This Element presents original research into how young people interact with violent extremist material, including terrorist propaganda, when online. It explores a series of emotional and behavioural responses that challenge assumptions that terror or trauma are the primary emotional responses to these online environments. It situates young people's emotional responses within a social framework, revealing them to have a relatively sophisticated relationship with violent extremism on social media that challenges simplistic concerns about processes of radicalisation. The Element draws on four years of research, including quantitative surveys and qualitative focus groups with young people, and presents a unique perspective drawn from young people's experiences.

The Porn Report is a radical new way of thinking about the place of pornography in society. The writers draw on wide-ranging empirical research to show the production, distribution and consumption of pornography, its content, its consumers and the public debates within which people make sense of it. During a groundbreaking three-year investigation, the authors conducted interviews and surveys to produce a detailed picture of the adult-content industries. They interviewed the models, photographers and distributors involved in the pornography industry to find out why they are involved and what they think of it. They have analysed the contents of best-selling videos and conducted a large-scale survey of consumers to find out who they are and what they think of the materials they watch and read. The authors do not assume pornography is a bad thing, nor do they ignore the difficult issues that surround its production and consumption. The Porn Report engages with the most controversial issues relating to the industry, and provides an insight into the everyday uses of pornography by ordinary consumers, and the place of pornography in society.

One of the seminal films of the 1970s, Alvin Purple depicts Alvin's struggles with his irresistibility to women-from his school days and time as a waterbed salesman to his short-lived career as a sex therapist. The 'definitive ocker comedy', Alvin Purple survived a critical mauling and went on to become the most commercially successful Australian film of the 1970s. Catharine Lumby takes a fresh look at the film, the social and political era in which it was made and the forces that fuelled its success. She revisits claims that the movie is little more than an exercise in sexploitation and argues that the film is far more complex than its detractors have allowed.

This analysis of the ethical challenges posed by new media formats, technologies and audiences considers many aspects of these emerging genres and technologies. It reveals how they work and are reshaping the public sphere, as well as how the connections between product and viewer, and producer and media consumer, are being changed by new shows and formats. With so much interest in contemporary media forms and so many heated debates about media ethics, this book is essential to journalists, media practitioners and theorists.