This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Oeuvres De Madame Durand C. Bedacier, Nee Durand]... ontenant Des Romans]; Oeuvres De Madame Durand C. Bedacier, Nee Durand]... ontenant Des Romans]; Catherine Durand Catherine Durand

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

The second half of the seventeenth century marked the first major breakthrough for women playwrights in France, as some of them succeeded in getting their works staged, published and taken seriously by critics and authority figures. The four works included here, translated into English for the first time, represent the diversity of genres cultivated by these writers, while reflecting both the cultural milieu of the era and a concern for the status of women. Francoise Pascal's Endymion, a tragicomedy with special effects, daringly reexamines a classical myth. Marie-Catherine Desjardins's Nitetis, a historical tragedy, focuses on the plight of a virtuous and astute queen married to an evil tyrant. Antoinette Deshoulieres's Genseric, also a historical tragedy, rejects prevailing models of male heroism and of conventional tragic plots. Catherine Durand's proverb comedies contain a scathing critique of aristocratic mores and give voice to women's desires for emancipation.