Environment, Archaeology and Landscape is a collection of papers dedicated to Martin Bell on his retirement as Professor of Archaeological Science at the University of Reading. Three themes outline how wetland and inland environments can be related and investigated using multi-method approaches. 'People and the Sea: Coastal and Intertidal Archaeology' explores the challenges faced by humans in these zones - particularly relevant to the current global sea level rise. 'Patterns in the Landscape: Mobility and Human-environment Relationships' includes some more inland examples and examines how past environments, both in Britain and Europe, can be investigated and brought to public attention. The papers in 'Archaeology in our Changing World: Heritage Resource Management, Nature Conservation and Rewilding' look at current challenges and debates in landscape management, experimental and community archaeology. A key theme is how archaeology can contribute time depth to an understanding of biodiversity and environmental sustainability. This volume will be of value to all those interested in environmental archaeology and its relevance to the modern world.

Poetry. Anthology. In this unprecedented anthology, acclaimed poets from around the world select poems from their countries of origin to share with a wider audience. Readers will find eloquence, urgency, and idiosyncrasy, poems all in English but springing from drastically varied voices, geographies, and histories. Using an artist's rather than a scholar's approach, these poems--chosen out of love and admiration by practicing poets--show the vitality of English deployed by revered and emerging poets in Ghana (selected by Kwame Dawes), India (by Sudeep Sen), South Africa (by Rustum Kozain), the Caribbean (by Ishion Hutchinson and five other Caribbean poets), Canada (by Todd Swift), and the Antipodes: New Zealand (by Hinemoana Baker) and Australia (by Les Murray). Poetry Foundation's Harriet Monroe Poetry Institute poets in the world Series.Ilya Kaminsky, Series Editor.

The family response to the sudden deaths of the speaker's two young nieces is at the center of Catherine Barnett's award-winning first collection. This series of elegies records the transit of grief, observing with an unflinching eye how a singular traumatic event can permanently alter our understanding of time, danger, the material world and family. Marked by clarity and restraint, these lyric poems narrate a suspenseful, wrenching story that explores the depths and limits of empathy.

"Living Room Altar" "Except for the shirt pulled from the ocean, except for her hands, which keep folding the shirt, except for her body, which once held their bodies, my sister wants everything back now-If there were a god who could out of empty shellscarried by waves to shoremake amends-If the ocean saved in a jarcould keep from turning to salt-She's hearing things: bird calling to bird, cat outside the door, thorn of the blackberry against the trellis."

"These heart-breaking poems of an all-too-human life stay as absolute as the determined craft which made them. There is finally neither irony nor simple despair in what they record. Rather, it is the far deeper response of witness, of recognizing what must be acknowledged and of having the courage and the care to say so." -Robert Creeley