Remember the Hand studies a body of articulate manuscript books from the Christian monasteries of northern Iberia in the tenth and eleventh centuries. These exceptional, richly illuminated codices have in common an urgent sense of scribal presence—scribes name themselves, describe themselves, even paint their own portraits. While marginal notes, even biographical ones, are a common feature of medieval manuscripts, rarely do scribes make themselves so fully known. These writers address the reader directly, asking for prayers of intercession and sharing of themselves. They ask the reader to join them in not only acknowledging the labor of writing but also in theorizing it through analogy to agricultural work or textile production, tending a garden of knowledge, weaving a text out of words. By mining this corpus of articulate codices (known to a school of Iberian codicologists, but virtually unstudied outside that community), Catherine Brown recovers these scribes’ understanding of reading as a powerful, intimate encounter between many parties—authors and their text, scribes and their pen, patrons and their art-object, readers and the words and images before their eyes—all mediated by the material object known as the book. By rendering that mediation conspicuous and reminding us of the labor that necessarily precedes that mediation, the scribes reach out to us across time with a simple but profound directive: Remember the hand. Remember the Hand is available from the publisher on an open-access basis.

Born in the 1980s tells the story of a generation coming of age. As the reality of the adult world begins to bite, love and lust, broken dreams, heart-break, and emotional attachments take the place of teenage hopes. This is about a generation finding its feet and carving out its place in the world. Born in the 1980s is a title in the Route series of contemporary stories.

This book provides comparison of Daniel Deronda with Anna Karenina and Women in Love in order to answer the following questions: why does one protagonist in each novel fail whilst another succeeds? And what does the 'comparative' in 'comparative literature' actually mean?

Comparison underlies all reading. Readers compare words to words, and books to all the other books which they have read. Some books, however, demand a particular comparative effort - for example, novels which contain parallel plot lines. In this ambitious and important study Catherine Brown compares Daniel Deronda with Anna Karenina and Women in Love in order to answer the following questions: why does one protagonist in each novel fail whilst another succeeds? Can their failure and success be understood on the same terms? How do the novels' uses of comparison compare to each other? How relevant is George Eliot's influence on Lev Tolstoi, and Tolstoi's on D. H. Lawrence? Does Tolstoi being a Russian make this a 'comparative' literary study? And what does the 'comparative' in 'comparative literature' actually mean? Criticism is combined with metacriticism, to explore how novels and critics compare. Catherine Brown is a lecturer in English at St. Hilda's College, Oxford.

A detailed assessment of D. H. Lawrence's wide-ranging engagements across the verbal, visual and performance arts Offers the most comprehensive assessment yet of Lawrence's relationship with the arts Places Lawrence in the context of the latest developments in fields including life writing, posthumanism, queer theory, and technology studies Considers Lawrence's continued reception in other people's art, and the nature of his relevance today This book includes twenty-eight innovative chapters by specialists from across the arts, reassessing Lawrence's relationship to aesthetic categories and specific art forms in their historical and critical contexts. A new picture of Lawrence as an artist emerges, expanding from traditional areas of enquiry in prose and poetry into the fields of drama, painting, sculpture, music, architecture, dance, historiography, life writing and queer aesthetics. The Companion presents original research on topics such as Lawrence's politics in his art, his representations of technology, his practice of revising and rewriting, and the relationship between his criticism and creation of prose, poetry and painting. This interdisciplinary Companion also makes a strong case for Lawrence's continuing relevance and aesthetic power, as represented by case studies of his afterlives in biofiction, cinema, musical settings and portraiture.

"The Jack Russell Terrier: Courageous Companion" is written for each and every lover of this spunky dog. Everything about how to select and care for your Jack Russell Terrier is included, from health care and nutrition, to grooming and exercise needs. Readers learn of the breed's unusual history, how to understand the breed standard and what to expect from the energetic, fun-loving JRT. The Jack Russell loves action, and the many ways to have fun with your dog are described in full.
Howell Best of Breed Library

When our infrastructures deteriorate, when social benefits are frozen, when our living conditions are precarious, it is because of tax havens. A source of growing inequalities and colossal tax losses, the use of tax havens by large corporations and wealthy individuals explains the increasingly popular austerity policies of governments in the West. With formidable efficacy and clarity, and in the wake of the Paradise Papers leak, Alain Deneault raises the political questions behind of this legalized theft: What are the consequences of tax havens? How do we counter the private sovereignty thus conferred on the powerful? As taxpayers shoulder the social and financial burdens while corporations hide billions in off-shore tax havens, Deneault identifies the urgent need to put an end to this legalized theft.

Let's say there are three Scotlands. The Scotland of cityscapes, stunning and grim. The Scotland of open spaces, stunning and grand. The Scotland of the mind: inventors of television and telephone, proponents of the existence of underwater monsters, a world of jigs and reels and long traditions, a nation which was independent in heart and mind and stance long before it had its own new parliament. This book is a guide to the distinct Scots language, urban, rural and cultural. It is aimed both at native speakers of English and those who have learned English as a second language and at native Scots. It explains and exemplifies Scots vocabulary and usage and, on occasions, makes comparisons with English usage, particularly where the differences are likely to cause confusion.

This work of intellectual and cultural history seeks to understand the recurring connection of teaching with contradiction in some major texts of the European Middle Ages. It moves comfortably between patristic and monastic exegesis, the Paris schools of the twelfth and thirteenth centuries, and late medieval Spain; between Latin and vernacular, between religious and secular. It assimilates the methodologies of religious and erotic texts, thereby displaying the investment of each in the sensuality and analytical power of language.
The book begins by exploring Christian exegesis, in which biblical contradiction is the textual incarnation of a Truth that is at once and paradoxically singular and multiple. Exegesis teaches us of the possibility of maintaining the truth in one biblical proposition and, equally and simultaneously, in its apparent opposite. Under the aegis of dialectic and the Aristotelian rule of non-contradiction, however, we are next taught to read "either/or," and to resolve contradiction not through suspension and multiplicity, as in exegesis, but rather through a judgment that favors either one proposition or the other. The writers studied here are John of Salisbury, whose "Metalogicon" is an ostensibly moderating critique of the intellectual extremism of the School of Paris logicians, and Peter Abelard, in whose life and writing the forces of contradiction work with maiming and illuminating violence.
The book then considers the teaching-textuality of two great secular works of the Middle Ages, formed under the double instruction of the master disciplines of monastic exegesis and dialectic and under the tutelage of Ovid. Calling simultaneously on the "both-and" of exegesis and the "either/or" of dialectic, the teaching of these two texts is both biblical and worldly--impossibly, both at once, always in motion. The "De Amore" of Andreas Capellanus teaches two opposite propositions and commands that either one or the other must be chosen, yet in practice shows each proposition to be deeply embedded in the other.
The concluding chapter turns from the Latin to the vernacular tradition to study one of the lesser-known examples of contradictory teaching, the fourteenth-century "Libro de Buen Amor" of Juan Ruiz, whose titular "good love" conflates the contrary things of spiritual and carnal love, while reminding readers that the difference between the two is urgently consequential.

In response to rapid and unsettling social, economic, and climate changes, fearmongering now features as a main component of public life. Right-wing nationalist populism has become a hallmark of politics around the world. No less so in Quebec. Alexa Conradi has made it her life's work to understand and to generate thoughtful debate about this worrisome trend. As the first president of Quebec solidaire and the president of Canada's largest feminist organisation, the Federation des femmes du Quebec, Conradi refused to shy away from difficult issues: the Charter of Quebec Values, religion and Islam, sovereignty, rape culture and violence against women, extractive industries and the treatment of Indigenous women, austerity policy and the growing gap between rich and poor. This determination to address uncomfortable subjects has made Conradi--an anglo-Montrealer--a sometimes controversial leader. In Fear, Love, and Liberation in Contemporary Quebec , Conradi invites us to take off our rose-coloured glasses and to examine Quebec's treatment of women with more honesty. Through her personal reflections on Quebec politics and culture, she dispels the myth that gender equality has been achieved and paves the way for a more critical understanding of what remains to be done.

It's almost Christmas in Westie Green and the snowflakes are falling. Nestled deep within the Highlands of Scotland lives an enchanting community of West Highland Terriers, the Westie Hutters. Roobie & Radley and their pet piglet Disco live at the Bones Bakery where the ovens are busy cooking up Yummytastic Bone Biscuits for Christmas. Grandpa Angus delivers these in his VW Campervan, but he also needs to call on their help. Finding reindeer in Westie Woods, a search to find Santa, and the Tree of Awesomeness all add to the ingredients, making this Magical Christmas Adventure almost as tasty as Grandma Soozie's Christmas pudding and its hidden treasure. But can the little trio help rescue Christmas?

It's almost Christmas in Westie Green and the snowflakes are falling. Nestled deep within the Highlands of Scotland lives an enchanting community of West Highland Terriers, the Westie Hutters. Roobie & Radley and their pet piglet Disco live at the Bones Bakery where the ovens are busy cooking up Yummytastic Bone Biscuits for Christmas. Grandpa Angus delivers these in his VW Campervan, but he also needs to call on their help. Finding reindeer in Westie Woods, a search to find Santa, and the Tree of Awesomeness all add to the ingredients, making this Magical Christmas Adventure almost as tasty as Grandma Soozie's Christmas pudding and its hidden treasure. But can the little trio help rescue Christmas?