"Delightful and discerning . . . In this evocative study a remarkable woman, creator of the 'first lady' role, comes vividly to life."--"The New York Times"
When the roar of the Revolution had finally died down, a new generation of politicians was summoned to the Potomac to assemble the nation's capital. Into that unsteady atmosphere--which would soon enough erupt into another conflict with Britain--Dolley Madison arrived, alongside her husband, James. Within a few years, she had mastered both the social and political intricacies of the city, and by her death in 1849 was the most celebrated person in Washington. And yet, to most Americans, she's best known for saving a portrait from the burning White House.
Why did her contemporaries so admire a lady so little known today? In "A Perfect Union," acclaimed historian Catherine Allgor reveals how Dolley manipulated the contstraints of her gender to construct an American democratic ruling style and to achieve her husband's political goals. By emphasizing cooperation over coercion--building bridges instead of bunkers--she left us with not only an important story about our past but a model for a modern form of politics.

First Lady of the United States and America's "Queen of Hearts," Dolley Madison fashioned an unofficial role for herself in the new administration of the United States, helping to answer the nation's need for ceremony and leaving footprints for centuries of presidential wives to follow. Assisting her husband, James Madison, she helped to promote national unity, modeling a political behavior that stressed civility and empathy. Together, their approach fueled bipartisanship in a country still assembling a political identity.About the Lives of American Women series: selected and edited by renowned women's historian Carol Berkin, these brief biographies are designed for use in undergraduate courses. Rather than a comprehensive approach, each biography focuses instead on a particular aspect of a women's life that is emblematic of her time, or which made her a pivotal figure in the era. The emphasis is on a 'good read', featuring accessible writing and compelling narratives, without sacrificing sound scholarship and academic integrity. Primary sources at the end of each biography reveal the subject's perspective in her own words. Study questions and an annotated bibliography support the student reader.

For biographers and fans of Dolley Payne Todd Madison, Mary Cutts's memoir of her famous aunt has been indispensable. Because Madison left behind no account of her life, the common assumption has been that Cutts's account is the closest we have to Madison's autobiographical voice. With this new, annotated transcription of both drafts of the memoir, The Queen of America offers scholars and general readers the first modern and contextualized version of this crucial piece of Founding-era biography. An opening essay by the acclaimed Dolley Madison biographer Catherine Allgor presents the memoir not only as a source for information on Madison herself, but also as a prime example of a nineteenth-century woman, Mary Cutts, making a bid for historical significance. Essays by Holly Shulman, editor of The Dolley Madison Digital Edition, and Montpelier research scholar Beth Taylor evaluate the historical uses and misuses of the document for understanding Dolley's life and supply background information on Mary, the niece who fashioned Dolley Madison's life into part of the historical record. The questions raised by Cutts's memoir are intriguing: Given that most of the story takes place before Cutts's birth, whose voice are we hearing? What are we to make of the lies and omissions along the way? What family secrets is Cutts hiding, and whose are they? With Allgor as guide, we enter the fascinating world of nineteenth-century history in the making.

First Lady of the United States and America's "Queen of Hearts," Dolley Madison fashioned an unofficial role for herself in the new administration of the United States, helping to answer the nation's need for ceremony and leaving footprints for centuries of presidential wives to follow. Assisting her husband, James Madison, she helped to promote national unity, modeling a political behavior that stressed civility and empathy. Together, their approach fueled bipartisanship in a country still assembling a political identity.
About the Lives of American Women series:
Selected and edited by renowned women's historian Carol Berkin, these brief biographies are designed for use in undergraduate courses. Rather than a comprehensive approach, each biography focuses instead on a particular aspect of a women's life that is emblematic of her time, or which made her a pivotal figure in the era. The emphasis is on a "good read," featuring accessible writing and compelling narratives, without sacrificing sound scholarship and academic integrity. Primary sources at the end of each biography reveal the subject's perspective in her own words. Study questions and an annotated bibliography support the student reader.

America has gone Hamilton crazy. Lin-Manuel Miranda's Tony-winning musical has spawned sold-out performances, a triple platinum cast album, and a score so catchy that it is being used to teach U.S. history in classrooms across the country. But just how historically accurate is Hamilton? And how is the show itself making history? Historians on "Hamilton" brings together a collection of top scholars to explain the Hamilton phenomenon and explore what it might mean for our understanding of America's history. The contributors examine what the musical got right, what it got wrong, and why it matters. Does Hamilton's hip-hop take on the Founding Fathers misrepresent our nation's past, or does it offer a bold positive vision for our nation's future? Can a musical so unabashedly contemporary and deliberately anachronistic still communicate historical truths about American culture and politics? And is Hamilton as revolutionary as its creators and many commentators claim? Perfect for students, teachers, theatre fans, hip-hop heads, and history buffs alike, these short and lively essays examine why Hamilton became an Obama-era sensation and consider its continued relevance in the age of Trump. Whether you are a fan or a skeptic, you will come away from this collection with a new appreciation for the meaning and importance of the Hamilton phenomenon.

America has gone Hamilton crazy. Lin-Manuel Miranda’s Tony-winning musical has spawned sold-out performances, a triple platinum cast album, and a score so catchy that it is being used to teach U.S. history in classrooms across the country. But just how historically accurate is Hamilton? And how is the show itself making history? Historians on Hamilton brings together a collection of top scholars to explain the Hamilton phenomenon and explore what it might mean for our understanding of America’s history. The contributors examine what the musical got right, what it got wrong, and why it matters. Does Hamilton’s hip-hop take on the Founding Fathers misrepresent our nation’s past, or does it offer a bold positive vision for our nation’s future? Can a musical so unabashedly contemporary and deliberately anachronistic still communicate historical truths about American culture and politics? And is Hamilton as revolutionary as its creators and many commentators claim? Perfect for students, teachers, theatre fans, hip-hop heads, and history buffs alike, these short and lively essays examine why Hamilton became an Obama-era sensation and consider its continued relevance in the age of Trump. Whether you are a fan or a skeptic, you will come away from this collection with a new appreciation for the meaning and importance of the Hamilton phenomenon.

When Thomas Jefferson moved his victorious Republican administration into the new capital city in 1801, one of his first acts was to abolish any formal receptions, except on New Year's Day and the Fourth of July. His successful campaign for the presidency had been partially founded on the idea that his Federalist enemies had assumed dangerously aristocratic trappings--a sword for George Washington and a raised dais for Martha when she received people at social occasions--in the first capital cities of New York and Philadelphia. When the ladies of Washington City, determined to have their own salon, arrived en masse at the president's house, Jefferson met them in riding clothes, expressing surprise at their presence. His deep suspicion of any occasion that resembled a European court caused a major problem, however: without the face-to-face relationships and networks of interest created in society, the American experiment in government could not function.

Into this conundrum, writes Catherine Allgor, stepped women like Dolley Madison and Louisa Catherine Adams, women of political families who used the unofficial, social sphere to cement the relationships that politics needed to work. Not only did they create a space in which politics was effectively conducted; their efforts legitimated the new republic and the new capital in the eyes of European nations, whose representatives scoffed at the city's few amenities and desolate setting. Covered by the prescriptions of their gender, Washington women engaged in the dirty business of politics, which allowed their husbands to retain their republican purity.

Constrained by the cultural taboos on "petticoat politicking," women rarely wrote forthrightly about their ambitions and plans, preferring to cast their political work as an extension of virtuous family roles. But by analyzing their correspondence, gossip events, "etiquette wars," and the material culture that surrounded them, Allgor finds that these women acted with conscious political intent. In the days before organized political parties, the social machine built by these early federal women helped to ease the transition from a failed republican experiment to a burgeoning democracy.