Pop's heyday in the early
1960s, new generations of artists have returned to the questions
surrounding consumerism and media culture. Works made in the 1980s
and 1990s by Jeff Koons, Barbara Kruger, Richard Prince, and others
reveal new methods and visual strategies that addressed these
issues in a much different political and social climate. The
innovative work of younger contemporary artists such as Elad
Lassry, Josephine Meckseper, and Ryan Trecartin demonstrates that
commodity culture, display, and the cult of celebrity maintain a
strong resonance and are critically examined by today's artists.
The catalogue also includes short texts by several artists,
curators, and art historians, including Josephine Meckseper, James
Voorhies, Richard Meyer, and Hal Foster. Published in association
with the Seattle Art Museum Exhibition Schedule: Seattle Art Museum
(10/09/14-01/11/15)
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