Abraham Lincoln is the most revered president in American history, but the woman at the center of his life--his wife, Mary--has remained a historical enigma. One of the most tragic and mysterious of nineteenth-century figures, Mary Lincoln and her story symbolize the pain and loss of Civil War America. Authoritative and utterly engrossing, "Mrs. Lincoln" is the long-awaited portrait of the woman who so richly contributed to Lincoln's life and legacy.

In Stepdaughters of History, noted scholar Catherine Clinton reflects on the roles of women as historical actors within the field of Civil War studies and examines the ways in which historians have redefined female wartime participation. Clinton contends that despite the recent attention, white and black women's contributions remain shrouded in myth and sidelined in traditional historical narratives. Her work tackles some of these well-worn assumptions, dismantling prevailing attitudes that consign women to the footnotes of Civil War texts. Clinton highlights some of the debates, led by emerging and established Civil War scholars, which seek to demolish demeaning and limiting stereotypes of southern women as simpering belles, stoic Mammies, Rebel spitfires, or sultry spies. Such caricatures mask the more concrete and compelling struggles within the Confederacy, and in Clinton's telling, a far more balanced and vivid understanding of women's roles within the wartime South emerges. New historical evidence has given rise to fresh insights, including important revisionist literature on women's overt and covert participation in activities designed to challenge the rebellion and on white women's roles in reshaping the war's legacy in postwar narratives. Increasingly, Civil War scholarship integrates those women who defied gender conventions to assume men's roles, including those few who gained notoriety as spies, scouts, or soldiers during the war. As Clinton's work demonstrates, the larger questions of women's wartime contributions remain important correctives to our understanding of the war's impact. Through a fuller appreciation of the dynamics of sex and race, Stepdaughters of History promises a broader conversation in the twenty-first century, inviting readers to continue to confront the conundrums of the American Civil War.

Celebrated for her courageous exploits as a conductor on the Underground Railroad, Harriet Tubman has entered history as one of nineteenth-century America's most enduring and important figures. But just who was this remarkable woman? To John Brown, leader of the Harpers Ferry slave uprising, she was General Tubman. For the many slaves she led north to freedom, she was Moses. To the slaveholders who sought her capture, she was a thief and a trickster. To abolitionists, she was a prophet. Now, in a biography widely praised for its impeccable research and its compelling narrative, Harriet Tubman is revealed for the first time as a singular and complex character, a woman who defied simple categorization.

The experience of women in the nineteenth century has generated a wealth of interdisciplinary research in recent decades. "The Columbia Guide to American Women in the Nineteenth Century" presents the best of the recent scholarship available in a concise, "one-stop" resource, providing students of women's history and nineteenth-century American culture with an authoritative source of information and interpretation.

The authors emphasize areas in which scholars have identified important changes (such as suffrage and reform), topics in which researchers are now making great strides (such as racial, ethnic, religious, and regional diversity), and innovative and relatively recent explorations (for example, work on female sexuality). Accessible overview articles and alphabetical encyclopedia-like entries are combined in a comprehensive, easy-to-use volume.

Part 1 contains a historiographical essay followed by a ten-chapter narrative overview. These chapters include discussions of families and households, labor and the workforce, religion and morality, feminism and equal rights, reform and voluntarism, and more.

Part 2 is an A-to-Z listing of concise entries on key terms, notable figures, political movements, social and religious organizations, and legislation.

Part 3 is an annotated chronology placing events in historical context.

Part 4 is a topically organized selection of the best resources for further research, including general historical works, biographies and autobiographies, journals, archives, web sites, novels, and films.

Abraham Lincoln is the most revered president in American history, but the woman at the center of his life, his wife, Mary, has remained a historical enigma. In this definitive, magisterial biography, Catherine Clinton draws on important new research to illuminate the remarkable life of Mary Lincoln, and at a time when the nation was being tested as never before.

Mary Lincoln's story is inextricably tied with the story of America and with her husband's presidency, yet her life is an extraordinary chronicle on its own. Born into an aristocratic Kentucky family, she was an educated, well-connected Southern daughter, and when she married a Springfield lawyer she became a Northern wife--an experience mirrored by thousands of her countrywomen. The Lincolns endured many personal setbacks--including the death of a child and defeats in two U.S. Senate races--along the road to the White House. Mrs. Lincoln herself suffered scorching press attacks, but remained faithful to the Union and her wartime husband. She was also the first presidential wife known as the "First Lady," and it was in this role that she gained her lasting fame. The assassination of her husband haunted her for the rest of her life. Her disintegrating downward spiral resulted in a brief but traumatizing involuntary incarceration in an asylum and exile in Europe during her later years. One of the most tragic and mysterious of nineteenth-century figures, Mary Lincoln and her story symbolize the pain and loss of Civil War America.

Authoritative and utterly engrossing, "Mrs. Lincoln" is the long-awaited portrait of the woman who so richly contributed to Lincoln's life and legacy.

A sweeping historiographical collection, Reinterpreting Southern Histories updates and expands upon the iconic volumes Writing Southern History and Interpreting Southern History, both published by Louisiana State University Press. With nineteen original essays co-written by some of the most prominent historians working in southern history today, this volume boldly explores the current state, methods, innovations, and prospects of the richly diverse and transforming field of southern history. Two scholars at different stages of their careers coauthor each essay, working collaboratively to provide broad knowledge of the most recent historiography and an expansive vision for historiographical contexts. This innovative approach provides an intellectual connection with the earlier volumes while reflecting cutting-edge scholarship in the field. Underlying each essay is the cultural turn of the 1980s and 1990s, which introduced the use of language and cultural symbols and the influence of gender studies, postcolonial studies, and memory studies. The essays also rely less on framing the South as a distinct region and more on contextualizing it within national and global conversations. Reinterpreting Southern Histories, like the two classic volumes that preceded it, serves as both a comprehensive analysis of the current historiography of the South and a reinterpretation of that history, reaching new conclusions for enduring questions and establishing the parameters of future debates.

"The Women's War in the South: Recollections and Reflections of the American Civil War, edited by Charles G. Waugh and Martin H. Greenberg", recounts the manner in which Southern women experienced the war and the changes it brought about in their lives. Filled with excerpts from the letters, books, diaries, and postwar writings the women left behind, it reveals the other side of the war -- the women's war -- through first-person accounts of women running farms, buying and selling goods, working outside the home, serving as spies, and even participating in combat in disguise.

In Stepdaughters of History, noted scholar Catherine Clinton reflects on the roles of women as historical actors within the field of Civil War studies and examines the ways in which historians have redefined female wartime participation. Clinton contends that despite the recent attention, white and black women's contributions remain shrouded in myth and sidelined in traditional historical narratives. Her work tackles some of these well-worn assumptions, dismantling prevailing attitudes that consign women to the footnotes of Civil War texts. Clinton highlights some of the debates, led by emerging and established Civil War scholars, which seek to demolish demeaning and limiting stereotypes of southern women as simpering belles, stoic Mammies, Rebel spitfires, or sultry spies. Such caricatures mask the more concrete and compelling struggles within the Confederacy, and in Clinton's telling, a far more balanced and vivid understanding of women's roles within the wartime South emerges. New historical evidence has given rise to fresh insights, including important revisionist literature on women's overt and covert participation in activities designed to challenge the rebellion and on white women's roles in reshaping the war's legacy in postwar narratives. Increasingly, Civil War scholarship integrates those women who defied gender conventions to assume men's roles-including those few who gained notoriety as spies, scouts, or soldiers during the war. As Clinton's work demonstrates, the larger questions of women's wartime contributions remain important correctives to our understanding of the war's impact. Through a fuller appreciation of the dynamics of sex and race, Stepdaughters of History promises a broader conversation in the twenty-first century, inviting readers to continue to confront the conundrums of the American Civil War.

Title: The Hamilton Wedding: a humourous poem on the marriage of Lady Susan. Clydesdale Club Coursing, November, 1832. Sir Wyndham Anstruther's Silver Cup. By the author of Field Sports.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The POETRY & DRAMA collection includes books from the British Library digitised by Microsoft. The books reflect the complex and changing role of literature in society, ranging from Bardic poetry to Victorian verse. Containing many classic works from important dramatists and poets, this collection has something for every lover of the stage and verse. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Clinton, Susan Harriet Catherine; Anstruther, Windham Carmichael Bart; 1833. 26 p.; 8 . 11643.bbb.25.(5.)

A British stage star turned Georgia plantation mistress, Fanny Kemble is perhaps best remembered as a critic of slavery--and an influential opponent of this institution during the years leading up to the Civil War. By the mid-1830s, American society was firmly in the grip of Kemble's celebrity as an actress--young ladies adopted "Fanny Kemble curls," a tulip was named in her honor, and lecture attendance at Harvard fell so sharply on afternoons of Kemble's matinees that professors threatened to cancel classes. Catherine Clinton's insightful biography chronicles these early portraits of Fanny's life and shows how her role in society changed drastically after her bitter and short-lived marriage to the heir of a Georgia plantation owner, whom she derisively called her "lord and master." We witness the publication of Journal of a Residence on a Georgia Plantation, in which Kemble hauntingly records the "simple horror" and misery she saw among the slaves. The raw power of her words made for an influential anti-slavery tract, which swayed European sentiment toward the Union cause. The book was embraced by Northern critics as "a permanent and most valuable chapter in our history" (Atlantic Monthly).

In Fanny Kemble's Civil Wars, Catherine Clinton reveals how one woman's life reflected in microcosm the public battles--over slavery, the role of women, and sectionalism--that fueled our nation's greatest conflict and have permanently marked our history.

A sweeping historiographical collection, Reinterpreting Southern Histories updates and expands upon the iconic volumes Writing Southern History and Interpreting Southern History, both published by Louisiana State University Press. With nineteen original essays cowritten by some of the most prominent historians working in southern history today, this volume boldly explores the current state, methods, innovations, and prospects of the richly diverse and transforming field of southern history. Two scholars at different stages of their careers coauthor each essay, working collaboratively to provide broad knowledge of the most recent historiography and an expansive vision for historiographical contexts. This innovative approach provides an intellectual connection with the earlier volumes while reflecting cutting-edge scholarship in the field. Underlying each essay is the cultural turn of the 1980s and 1990s, which introduced the use of language and cultural symbols and the influence of gender studies, postcolonial studies, and memory studies. The essays also rely less on framing the South as a distinct region and more on contextualizing it within national and global conversations. Reinterpreting Southern Histories, like the two classic volumes that preceded it, serves as both a comprehensive analysis of the current historiography of the South and a reinterpretation of that history, reaching new conclusions for enduring questions and establishing the parameters of future debates.

A lively, comprehensive account of the struggle for women's rights at a vital time in our national history.

The American women who worked for our country's indepence in 1776 hoped the new Republic would grant them unprecedented power and influence. But it was not until the next century that a hardy group of pathbreakers began the slow march on the road to autonomy, a road American women continue to travel today. When The Other Civil War was first published in 1984, it was hailed as a thought-provoking narrative of women's lives, among the first books to bring together the new accomplishments of the then-infant discipline of women's history. This revised edition offers a thoroughly updated bibliography, including not only new books and articles but also Internet sources from the past fifteen years of innovative scholarship.

Nine killed in Charleston church shooting. White supremacists demonstrate in Charlottesville. Monuments decommissioned in New Orleans and Chapel Hill. The headlines keep coming, and the debate rolls on. How should we contend with our troubled history as a nation? What is the best way forward? This first book in UGA Press's History in the Headlines series offers a rich discussion between four leading scholars who have studied the history of Confederate memory and memorialization. Through this dialogue, we see how historians explore contentious topics and provide historical context for students and the broader public. Confederate Statues and Memorialization artfully engages the past and its influence on present racial and social tensions in an accessible format for students and interested general readers. Following the conversation, the book includes a "Top Ten" set of essays and articles that everyone should read to flesh out their understanding of this contentious, sometimes violent topic. The book closes with an extended list of recommended reading, offering readers specific suggestions for pursuing other voices and points of view.

Films possess virtually unlimited power for crafting broad interpretations of American history. Nineteenth-century America has proven especially conducive to Hollywood imaginations, producing indelible images like the plight of Davy Crockett and the defenders of the Alamo, Pickett's doomed charge at Gettysburg, the proliferation and destruction of plantation slavery in the American South, Custer's fateful decision to divide his forces at Little Big Horn, and the onset of immigration and industrialization that saw Old World lifestyles and customs dissolve amid rapidly changing environments. Balancing historical nuance with passion for cinematic narratives, Writing History with Lightning confronts how movies about nineteenth-century America influence the ways in which mass audiences remember, understand, and envision the nation's past. In these twenty-six essays- divided by the editors into sections on topics like frontiers, slavery, the Civil War, the Lost Cause, and the West- notable historians engage with films and the historical events they ostensibly depict. Instead of just separating fact from fiction, the essays contemplate the extent to which movies generate and promulgate collective memories of American history. Along with new takes on familiar classics like Young Mr. Lincoln and They Died with Their Boots On, the volume covers several films released in recent years, including The Revenant, 12 Years a Slave, The Birth of a Nation, Free State of Jones, and The Hateful Eight. The authors address Hollywood epics like The Alamo and Amistad, arguing that these movies flatten the historical record to promote nationalist visions. The contributors also examine overlooked films like Hester Street and Daughters of the Dust, considering their portraits of marginalized communities as transformative perspectives on American culture. By surveying films about nineteenth-century America, Writing History with Lightning analyzes how movies create popular understandings of American history and why those interpretations change over time.

Tracing the development of the field of southern women's history over the past half century, Sisterly Networks shows how pioneering feminists laid the foundation for a strong community of sister scholars and delves into the work of an organization central to this movement, the Southern Association for Women Historians (SAWH).Launched in 1970, the SAWH provided programming, mentoring, fundraising, and outreach efforts to support women historians working to challenge the academic establishment. In this book, leading scholars reflect on their own careers in southern history and their experiences as women historians amid this pathbreaking expansion and revitalization of the field. Their stories demonstrate how women created new archival collections, expanded historical categories to include gender and sexuality, reimagined the roles and significance of historical women, wrote pioneering monographs, and mentored future generations of African American women and other minorities who entered the academy and contributed to public discourse. Providing a lively roundtable discussion of the state of the field, contributors comment on present and future work environments and current challenges in higher education and academic publishing. They offer profound and provocative insights on the ways scholars can change the future through radically rewriting the gender biases of recorded history.

Over a decade ago, the publication of Divided Houses ushered in a new field of scholarship on gender and the Civil War. Following in its wake, Battle Scars showcases insights from award-winning historians as well as emerging scholars. This volume depicts the ways in which gender, race, nationalism, religion, literary culture, sexual mores, and even epidemiology underwent radical transformations from when Americans went to war in 1861 through Reconstruction. Examining the interplay among such phenomena as racial stereotypes, sexual violence, trauma, and notions of masculinity, Battle Scars represents the best new scholarship on men and women in the North and South and highlights how lives were transformed by this era of tumultuous change.

Whether it was planter patriarchs struggling to maintain authority, or Jewish families coerced by Christian evangelicalism, or wives and mothers left behind to care for slaves and children, the Civil War took a terrible toll. From the bustling sidewalks of Richmond to the parched plains of the Texas frontier, from the rich Alabama black belt to the Tennessee woodlands, no corner of the South went unscathed. Through the prism of the southern family, this volume of twelve original essays provides fresh insights into this watershed in American history.

Whether it was planter patriarchs struggling to maintain authority, or Jewish families coerced by Christian evangelicalism, or wives and mothers left behind to care for slaves and children, the Civil War took a terrible toll. From the bustling sidewalks of Richmond to the parched plains of the Texas frontier, from the rich Alabama black belt to the Tennessee woodlands, no corner of the South went unscathed. Through the prism of the southern family, this volume of twelve original essays provides fresh insights into this watershed in American history.

Henry James called Fanny Kemble's autobiography "one of the most animated autobiographies in the language." Born into the first family of the British stage, Fanny Kemble was one of the most famous woman writers of the English-speaking world, a best-selling author on both sides of the Atlantic. In addition to her essays, poetry, plays, and a novel, Kemble published six works of memoir, eleven volumes in all, covering her life, which began in the first decade of the nineteenth century and ended in the last. Her autobiographical writings are compelling evidence of Kemble's wit and talent, and they also offer a dazzling overview of her transatlantic world.

Kemble kept up a running commentary in letters and diaries on the great issues of her day. The selections here provide a narrative thread tracing her intellectual development especially her views on women and slavery. She is famous for her identification with abolitionism, and many excerpts reveal her passionate views on the subject. The selections show a life full of personal tragedy as well as professional achievements. An elegant introduction provides a context for appreciating Kemble's remarkable life and achievements, and the excerpts from her journals allow her, once again, to speak for herself.

In Portraits of American Women, editors G. J. Barker-Benfield and Catherine Clinton present twenty-five short essays on American women beginning with Pocahontas and ending with Betty Friedan.

Focusing on women who have made significant contributions in the areas of art, literature, political engagement, educational activities, or reform movements, the portraits provide a vital perspective through which the great panorama of social change in the American past can be understood.

The Devil's Lane highlights important new work on sexuality, race, and gender in the South from the seventeenth to the nineteenth centuries. Contributors explore legal history by examining race, crime and punishment, sex across the colour line, and slander. Emerging stars and established scholars such as Peter Wood and Carol Berkin weave together the fascinating story of competing agendas and clashing cultures on the southern frontier.

When Europeans settled in the early South, they quarreled over many things--but few imbroglios were so fierce as battles over land. Landowners wrangled bitterly over boundaries with neighbors and contested areas became known as "the devil's lane." Violence and bloodshed were but some of the consequences to befall those who ventured into these disputed territories.

The Devil's Lane highlights important new work on sexuality, race, and gender in the South from the seventeeth- to the nineteenth-centuries. Contributors explore legal history by examining race, crime and punishment, sex across the color line, and slander. Emerging stars and established scholars such as Peter Wood and Carol Berkin weave together the fascinating story of competing agendas and clashing cultures on the southern frontier. One chapter focuses on a community's resistance to a hermaphrodite, where the town court conducted a series of "examinations" to determine the individual's gender. Other pieces address topics ranging from resistance to sexual exploitation on the part of slave women to spousal murders, from interpreting women's expressions of religious ecstasy to a pastor's sermons about depraved sinners and graphic depictions of carnage, all in the name of "exposing" evil, and from a case of infanticide to the practice of state-mandated castration.

Several of the authors pay close attention to the social and personal dynamics of interracial women's networks and relationships across place and time. The Devil's Lane illuminates early forms of sexual oppression, inviting comparative questions about authority and violence, social attitudes and sexual tensions, the impact of slavery as well as the twisted course of race relations among blacks, whites, and Indians. Several scholars look particularly at the Gulf South, myopically neglected in traditional literature, and an outstanding feature of this collection.

These eighteen original essays reveal why the intersection of sex and race marks an essential point of departure for understanding southern social relations, and a turning point for the field of colonial history. The rich, varied and distinctive experiences showcased in The Devil's Lane provides an extraordinary opportunity for readers interested in women's history, African American history, southern history, and especially colonial history to explore a wide range of exciting issues.

Long relegated to the margins of historical research, the history of women in the American South has rightfully gained prominence as a distinguished discipline. A comprehensive and much-needed tribute to southern women's history, "Half Sisters of History "brings together the most important work in this field over the past twenty years.
This collection of essays by pioneering scholars surveys the roots and development of southern women's history and examines the roles of white women and women of color across the boundaries of class and social status from the founding of the nation to the present. Authors including Anne Firor Scott, Elizabeth Fox-Genovese, Jacquelyn Dowd Hall, and Nell Irwin Painter, among others, analyze women's participation in prewar slavery, their representation in popular fiction, and their involvement in social movements. In no way restricted to views of the plantation South, other essays examine the role of women during the American Revolution, the social status of Native American women, the involvement of Appalachian women in labor struggles, and the significance of women in the battle for civil rights. Because of their indelible impact on gender relations, issues of class, race, and sexuality figure centrally in these analyses.
"Half Sisters of History" will be important not only to women's historians, but also to southern historians and women's studies scholars. It will prove invaluable to anyone in search of a full understanding of the history of women, the South, or the nation itself.
"Contributors," Catherine Clinton, Sara Evans, Elizabeth Fox-Genovese, Jacquelyn Dowd Hall, Jacqueline Jones, Suzanne D. Lebsock, Nell Irwin Painter, Theda Perdue, Anne Firor Scott, Deborah Gray White